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    get the popcorn ready

    New film festival in famed Round Top, Texas will spotlight indie movies

    Amber Heckler
    Jun 20, 2024 | 6:15 pm
    Round Top Festival Institute Concert Hall, Round Top Film Festival

    The first Round Top Film Festival is bringing lively independent films to local audiences.

    Photo courtesy of Round Top Festival Institute

    Round Top has been evolving from a small Texas town known for its biannual antiques show into a place where all types of creativity shines. The city's newest venture – the Round Top Film Festival – will showcase the dynamic talent of independent filmmakers from November 7-10.

    The inaugural film fest plans to screen about 40 films throughout the four-day extravaganza, including full-length feature films, documentaries, short films, music videos, and "Texas classics," according to a press release. Each screening will be followed by question-and-answer sessions with the filmmaking team to give audience members exclusive opportunities to learn about a film's creative process.

    The Round Top Festival Institute's iconic Concert Hall will serve as the main film screening venue, while select screenings, a vendor market, "interactive pavilion activities," and the festival box office will be located at The 550 District.

    The festival's cofounders, mother-daughter duo and longtime Round Top residents Shanna and Skylar Schanen, are hoping to ignite a community-wide appreciation for the independent film industry while bolstering first-time filmmakers' projects, they say.

    "Some films never see the light of day after a final cut is produced; film festivals offer a vital platform for emerging and established artists alike to create and exhibit their work, potentially launching careers in an industry hungry for fresh voices," Skylar Schanen said in a statement. "We're excited to welcome the film community to Round Top and are eager to cultivate opportunities for networking, education, and celebrating the beauty of visual storytelling."

    The Schanens have tapped several notable independent film veterans for RTFF's leadership team, such as programming director Mickey Duzdevich, festival director Blair Hunt, and marketing strategist Michele Tharp. Duzdevich spent over 14 years working at the Santa Barbara International Film Festival while pursuing other opportunities in the film industry, while Hunt has worked for the world-renowned Sundance Film Festival, Sonoma Film Festival, and more.

    "The ability to program the inaugural Round Top Film Festival represents a unique touchpoint in my career, and I am eager to utilize the experience, connections, and overall base of knowledge I have accrued in my time in the industry to deliver a dynamic, engaging, and enticing film lineup that both reflects and enhances the inimitable small-town allure of Round Top," Dudzevich said.

    The Round Top Film Festival is currently accepting film submissions, and discounted early bird passes are on sale until Wednesday, July 31. More information about the film festival can be found on roundtopfilmfest.org.

    round topfilm festivalentertainment
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    Two-Five-Eight

    Deaf performers and audiences get spotlight in new Dallas variety show

    Lindsey Wilson
    Aug 15, 2025 | 4:17 pm
    Rebekah Covington
    Photo courtesy of Prism Movement Theater
    Rebekah Covington is one of the hosts of '258.'

    The Dallas-based Prism Movement Theater is reimagining what accessible performance can look like with its upcoming 258 (Very Interesting) Deaf Variety Show, a cabaret-style celebration of Deaf performers, Deaf culture, and visually captivating art forms.

    Directed by Alix Gavin, Rebekah Covington, and Jeffrey Colangelo, the show promises an evening of dance, circus, clowning, fire performance, and ASL poetry, all intentionally designed with Deaf audiences in mind.

    “For years, we’ve had the feeling that Prism’s unique approach to wordless theater would work excellently for the needs of Deaf audiences,” says Colangelo, Prism’s artistic director. “After collaborating with Deaf artists Rebekah Covington and Alix Gavin, we discovered we had the chance to create something that didn’t just make theater accessible, but truly centered Deaf experiences.”

    That focus drives every element of 258. Too often, Colangelo explains, “Deaf-accessible” productions require audiences to glance away from the action to watch an interpreter, an arrangement that can cause them to miss pivotal moments. This time, the interpreters aren’t off to the side translating for Deaf audiences. Instead, they’re there for the hearing crowd, translating a show that is performed entirely in ASL and visually rich movement.

    “With our upcoming Deaf Variety Show, we’ve designed the performances so the audience will never have to turn away from the action to enjoy it,” Colangelo says. “ASL becomes the movement art we focus on, with our hosts, Alix and Rebekah, speaking entirely in ASL to introduce the acts. It’s truly a show designed by Deaf artists for Deaf audiences.”

    Still, hearing audiences are more than welcome. “We highly encourage them to attend as well,” Colangelo adds. “They’ll get to immerse themselves in Deaf culture, while enjoying a night filled with poetry, fire, clowning, and circus.”

    The show’s name — 258 — comes from ASL slang meaning “very interesting.” It’s an apt descriptor for a production where every act, from Deaf dancer Kenjuto Jerome to Deaf comedian Sabrina Mercado, has been curated for maximum visual and cultural impact. Clowns Shanthany Wilkerson and Jonah Gutierrez bring physical comedy into the mix, while the glow of candlelight and the intimacy of the cabaret format create a communal atmosphere.

    Performances will take place at multiple Dallas venues:


    • Artstillery Building – August 22 & 23 at 7:30 pm
    • Bachman Lake Recreation Center – September 5 at 7 pm
    • Dallas Children’s Theater – September 13 at 7:30 pm

    Tickets are $15 and available at prismmovementtheater.org/tickets.

    For Prism, 258 is part of a larger mission. Since 2017, the company has expanded its work in underserved Dallas communities, producing original movement-based theater that blends inclusivity, artistry, and community engagement. With 258, which is supported by a Moody Fund for the Arts grant, they’re taking that ethos further, ensuring that Deaf audiences aren’t just accommodated, but celebrated.

    accessible performanceasldallas childrens theaterdeaf and hearing audiencesdeaf artistsdeaf audiencesdeaf comediandeaf communitydeaf hostsdeaf performersdeaf variety showdeaffriendly performancesmoody arts fundprism movement theatertheatervariety show
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