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    Everything is bigger in Texas

    Dallas artist Christopher Martin adds epic accent to Austin’s Circuit of theAmericas

    Kendall Morgan
    Nov 8, 2012 | 10:00 pm
    • Dallas artist (now living in Aspen) Christopher Martin created a 120-foot-longreverse glass painting for the Circuit of the Americas.
    • Velocity represents the fluidity, movement and speed the owners wantedassociated with the Circuit of the Americas.
    • Velocity will span the entire length of the grandstand lounge.

    Until Guinness World Records weighs in, the 120-foot “Velocity” stands alone as the largest acrylic painting in North America.

    Dallas artist Christopher Martin was commissioned to develop the larger than-life piece by Circuit of the Americas™ chairman and co-founder Bobby Epstein, who has reserved it as the crowning touch for the grandstand lounge in the Austin home of the Formula 1 U.S. Grand Prix.

    The genesis of this epic painting began in Aspen, where Martin now resides and has a successful gallery in addition to his Dallas outposts on Dragon Street and in Victory Park.

    The abstract flow that occurs consistently in Martin’s signature reverse glass technique perfectly mirrored the terrain at Circuit of the Americas.

    “I met [Epstein] there, and he bought two or three pretty substantial paintings,” Martin says. “We talked about the racetrack, and he asked me if I was into doing a piece for it.

    “He went through the things he thinks my work represented — the fluidity, movement and speed that they wanted associated with the track.”

    A visit to Austin revealed the abstract flow that occurs consistently in Martin’s signature reverse glass technique perfectly mirrored the Circuit’s terrain, while an older image in the artist’s portfolio inspired the painting’s palette of red, blue and silver.

    With just six weeks to create the 15 8-by-5-foot panels that comprise “Velocity,” time was of the essence. But the piece was completed for a big reveal in Dallas this Friday at 7 pm at Martin’s Dragon Street space.

    Afterward, the piece will be installed in its permanent home for hundreds of thousands of racing fans to admire throughout 2012 Grand Prix November 16-18 and at future Circuit of the America events.

    For Martin, creating “Velocity” has opened up a whole new world of what he can do with his work. “You have to do things you don’t think you can because it’s so important as an individual,” he says.

    “Once you exercise to a certain point artistically, you can’t help yourself from jumping to the next level.”

    ---

    “Velocity” will be revealed Friday, November 9, 7 -10 pm, at the Christopher Martin Gallery at 1533 Dragon St. All art enthusiasts are invited to attend.

    unspecified
    news/arts

    Season announcement

    Mystic Pizza's Dallas premiere leads new AT&T PAC Broadway season

    Alex Bentley
    Apr 10, 2026 | 1:28 pm
    Mystic Pizza: A New Musical
    Photo courtesy of Lively McCabe Entertainment
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    The 2026-2027 Broadway at the Center season at Dallas' AT&T Performing Arts Center will feature a mixture of new and returning shows, including several recent Tony Award-nominated productions.

    According to a release, the main season will consist of five musicals: Mystic Pizza: A New Musical, Shucked, Beetlejuice, The Who’s Tommy, and The Wiz. All productions take place at Winspear Opera House in downtown Dallas.

    They will be joined by two previously-announced co-productions with Broadway Dallas - The Notebook and Hadestown - as well as TITAS/Dance Unbound co-production, Dance Me - The Music of Leonard Cohen.

    First up will be Dance Me - The Music of Leonard Cohen, a creation inspired by the work of famed Montreal-based poet, artist, and songwriter Leonard Cohen, performed by Ballet Jazz Montreal.

    The homage to the iconic artist evokes the grand cycles of existence in five seasons, as described in Cohen’s deeply reflective music and poems. There will be performances on September 18 and 19, 2026.

    The first theater production will be Mystic Pizza: A New Musical, making its Dallas premiere. It is based on the 1988 rom-com that tells the story of three working-class girls who navigate the complexities of life, love, and family in a small-town pizza joint.

    The score features megahits of the '80s and '90s, including songs originally recorded by Melissa Etheridge, Cyndi Lauper, John Cougar Mellencamp, and more. It will run November 20-22, 2026.

    After the Broadway Dallas co-production of The Notebook, running January 12-24, 2027, the season picks up again with the return of Shucked, which played at the Music Hall at Fair Park in December 2024.

    In the Tony Award-winning comedy, the corn that protects a small community starts to die. The town needs answers. But who will dare to venture beyond the borders of Cob County?

    The Broadway hit, running March 19-21, 2027 is about an unlikely hero, an unscrupulous con artist, and a battle for the heart and soil of a small town.

    Hadestown will follow shortly thereafter, running March 30-April 4, 2027, before the third Broadway Dallas co-production of the season, Beetlejuice, running April 28-May 2, 2027.

    The musical, which previously came to Dallas in early 2024, is based on Tim Burton’s 1988 film and tells the story of Lydia Deetz, a strange and unusual teenager whose whole life changes when she meets a recently deceased couple and a demon with a thing for stripes.

    June 2027 will bring the final two productions of the season, The Who’s Tommy (running June 3-5) and The Wiz (running June 10-13).

    The Who's 1969 rock opera is about the young Tommy Walker whose innate knack for pinball catapults him from reticent adolescent to celebrity savior. It features the anthems “I’m Free,” “See Me, Feel Me,” “Sensation,” and “Pinball Wizard.”

    The Wiz, which just came to Dallas in September 2025, is a groundbreaking twist on The Wizard of Oz that features soul, gospel, rock, and '70s funk that puts Dorothy’s journey to find her place in a contemporary world.

    “This season is designed to welcome both longtime subscribers and new audiences with a lineup that celebrates the full range of Broadway - from high-energy crowd pleasers and reimagined classics to bold contemporary storytelling,” said Warren Tranquada, CEO and President of the AT&T Performing Arts Center, in a statement.

    For the first time in their partnership with Broadway Dallas, Broadway at the Center subscribers will enjoy early access and full subscriber benefits for Beetlejuice through May 1.

    After May 1, all ticket purchases, customer service questions, and support for Beetlejuice will be handled directly by Broadway Dallas.

    The Center offers a flexible subscription package that allows patrons to choose four or five shows from the season lineup, with the option to add or remove shows by contacting the box office directly.

    Subscription package prices range from $150-$660, and sales begin on Monday, April 13, 2026. Packages may be purchased by phone at 214-880-0202, or online at attpac.org/broadway.

    att performing arts centerbeetlejuicebroadway at the centermusicmystic pizzaperforming-artsthe wiztheaterwinspear opera house
    news/arts

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