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    The Final Curtain

    Lower Greenville's Contemporary Theatre of Dallas takes its last bow

    Lindsey Wilson
    Nov 22, 2016 | 11:45 am
    As We Lie Still musical
    As We Lie Still turned out to be Contemporary Theatre of Dallas' last full-length production.
    Photo courtesy of Contemporary Theatre of Dallas

    Contemporary Theatre of Dallas, which has held cultural court on Lower Greenville for 14 years, will close at the end of 2016. It's the first closure of a major Dallas theater company in at least a decade.

    Managing director Miki Bone made the announcement over Facebook and through an email, stating that, "After having produced a critically and financially successful 14th season, it's a blessing to be able to close on a high note with tremendous regard for all involved."

    Contemporary Theatre of Dallas was founded by Sue Loncar, who acted as artistic director and often appeared onstage in the company's productions.

    Bone, who became managing director in 2014, praised Loncar and her husband, personal injury attorney Brian Loncar, in her statement, noting that "Supporting area artists has always been a huge part of Loncar's passion, having employed hundreds of local artists from all over the Metroplex. Her love and respect for actors, directors and designers has been a priority from the get-go, and was one of the core reasons she was inspired to open the theatre."

    Sue Loncar would often deliver the curtain speech preceding the performance, and there were several framed photographs of her in various roles scattered throughout the building.

    "I wanted to create a theatrical experience that really encapsulated our personality," says Loncar in the release. "CTD is one of a kind; it's not just a place one goes to see a great show ... it's an evening with friends. Every time you enter our doors, we are genuinely thrilled to see you, and we make sure you know it."

    Contemporary Theatre of Dallas began as an Actor's Equity Association Small Professional Theatre, then became for-profit that was known for paying its actors some of the highest wages in town. It had recently gone non-profit.

    The homegrown musical As We Lie Still closed on November 20, and CTD will finish out the year with a storytelling event with Randy Bonifay and Jim Pfitzer on November 28, the Laugh Supper improv group on December 3, and a stand-up comedy night on December 17.

    The release implies that Loncar would no longer be involved with CTD, and that her absence is the main reason for its closure.

    "The CTD brand and the building and the Loncar name are inextricably linked in the minds of the audience, critics, and theater community," says Bone. "One element cannot exist without the others; to try to continue on without one of those elements in play would be a disservice to that brand and its distinctive vision.

    "That doesn't mean our creative endeavors are over or that we won't work together in the future," she adds. "It simply means that our professional and personal goals have taken a turn."

    As its name suggests, Contemporary Theatre of Dallas often produced plays and musicals from the 1970s, '80s, and '90s. It also produced new works on occasion, such as Dallas couple Patrick Emile and Olivia de Guzman Emile's As We Lie Still and Bone's Division Avenue. The company's productions of James McLure's Lone Star and Laundry and Bourbon were performed off-Broadway in 2013.

    No plans have been revealed on what will happen to the building on the corner of Sears and Summit, which was originally built as a church in the 1930s. Lower Greenville has recently enjoyed a resurgence, with popular retail and restaurant options such as Truck Yard, Trader Joe's, Blind Butcher, and Rapscallion opening less than a block away from the theater.

    "There is no doubt that CTD has contributed to the neighborhood's rising status," Bone says. "It has absolutely added to the cultural development of the area in a substantial way, and has attracted a great deal of interest in the building as a valuable commercial property."

    closingstheater
    news/arts

    All Eyes on Them

    Dallas alt hip-hop group wins prestigious Tiny Desk Contest by NPR

    Brianna Caleri
    May 13, 2026 | 3:00 pm
    Cure for Paranoia
    Cure for Paranoia/Facebook
    As winners of the Tiny Desk Contest, Cure for Paranoia will record their own Tiny Desk concert and go on tour.

    Few live recording studios or musical web series have the cultural sway of NPR's Tiny Desk, and a Dallas band is poised to make an impactful debut: Cure For Paranoia, an alternative hip-hop project by rapper Cameron McCloud and producers Tomahawk Jonez and Jay Analo, has won the high-stakes annual Tiny Desk Contest for 2026.

    They'll record their official Tiny Desk show "soon," the announcement by NPR says.

    Winning the concert also means Cure for Paranoia is going on tour. The only Texas stop will be at Emo's Austin on June 24.

    Tiny Desk is known for platforming both niche and majorly successful artists — NPR posted a new Foo Fighters set on YouTube on May 13 — for stripped-down sets that are literally played behind former All Things Considered director Bob Boilen's old desk. (Fun fact for Texans: Tiny Desk was created because folk artist Laura Gibson was disappointed with the sound at her South by Southwest show in Austin in 2008, and she wanted a redo.)

    Most artists who appear on Tiny Desk more than 15 years later are already well-known, at least in their specific circles. But the Tiny Desk Contest, which launched in 2015, helps a growing group of newer, unsigned artists get their foot in the door. Contestants record one video of them performing a single song behind a desk, and a jury of radio staff and musicians chooses their favorite.

    In their audition video, Cure for Paranoia gathered 11 musicians around a truly tiny desk and in front of downtown Dallas' iconic gigantic eyeball sculpture. They played the song "No Brainer," a frenetic track that starts with clever boasts and becomes a criticism of racism in the United States.

    McCloud, a pre-school teacher, is known independently of Cure for Paranoia for rapping to his social media following about politics and current events. Some of those lyrics made it into "No Brainer." He says he started the group because he found that music was more helpful than medication for coping with bipolar depression and paranoid schizophrenia.

    Alex Marrero, host of the Austin-based KUTX show Horizontes, was one of the judges this year. He was impressed with the visuals in Cure for Paranoia's audition.

    “When this popped up, I immediately felt something different," he wrote in a blurb for the announcement. "It just jumped out. The visuals were super cool and creative, BUT I could still totally envision them bringing the heat behind the Desk.”

    Madison McFerrin, jazz vocalist and daughter of the famous singer Bobby McFerrin, was one of the musical judges.

    "Cure For Paranoia’s energy is infectious, fresh and distinctly theirs — exactly what you want in a Contest winner!" she wrote.

    McCloud's post on Instagram announcing the group's win has only been up for three hours at the time of this article's publication, and it already has more than 8,000 likes. The YouTube audition has garnered 74,000 views.

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