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    Metal gods

    Dallas guitarist Mike Scaccia, of Ministry and Rigor Mortis fame, died Saturdayat Fort Worth club

    Teresa Gubbins
    Dec 23, 2012 | 7:32 am
    • Guitarist Mike Scaccia, who passed away in the early hours on December 23, 2012.
      Photo courtesy of Omar Mena Photography
    • Rigor Mortis' final show at the Rail Club in Fort Worth on December 22.
      Photo courtesy of Susan Roden Photography

    Dallas musician Mike Scaccia, who achieved national acclaim as guitarist for metal-rock bands such as Ministry, the Skatenigs and Rigor Mortis, died on Saturday during a performance at the Rail Club in Fort Worth. He was 47.

    Fans saw Scaccia collapse in a seizure while onstage during a Rigor Mortis show, from what was reported by some friends to be a heart attack. He was taken to the hospital but did not recover.

    Susan Roden, a friend, saw him in the green room right before the band went onstage. "He was in great spirits. I know that," she said.

    One witness posted on Facebook that Scaccia fell in the middle of a solo.

    His daughter Sarah posted a poignant message on his Facebook page at 3 am Dallas time, saying, "I love you so much dad. I love you so much."

    Rigor Mortis played at 11 pm, as part of a long-anticipated show that included Maleficus, Embalmed and Rabid Flesh Eaters.

    The band formed in 1983 in Arlington as a three-piece with Scaccia on guitar, Casey Orr on bass and Harden Harrison on drums; singer Bruce Corbitt joined the band in 1986. Their self-titled debut was released by Capitol Records record in 1988, followed by 1989's Freaks and 1991's Rigor Mortis vs. The Earth.

    Scaccia rose to national prominence in 1989 when he joined industrial metal band Ministry on their "The Mind is a Terrible Thing to Taste" tour. He played on Ministry's platinum-selling album Psalm 69 and the '95 release Filth Pig, and he joined Ministry on the 1992 tour of Lollapalooza.

    Scaccia also played with other industrial metal bands such as Revolting Cocks and Lard, and on solo releases by Ministry founder Al Jourgensen. In March 2012, the two recorded a new Ministry album called Relapse.

    Despite his fame, he remained generous and down-to-earth, said drummer Andre Avelar, who played with Scaccia in a band called League of Blind Women.

    "He was a shining example of what you would like to hope that fame brings, in that he remained true to his roots and was kind even to those he knew only moderately," Avelar said. "He had his demons over the years, including some drug use [Scaccia and Jourgensen were arrested in 1995 for possession of heroin], but no one ever had a bad word to say about Mike Scaccia."

    In August 2012, the original Rigor Mortis lineup reunited and had been working on a new album, Slaves to the Grave.

    One post on his Facebook page spoke for a lot of local fans.

    "You will be greatly missed by the metal world and especially those of us who grew up within the DFW local metal scene (80s-90s). We have lost another legend from our metal family waaay too soon and you will always be remembered as one of the greats!"

    Corbitt bid goodbye, calling Scaccia "the greatest guitar player I ever knew."

    In Scaccia's last update, he said, "These next 2 shows is what I worked my whole life for... Look out Mother Fuckers...hahha"

    Chris Kelly, singer for League of Blind Women, said that he and Scaccia had talked about the similarly untimely death of "Dimebag" Darrell Abbott, guitarist for Arlington metal band Pantera, who was shot and killed while onstage in a club in Ohio in December 2004.

    "He once said, 'If I go out ripping on stage, what's a better way to go?'" Kelly said. "And he did."

    Scaccia was survived by his wife Jenny Rowen Scaccia, their two children Gianna and Ryder, and older daughters Sarah Scaccia and Taarna Scaccia Hopkins.

    UPDATE: According to the Star-Telegram, police responded to a call from the club at 11:45 pm, and Sciacca was pronounced dead at 12:26 am in the emergency room at Texas Health Harris Methodist Hospital Fort Worth.

    unspecified
    news/entertainment

    Movie review

    Tantalizing teen comedy Summer of 69 is more nerdy than naughty

    Alex Bentley
    May 8, 2025 | 2:00 pm
    Sam Morelos and Chloe Fineman in Summer of 69
    Photo courtesy of Hulu
    Sam Morelos and Chloe Fineman in Summer of 69.

    There was a trend in the late 2010s/early 2020s of bawdy comedies featuring teenage female protagonists, including Blockers, Booksmart, and Yes, God, Yes. Those types of films seemed to go by the wayside in recent years, but they’re making a comeback with the new film Summer of 69.

    Abby (Sam Morelos) is a high school senior and video game streamer who has had a crush on her classmate Max (Matt Cornett) for her entire childhood. When she learns that Max has recently broken up with his longtime girlfriend, she’s determined to make her move. With advice from a confidant that Max likes a certain sexual position, Abby sets out to learn as much as she can about it, including hiring a stripper, Santa Monica (Chloe Fineman), to help her.

    Coincidentally, Santa Monica is facing a situation where the club at which she works, Diamond Dolls, will be closed if the owner doesn’t come up with $20,000 in a week. Abby, who comes from a well-to-do family, seems to offer the perfect solution, and so the two agree to a week of lessons for that amount. Naturally, all sorts of complications arise, as well as the two women forming an unexpected bond.

    Written and directed by Jillian Bell, with help from co-writers Jules Byrne and Liz Nico, the film is both suggestive and innocent at the same time. For all of the talk about sex and innuendo, having the nerdy and inexperienced Abby at the center of the film ensures that the story remains relatively chaste throughout. That includes scenes at the strip club, where Bell makes the choice to show almost no nudity.

    Most of the humor of the film stems from Abby’s lack of experience, highlighted by her having “sexual” fantasies about Max that never actually get to the sex part. The juxtaposition between Abby and Santa Monica is also used for laughs, although Bell and her co-writers make sure to include a side story for the dancer that makes her into a three-dimensional person.

    What ultimately makes the movie succeed is the way it keeps its characters relatable. Many high school films feel the need to play into a bunch of stereotypes, but those are kept to a minimum here. Instead, Bell upends expectations by delivering honest - sometimes to a fault for the characters - dialogue that acknowledges the spectrum of sexual realities for high schoolers, a version that differs from insatiable horniness of some other teen comedies.

    Morelos, one of the stars of Netflix’s That ‘90s Show, makes for a charming lead, someone who can convincingly take her character from awkward to confident over the course of the story. Fineman, best known for her current stint as a cast member on Saturday Night Live, complements her well, showing her comedic prowess in a number of physical scenes. A supporting cast that includes Nicole Byer, Paula Pell, Alex Moffat, and Natalie Morales keeps the energy level high.

    Despite its titillating title, Summer of 69 is much more sweet than naughty. Like most coming-of-age movies, it’s about a girl who’s trying to figure out where she fits in the world. The answers she finds aren’t always the ones she was expecting, but in the best possible way.

    ---

    Summer of 69 starts streaming on Hulu on May 9.

    moviesfilm
    news/entertainment

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