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    Hometown Pride

    Dallas independent film receives big-screen treatment in limited run

    Julia Bunch
    Dec 1, 2016 | 11:56 am
    Dallas independent film receives big-screen treatment in limited run
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    A film hitting theaters on December 2 has deep Dallas ties. Called Three Days in August, it was written, directed, produced, and edited by locals, and it has a special limited run at Studio Movie Grill for one week only.

    From many of the minds that created Occupy, Texas, Three Days in August is inspired by the life of Texas painter Shannon Kincaid. It tells the story of an adopted Irish American artist who has always wanted to paint a family portrait of her birth mother (Meg Foster), stepfather (Edward James Hyland), and adoptive parents (Mariette Hartley and Barry Bostwick). Shannon (Mollie Milligan) secretly invites her biological and adoptive family to a weekend retreat at a ranch in Mineral Wells, and chaos ensues.

    “She’s painting this family portrait as a metaphor for putting all the pieces of her life together,” says Ubiquimedia’s Johnathan Brownlee, who director, produced, and co-wrote the film. His other producer credits include Decoding Annie Parker, starring Helen Hunt and Samantha Morgan.

    Along with a slew of Texas actors, producers, and writers, the film was edited at Lucky Post in Oak Lawn. It also includes many Dallas and Texas culture references; try to spot all the Four Corners Brewing Co. beers when you watch. But it isn’t just the Texas roots that make the movie special.

    When Kincaid first came to Brownlee with the idea for the film (the two met when Brownlee shot Occupy, Texas at Kincaid’s house in Dallas), Brownlee suggested they turn the idea into a part creative, part business venture. So they created the Sionna Project — along with David Kiger, who would go on to co-produce the film — a contest package in which a winning script would get resources, funds, and connections to produce a full-length film in less than a year.

    Dallas natives Chad Berry and David Langlinais won the script-writing contest and hit the ground running with producers Brownlee, Kiger, Kincaid, Allen Stringer, Adam Donaghey, James Tumminia, and Jeff Berlin. By the time the film premiered at the Dallas International Film Festival in April 2016, a theatrical release with Studio Movie Grill and deals with iTunes, VOD, and Netflix were already in the works.

    “We couldn’t have done this film in any other city but Dallas,” Brownlee says. “All of these different aspects of the film just came together, and it’s been a labor of love.”

    Three Days in August runs through December 8 at 18 Studio Movie Grills nationwide — including the locations on Northwest Highway and Spring Valley and in Lewisville, The Colony, and Plano. Tickets can be purchased on the movie theater’s website.

    If you miss it in theaters, the film releases on iTunes on December 20.

    Dallasite Johnathan Brownlee co-wrote, produced, and directed the film.

    Three Days in August - Johnathan Brownlee
    Photo courtesy of Jeff Berlin
    Dallasite Johnathan Brownlee co-wrote, produced, and directed the film.
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    Movie Review

    Amanda Seyfried and Sydney Sweeney go off in trashy film The Housemaid

    Alex Bentley
    Dec 19, 2025 | 12:24 pm
    Amanda Seyfried and Sydney Sweeney in The Housemaid
    Photo courtesy of Lionsgate
    Amanda Seyfried and Sydney Sweeney in The Housemaid.

    Both Amanda Seyfried (the upcoming The Testament of Ann Lee) and Sydney Sweeney (Christy) are starring in movies with Oscar ambitions this year. By sheer coincidence, the two actors are also co-starring in The Housemaid, a thriller coming out within weeks of their more ambitious works, one that is likely to be seen by many more people than those prestige plays.

    Sweeney is given top billing as Millie, a down-on-her-luck ex-convict looking to land any type of job so as not to break her parole. She finds a too-good-to-be-true lifeboat with Nina (Seyfried), who hires her to be a housemaid for her large house on Long Island, where she lives with her husband, Andrew (Brandon Sklenar), and daughter, Cecilia (Indiana Elle).

    After a warm interview, Nina almost immediately becomes highly erratic, whipping back-and-forth between happy-go-lucky and rageful. It seems clear that Nina is suffering from mental health issues, as she’ll often accuse Millie of misplacing or stealing items that she didn’t take. Andrew, apparently used to Nina’s tirades, tries to protect Millie from the worst, something that grows increasingly difficult as Nina ups the ante.

    Directed by Paul Feig (A Simple Favor) and adapted by Rebecca Sonnenshine from the bestselling book by Freida McFadden, the film is likely the trashiest mainstream movie to come out in 2025. The first half of the movie relies not on story but on moments as Nina embodies the word “hysterical” to an unbelievable extent. The resigned acceptance of the abuse by Millie, as well as the saintly patience of Andrew, make almost every scene laughable, as nobody seems to be acting anywhere close to how a person would normally react to such extreme situations.

    The scenes and the performance of Seyfried are so over-the-top, in fact, that it’s clear that the filmmakers are in on the joke. It’s next to impossible not to have a little bit of fun while watching the actors react to outrageous incidents as if nothing is out of the ordinary. The worse Nina acts, the more Millie and Andrew retreat into their chosen roles, and the funnier the film becomes.

    Fans of the book will know that the story changes course, eventually turning into a more stereotypical thriller that also has some relatively gnarly visuals to offer. But the trashiness continues, with Sweeney’s, um, assets repeatedly on display in both clothed and unclothed ways. The sex appeal of the R-rated movie makes it an outlier, as recent studio films have shied away from asking their big stars to disrobe completely.

    Both Seyfried and Sweeney are far from their Oscar hopeful roles here. Seyfried is given free rein to act as brazenly as she pleases, and she takes full advantage of that ability. Sweeney seems to have been told to be much more reserved, and unfortunately that results in too many wooden line readings. Sklenar continues his breakout streak (It Ends with Us, Drop) with a role that allows him to show more range than either Seyfried or Sweeney.

    The Housemaid is an unusual type of movie to be released at a time of year when most films are either those aiming for awards or more family-friendly fare. Despite its many flaws, it’s still an enjoyable watch that features a variety of crazy scenarios not typically seen in movies nowadays.

    ---

    The Housemaid is now playing in theaters.

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