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    Art In Bloom

    2 favorite spring festivals brings beats and brushstrokes to Richardson

    CultureMap Create
    Apr 30, 2025 | 12:00 pm
    Cottonwood Art Festival

    Bring the whole family to this free event.

    Photo courtesy of Cottonwood Art Festival

    Add two festivals to the list of things blooming in Richardson each spring: Cottonwood Art Festival and Wildflower! Arts & Music Festival.

    It’s the 56th year for Cottonwood Art Festival (May 3-4) and the 33rd for Wildflower! Arts & Music Festival (May 16-18). Here’s what you need to know about both:

    Cottonwood Art Festival

    What to expect: No matter your art personality type, you’ll find something to love amid more than 200 global artists’ juried work, spanning paintings and sculpture to ceramics, jewelry, fiber art, fine glass, woodwork, mixed media, and photography.

    Make sure to look for this year's featured artist, Elissa Brown, an imaginative illustrator and storyteller whose whimsical works are equal parts heart and humor.

    Her current studio is located outside Kansas City, Missouri, but this May, she returns “home” to Texas to share her newest creations at Cottonwood. Brown’s artistic brand, The Freckled Army, pays tribute to her grandmother, whose red hair and freckles she inherited.

    She builds layered paper environments and woodcut characters that blend fantastical storytelling with what she calls “absurd narratives.” Brown's theatrical background in set design shines through in her work, which often feels like a scene from a storybook springing to life.

    There’s also live music across two stages along with an arts-and-crafts area for the kiddos and plenty of food and drink for all on tap.

    Where: Cottonwood Park, 1321 W. Belt Line Rd.

    When: Saturday, May 3, 10 am-7 pm; Sunday, May 4, 10 am-5 pm.

    Tickets: Admission and parking are both free, with shuttles running continuously between the park and the Richardson High School football stadium lot.

    History lesson: Celebrating 56 years, the award-winning Cottonwood Art Festival is a twice-yearly juried show that has become a signature art event in the community and beyond. The festival also provides innovative outreach programs for students, with the goal of broadening interest in visual arts and bringing the art world into classrooms.

    More details: CottonwoodArtFestival.com

    Wildflower! Arts & Music Festival

    What to expect: With six stages and 100-plus performers, including Young the Giant, NEEDTOBREATHE, The Revivalists, Cold War Kids, Sugar Ray, Black Joe Lewis & The Honeybears, and more, your listening schedule will be packed at this fest.

    Beyond the stages, the Prosperity Bank Marketplace is a one-stop-shop for local and regional accessories, art, home decor, apparel, and more.

    There’s also art guitar auction, songwriter competition, and craft beer garden and Chloe wine garden. Plus, look for Wildflower! Kids, a family-fun zone with art, games, informative activities, and kid-friendly tunes.

    Where: Galatyn Park Urban Center, located at Galatyn Parkway and U.S. 75.

    When: Friday, May 16, 6 -11:30 pm; Saturday, May 17, noon-11:30 pm; Sunday, May 18, noon-6 pm.

    Tickets: Friday and Saturday are $30 online ($45 at the gate), Sunday is $15 online ($25 at the gate), and kids 12 and under are free. Richardson residents can score tickets for only $15.

    A three-day pass is $65, but the popular Friends of the Festival VIP package is already sold out. New this year is the single-day VIP ticket for $50, which grants you all the amenities of general admission plus access to preferred VIP seating at Methodist Richardson Medical Center Stage, complimentary food and beverages (including beer and wine), shade and relaxed seating in the VIP Hospitality Lounge, and one VIP parking pass. As of this writing, only Sunday remains for these new single-day VIP tickets.

    Parking: Complimentary parking will be available within the nearby surrounding area. Festival-goers are encouraged to take advantage of the DART Red Line light rail, which stops at the Galatyn Park Station, located immediately adjacent to the west side of the festival grounds.

    History lesson: Wildflower! began as a small community gathering in 1993 and has since become one of the most popular cultural events in North Texas, with tens of thousands of fans showing up for their favorite artists.

    More details: WildflowerFestival.com

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    Dance Off

    Texas ballet company turns Timothée Chalamet dig into genius promotion

    Brianna Caleri
    Mar 13, 2026 | 1:12 pm
    Timothée Chalamet
    Courtesy
    undefined

    It was a shot fired from Austin that rang out around the art world: In a recent CNN/Variety Town Hall featuring actors Timothée Chalamet and Matthew McConaughey, Chalamet offered an assessment of ballet and opera that immediately went viral.

    During the onstage conversation at the University of Texas at Austin, Chalamet said, "I don't want to be working in ballet or opera, or you know, things where it's like, 'hey, keep this thing alive, even though like no one cares about this anymore.' All respect to the ballet and opera people out there. I just lost 14 cents in viewership."

    Chalamet immediately seemed to experience a twinge of regret, awkwardly adding, "But um...damn, I just took shots for no reason." He also sang a note and hid his face behind the cards he was holding.

    Stars of the art forms, from Andrea Bocelli to Misty Copeland, immediately began to leap (jeté, if you will) to the the defense of opera and ballet.

    In a genius marketing move, Austin's hometown ballet company is taking the unique opportunity to turn a hot topic into a promotion for its next production: Ballet Austin is inviting anyone named Timothée, Timothee, or Timothy to claim a free ticket to its upcoming world premiere of Marie Antoinette: Vampire Queen of Versailles, running March 27-29 at the Long Center for the Performing Arts.

    "Timothée… you were in Austin? We were literally down the street," a Ballet Austin post says. "Austin has brisket. Austin has music. Austin also has ballet."

    All Timothées and folks with similar names will have to do to claim a ticket is send a message to Ballet Austin on social media and show identification. Everyone else who wants to see the supernatural show where "the line between victim and villain blurs" will have to purchase a ticket ($25-$125) at balletaustin.org.

    Ballet Austin Marie Antoinette: Vampire Queen of Versailles Ballet Austin isn't afraid to add some edge to classic stories. Photo courtesy of Ballet Austin

    Even if Chalamet's words were dismissive, he's obviously not wrong about the relative distribution of public interest between the classical arts and major films like Marty Supreme, the late 2025 film he stars in and is busy promoting. The film's commercially successful release set a record for A24, an already renowned studio.

    Chalamet brought up ballet and opera in service of a larger point about pacing in movies. He said he exists in a middle ground as a consumer between wanting to be drawn in early and being more patient as a film progresses. Ultimately, he juxtaposed Barbie and Oppenheimer with the classical arts, pointing out that if the masses want to go see a film, they will "be loud and proud about it" organically, without needing performers to advocate for the seriousness of the art form.

    Coincidentally, there couldn't be a better counterpoint to this argument than Marie Antoinette: Vampire Queen of Versailles.

    As the title suggests, the story follows historical figure Marie Antoinette as she chooses to become a vampire, seeking "power, immortality, and vengeance," according to a press release. It takes a somewhat silly premise and gives it dramatic gravitas, with an original score by Austin composer Graham Reynolds, who is known outside of classical circles and sometimes composes for movie soundtracks.

    "For Ballet Austin, the moment is an opportunity to remind audiences that ballet isn’t fading away," says a release about the new promotion. "It’s evolving, drawing new audiences and continuing to thrive in creative cities like Austin."

    If Chalamet really does fall in the middle of instant and delayed artistic gratification, this sounds like the perfect production to draw him in.

    And perhaps Ballet Austin should add people named Matthew to their promotion, since McConaughey threw the younger star a bone after his momentary walk-back, saying, "That's not a shot — I hear what you're saying."

    ---

    Stephanie Allmon Merry contributed to this story.

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