Ted Larsen’s studio practice eschews a single theme or didactic agenda. Throughout his sculptural practice, the works keep possession of a formality and elegance, while at the same time poking fun of modernist purity. Larsen creates abstract sculptures from salvaged materials, or “non-art materials,” as he calls them, re‐purposing “detritus” in order to ‘re-contextualize’ its meaning. The 17 small scale sculptural constructions in “All In All” are based on a pattern system.
Following the opening reception, the exhibit will be on view through March 31.
Ted Larsen’s studio practice eschews a single theme or didactic agenda. Throughout his sculptural practice, the works keep possession of a formality and elegance, while at the same time poking fun of modernist purity. Larsen creates abstract sculptures from salvaged materials, or “non-art materials,” as he calls them, re‐purposing “detritus” in order to ‘re-contextualize’ its meaning. The 17 small scale sculptural constructions in “All In All” are based on a pattern system.
Following the opening reception, the exhibit will be on view through March 31.
Ted Larsen’s studio practice eschews a single theme or didactic agenda. Throughout his sculptural practice, the works keep possession of a formality and elegance, while at the same time poking fun of modernist purity. Larsen creates abstract sculptures from salvaged materials, or “non-art materials,” as he calls them, re‐purposing “detritus” in order to ‘re-contextualize’ its meaning. The 17 small scale sculptural constructions in “All In All” are based on a pattern system.
Following the opening reception, the exhibit will be on view through March 31.
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