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    Concert Review

    Taylor Swift wows crowd at first of three sold-out nights in Arlington

    Geoff Keah
    Apr 1, 2023 | 3:34 pm
    Taylor Swift

    Taylor Swift blew them away at AT&T Stadium in Arlington.

    Photo by John Medina/Getty Images

    Friday night, pop megastar Taylor Swift brought the first of three sold out nights to AT&T Stadium in Arlington, delivering a three-hour show that spanned highlights of her illustrious career.

    Called the "Eras Tour," it's part of a U.S. tour that began in March and extends through August and serves as a career retrospective, featuring tracks pulled from key albums including Lover, Fearless, and Evermore.

    Swift is only 33, but already has 10 albums under her belt, and has explored a variety of genres, from country to pop to indie. The show artfully displayed her evolution as an artist, demonstrating how she has matured from teen pop star to seasoned performer able to connect with a wide demographic.

    Every performer has fans but a Taylor Swift show is on another level: Virtually every one of the 70,000 people in attendance at AT&T seemed to know every song and every lyric. The audience was probably 80 percent women, lending a subtly empowering aspect. (I had seats on the floor and counted a total of 10 guys in my section, which had about 60-80 seats.)

    The show was impressively staged. After openers Muna and Gayle had completed their sets, Swift's entrance was preceded by the image of a countdown clock, ticking down, setting off a wave of raucous screams.

    The show cycled through albums, with Swift performing a few tracks from each, though not necessarily in chronological order. It was almost like a series of well-orchestrated mood swings, from fast-paced dance hits to the more subdued music of her 2020 album Folklore.

    In between albums, the show would pause for mini-interludes, oftentimes with a video, serving as a transition and giving the stage crew time to quickly usher in a new set of props, many quite elaborate.

    For example, the Folklore segment featured a quaint moss-covered A-frame house, complete with a chimney wafting smoke, as she crooned to the tour debut of her hit "The 1."

    Taylor Swift 3-31-2023Set piece from Taylor Swift show at AT&T Stadium in ArlingtonGeoff Keah

    During her Evermore set, a background video showed a dark, moonlit forest adorned with dark green trees reaching into the sky. Black-cloaked dancers emerged, slowly swinging glowing orange orbs as Swift crooned the haunting lyrics to her hit "Willow."

    That segued into her Reputation album, summoning the fast-paced energy reminiscent of her 2018 tour, as she kicked it off with the rambunctious hit "…Ready For It?"

    She also played the 10-minute version of "All Too Well" from the Red album, a song that was originally five minutes long but which she re-recorded in her effort to regain control of her music after her back catalog was sold behind her back.

    Setlists for this tour are being posted hours after each performance, including shows in Arizona and Las Vegas, a fact that Swift playfully acknowledged.

    “You think you can just scroll the setlist? You think you can just come prepared? Let it be said about The Eras Tour … there’s hijinks,” she said, before offering surprise acoustic renditions of "Sad Beautiful Tragic" and "Ours."

    The final half hour closed out with hits from her latest album Midnights, including “Lavender Haze” and “Anti-Hero." There wasn't an encore, but after a sprawling three-hour set that never flagged, it wasn't needed or missed.

    Leading up to the weekend, there were gloomy reports anticipating traffic issues, but many fans arrived early and entrance to the venue went smoothly with virtually no lines even an hour prior to the show.

    She'll be in Arlington for two more nights, on April 1 and 2.

    Taylor Swift 3-31-2023
      

    scontent-dfw5-2.xx.fbcdn.net

    Taylor Swift at AT&T Stadium in Arlington, 3-31-2023

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    Movie Review

    Campy horror film sequel M3GAN 2.0 is a prime summer release

    Alex Bentley
    Jun 27, 2025 | 12:43 pm
    M3GAN in M3GAN 2.0
    Photo by Geoffrey Short/Universal Pictures
    M3GAN in M3GAN 2.0.

    When a studio releases a movie in January (aka Dumpuary), the general rule of thumb is that they’re trying to get rid of a movie that isn’t very good. Of course, there are exceptions to every rule, as M3GAN was in 2023, which rode the comedy of a killer AI robot who likes to dance to over $180 million worldwide.

    A sequel was a given, and now with a built-in fanbase, M3GAN 2.0is a prime summer release. After running into trouble with her robot invention, Gemma (Allison Williams) has seemingly seen the error of her ways, now focused on creating things like a mechanical exoskeleton that can benefit society. Little does she know that the code she used to create M3GAN (aka Model 3 Generative Android) has been co-opted to create AMELIA (Ivanna Sakhno), a new robot which is being used for nefarious purposes.

    Naturally, the only thing to do is to bring M3GAN (played by Amie Donald, voiced by Jenna Davis) back from the “dead,” which is easy to do because - surprise! - she has been lurking inside the smart house in which Gemma and her niece Cady (Violet McGraw) now live. The inevitable showdown between the two robots is alternately helped and hindered by people like billionaire Alton Appleton (Jemaine Clement), fellow tech entrepreneur Christian (Aristotle Athari), co-worker Cole (Brian Jordan Alvarez), and others.

    Written and directed by Gerard Johnstone, who also directed the first film, M3GAN 2.0 doesn’t stray from the original formula, delivering way more laughs than scares. Because there’s a familiarity with the character, Johnstone leans into the campy side of things, essentially winking at the audience for much of the film. Whether it’s temporarily imprisoning M3GAN in an innocuous desktop robot or a number of one-liners, there is a lot of comedy to be found.

    The film is a type of horror, though, and it delivers in the mild, PG-13 way that won’t offend non-horror fans. AMELIA (aka Autonomous Military Engagement Logistics and Infiltration Android) gives off Terminator vibes, and she lays waste to virtually all challengers. M3GAN doesn’t get to show off her skills as much as she did last time, which might be a tad frustrating for some, but she gets in enough punches and kicks for the experience to be worth it.

    The story itself starts off strong before devolving into an overly complicated mess. The arc of AMELIA is particularly strange, as the strength of her powers and the level of her autonomy seem to change at will in the second half of the film. Gemma develops a rivalry with another character that might have worked better if it had been hinted at early in the film instead of being dropped in as a surprise.

    Davis’ voice performance as M3GAN is once again fantastic, as she delivers sarcasm and menace equally well. Sakhno isn’t asked to do much but look terrifying, and she accomplishes that job. Williams is up and down in her role, stronger in the moments when she’s not being asked to prove her tech bona fides. Clement is his usual over-the-top self, which suits his character.

    As with the first film, if you go into M3GAN 2.0 not expecting anything more than some goofy violent robot action, you’ll walk away satisfied. The unlikely breakout hit for Blumhouse Productions may not be able to support a good story, but it entertains in the way it’s supposed to do.

    ---

    M3GAN 2.0 is now playing in theaters.

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