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    The Doctor's Daughter Finds Her Words

    Seasoned Dallas journalist Pamela Gwyn Kripke gets into the eBook game

    Claire St. Amant
    Jul 4, 2013 | 1:22 pm

    Growing up as a doctor's daughter, Pamela Gwyn Kripke dissected animal hearts at the kitchen table. She would later trade in a pre-med major at Brown University for one in journalism, but she never lost her homegrown love of science.

    This fascination with the medical world takes center stage in Kripke’s first eBook, Doctor’s Daughter. It’s mini-memoir of sorts and a moving tribute to the life of her father.

    A self-described technology neophyte, Kripke is probably one of the few eBook authors to pen her first draft by hand. But she felt the eBook format was the right fit her what she calls her “little book.”

    “It’s a funny length, but now there’s an opportunity for funny length things,” Kripke says. “A regular book can’t be 22 pages, and you can’t put that in a magazine. But it came out like that. It was all it needed to be.”

    Kripke is an accomplished journalist who was written for the New York Times, Salon, Huffington Post and D Magazine. The University Park resident recently sat down with CultureMap to discuss the process of publishing Doctor’s Daughter, which hit virtual shelves July 1.

    CultureMap: You open the book by saying you’ve regretted not giving your father’s eulogy since the day he died. Have you been writing this book ever since?

    Pamela Gwyn Kripke: He died 19 years and 11 months ago, but these things mull and they stay with you. I could have written it then, but I think it’s taken some years to realize all the things I wanted to say. You look back and think, “Why didn’t I stand up and say something?” Now I would stand up, and I feel really guilt about it, even after nearly 20 years.

    CM: The book also features stories about your mom and brother. How did they feel about the book?

    PGK: Oh, they don’t know. I didn’t tell them, not yet anyway. I write a lot of stuff and don’t tell them. I think in certain ways my brother would feel bad. He has no clue. He probably doesn’t even remember saying that we shouldn’t give a eulogy.

    I think my mom would want to talk about it and go over it, and I don’t want to get into that right now. At some point I will tell them that it’s out there, and they should read it. But now I want to experience it for my own without having to deal with their emotions about it.

    CM: How did you decide which stories to include?

    PGK: Life and death is what doctors deal with and talk about all the time. I wanted to alternate between stories about his life and about dealing with his death and to create some connection between the two.

    I connected the last sentence of each section to the first sentence of the next section. It was actually a fun thing to do as a writer. It was an enjoyable process. I thought about subtitling it “Life and death with a physician father,” but I decided that I didn’t want death in the subtitle. I think that’s a turnoff to buyers.

    CM: People often say that funerals give them closure. Your father’s didn’t seem to have that effect. Did the finishing this book give you a sense of closure?

    PGK: Dying is really bad. I think that people cope by saying it’s okay, but I really think that some times it’s not okay. In this particular case he was very young, only 64, and a very vibrant guy. There was a lot he didn’t get to experience with us.

    As a doctor, he knew what was going on. He was reading his own charts and X-rays. But he totally ignored it. He didn’t say the word cancer once. So I couldn’t say “Dad, how are you feeling about this?” There’s none of that goodbye stuff. And that’s a painful thing.

    CM: What do you hope people will take away after reading your book?

    PGK: Look at your family situation and realize that everyone is unique and really appreciate what your parents do. Also, you have to say what you think at the time. You don’t get a lot of shots at things, and you don’t want to have regrets. Now I’m right out there with it. Speak up. What’s the worst thing that could happen?

    --

    Doctor's Daughter is available via Amazon.com for $2.99.

    Pamela Gywn Kripke writes for a variety of publications.

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    Theater Critic Picks

    DFW theater heats up with 14 must-see shows this February

    Lindsey Wilson
    Feb 2, 2026 | 9:03 am
    Kitchen Dog Theater presents Pompeii!!
    Photo by Jordan Fraker
    Kitchen Dog Theater is opening its new performance space with a remounting of 'Pompeii!!'

    It's cold outside but hot onstage, as evidenced by this extra-large list of plays and musicals opening in Dallas-Fort Worth this month. From theater festivals to one-night-only concerts, world premieres and returns to old favorites, there truly is something for everyone in February.

    Here are 14 shows appearing in Dallas-Fort Worth theaters in January, listed in order of start date:

    Hype Man: A Break Beat Play
    Jubilee Theatre, through February 28
    A pulse-pounding, thought-provoking work by Idris Goodwin that explores friendship, accountability, and the often-unseen creative forces shaping hip-hop culture. It follows three artists on the brink of a breakthrough: a rising rap star, his longtime hype man, and a gifted woman beat maker whose sound fuels their success. When an unexpected crisis erupts on the eve of a career-defining performance, all three must confront difficult truths about loyalty, responsibility, and whose voices are truly heard when the spotlight hits.

    Gem of the Ocean
    Soul Rep Theatre Company, February 5-22
    Set in 1904, August Wilson's Gem of the Ocean begins the playwright's legendary Century Cycle with a spiritual journey toward freedom and redemption. Through the mystical presence of Aunt Ester, a 285-year-old spiritual guide, Wilson weaves a powerful meditation on memory, responsibility, and Black survival.

    Pompeii!!
    Kitchen Dog Theater, February 11-March 8
    Opening their brand-new home in the Design District, Kitchen Dog Theater co-artistic directors Christopher Carlos and Tina Parker will direct a remounting of the company's first-ever company-created musical. Under the shadow of a volcano, the citizens of Pompeii sing, dance, and tell jokes in this zany vaudeville show. It's togas and tap shoes, centurions and sing-alongs in the timely satire of nationalistic hubris and narcissistic excess.

    Medea/Liturgia
    Cara Mía Theatre, February 7-22
    This world premiere of a contemporary, multimedia adaptation of the Greek tragedy Medea is written and directed by Diego Fernando Montoya, Colombia’s 2025 National Playwriting Award winner. The production reimagines Medea through a modern lens that confronts imperialism, immigration, and rebellion.

    22nd International Theatre Festival
    Teatro Dallas, February 7, 14, 21
    The festival takes place over three weeks, featuring three separate productions from Portugal, England, and Argentina.

    Six
    Broadway at the Bass, February 10-15
    Divorced, beheaded, died, divorced, beheaded, survived. From Tudor queens to pop icons, the six wives of Henry VIII take the microphone to remix 50 years of historical heartbreak into a euphoric celebration of 21st-century girl power.

    Dallas Divas
    Lyric Stage, February 11
    This one-night-only event serves as a fundraiser for Lyric Stage, with some of Dallas' most talented voices singing songs that run the gamut from Broadway to pop.

    Bull in a China Shop
    Amphibian Stage, February 11-March 1
    This is an explosive queer romantic comedy set amidst the fight for women’s rights. Galloping across four decades at Mount Holyoke, Mary Woolley and Jeannette Marks light fires in the classroom and in the bedroom. As their ambitions grow bolder, so do the cracks in their relationship.

    The Skin of Our Teeth
    Undermain Theatre, February 12-March 8
    Thornton Wilder’s classic three-part allegory about the resilience of mankind centers on the Antrobus family of the fictional town of Excelsior, New Jersey. The epic comedy-drama follows the family through an impending Ice Age, a world war, and a devastating flood, all of which they survive by the skin of their teeth.

    The Great Gatsby
    Broadway Dallas, February 17-March 1
    Based on the classic American novel by F. Scott Fitzgerald, this musical is an unforgettable journey of love, wealth, and tragedy that brings the Roaring Twenties to life onstage.

    Penelope
    Theatre Three, February 19-March 22
    What’s Penelope been up to since Odysseus went off to war? She’s had a few drinks and started a band! So go ahead and grab a drink too, and listen to this ancient tale made new with a beautiful folk-inflected pop score about a woman wondering who she is if she’s alone, and discovering that she has, is, and will always be complete, with her husband by her side or otherwise.

    Where We Stand
    Dallas Theater Center, February 25-March 22
    Your town stands at a crossroads. A neighbor, desperate and out of options, has struck a dangerous bargain. Now their fate lies in your hands. In this interactive play presented as a town hall gathering, the audience must choose: mercy or justice? Broadway actor and Dallas legend Liz Mikel plays a lone storyteller who weaves a world through music and magic. The play, making its regional premiere, is a co-production with Stage West.

    You Must Wear a Hat
    Echo Theatre, February 26-March 14
    Two survivors of a climate apocalypse strive to preserve their humanity, and community.

    Hairspray
    Casa Mañana, February 27-March 8
    Set in 1962 Baltimore, the musical follows Tracy Turnblad, a big-hearted teen with dreams of dancing on The Corny Collins Show. As she fights for a chance to shine, Tracy challenges outdated norms and pushes for a more inclusive future. RuPaul's Drag Race star Nina West plays Edna Turnblad.

    the great gatsbybroadway dallasbroadway tourdallas theater centerpompeii musicalsix musicalnina westhairspray musicaltheater
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