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    Theater Critic Picks

    These are the 11 can't-miss shows in Dallas-Fort Worth theater for February

    Lindsey Wilson
    Feb 1, 2017 | 3:34 pm

    For such a short month, February sure packs in the shows. From glittery national tours to lesser-known works with small casts, this month's lineup is the very definition of variety.

    Here are the 11 shows to see, in order by start date:

    Thurgood
    Jubilee Theatre, February 2-26
    This timely production examines the life of civil rights activist Thurgood Marshall, who prior to his appointment to the Supreme Court worked as a lawyer for the NAACP. We'll say it again: timely.

    Hedwig and the Angry Inch
    AT&T Performing Arts Center, February 7-12
    Tony nominee Euan Morton is stepping into John Cameron Mitchell's platforms to play Hedwig, the charismatic East German singer who's the victim of a botched sex-change operation. Mitchell and Stephen Trask premiered the rock musical Off Broadway in 1998, where it quickly developed a cult following and was made into a movie. Morton is no stranger to outrageous costumes, by the way — his Tony nom was for playing Boy George in the musical Taboo.

    Galileo
    Undermain Theatre, February 8-March 5
    In Bertolt Brecht's play, Galileo is abandoned by his friends and colleagues for teaching the radical notion that the earth moves around the sun and the moon reflects the sun's light. The setting may be the early 17th century, but science being considered dangerous and heretical — when it opposes an institution that claims the truth as its own commodity — is all too familiar a theme. Bruce DuBose stars as the titular character.

    Big Enough: The Musings and Misadventures of a Bumblef*ck
    Proper Hijinx, February 9-19
    Artistic director Stefany Cambra steps into the spotlight with her newest one-woman show, which weaves together stories about love, food, relationships, and self-confidence. The show will be staged in the Studio Theatre at the Addison Theatre Center.

    Her Song
    Echo Theatre, February 10-25
    New songs, new story, new cast members — Echo Theatre's annual trip back in time to a 1930s supper club has been revamped and refashioned for its fourth year, just in time for Valentine's Day. The revue uses only songs written by female composers in the early 20th century, creating a floor show while the audience enjoys food and drinks from the onstage bar. But bring your cash, because they didn't accept credit cards in the '30s.

    Northside Hollow
    Amphibian Stage Productions, February 10-March 5
    If two men are trapped in a cave, can anyone hear their soul-searching? That's the premise of Jonathan Fielding and Brenda Withers' play, which sticks Gene and Marshall (Jim Jorgensen and Jordan Sobel) underground and has them examine their lives while they await rescue.

    Stomp
    Dallas Summer Musicals, February 14-19
    This endlessly innovative percussion and movement show takes what your toddler does — crash a bunch of household objects together — and turns it into performance art. Now why didn't you think of that first?

    Who Am I This Time? (& Other Conundrums of Love)
    Circle Theatre, February 16-March 11
    Three Kurt Vonnegut stories form the basis for this Aaron Posner play, which focuses on "love, pure and complicated." It's the 36th season opener for Circle Theatre, and lets seven versatile actors explore several different characters and relationships.

    Paper Flowers
    Kitchen Dog Theater, February 17-March 11
    KDT is giving this rarely performed play by Égon Wolff a fun spin: Christopher Carlos and Christie Vela are not only co-starring, but co-directing. The Chilean playwright won the Casa de Las Americas Prize for this work, which pits a man and a woman against each other amid disruption of the social order.

    Kurios: Cabinet of Curiosities
    Cirque du Soleil, February 17-March 26
    "Seeing is disbelieving" for this Cirque show about an ambitious inventor who defies the laws of time, space, and dimension in order to reinvent everything around him. Expect gravity-defying acrobatics, colorful costumes, and just a tinge of weird — you know, typical Cirque fare.

    The 24-Hour Plays
    WaterTower Theatre, February 25
    A handful of playwrights, directors, and actors have just 24 hours to create four brand-new plays, but no pressure or anything. Playwrights Shelby-Allison Hibbs, Janielle Kastner, Brigham Mosley, and Steven Young will churn out the scripts for the 15-minute plays, then directors Abigail Birkett, Jeff Colangelo, Anastasia Munoz, and Joanie Schultz will lead actors Kia Boyer, Magdiel Carmona, Shawn Gann, Steph Garrett, Gelacio Gibson, Jeremiah Johnson, Alexandra Lawrence, Doak Rapp, Garrett Reeves, Kelly Stewart, Nicholas Wanjohi, and Kennedy Waterman in the final performances.

    Hedwig and the Angry Inch rocks the Winspear.

    Euan Morton in national tour of Hedwig and the Angry Inch
    Photo by Joan Marcus
    Hedwig and the Angry Inch rocks the Winspear.
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    RIP Albert

    Colorful and iconoclastic Dallas artist Albert Scherbarth dies at 70

    Teresa Gubbins
    Feb 19, 2026 | 11:44 am
    Albert Scherbarth
    Courtesy
    Dallas artist Albert Scherbarth

    Dallas artist Albert Scherbarth, known for his jubilant creativity which he displayed in a wide range of media, died on February 18; he was 70 years old. According to friends, he suffered a heart attack.

    Scherbarth's myriad "canvases" ranged from printmaking to furniture to steel and metal working. He was a colorful presence in the Dallas art scene with a shock of thick hair that stood tall, definitive horn-rimmed glasses, and an unfiltered, no-nonsense personal style.

    He was also a key figure in The Cedars district: an urban pioneer who settled in the area directly south of downtown Dallas in the early '80s when the neighborhood was a mostly-deserted collection of abandoned warehouses, before it became a major art nexus.

    A post by Lee Harvey's, the Cedars District bar, said that "Some people don’t just live in a neighborhood — they leave their mark on it. Albert did exactly that. Through his art, his presence, and his time at our bar, he became part of the story here. We’ll miss him more than we can say. Rest easy Bert."

    He was a real character, as well — a stocky physical presence (he played football in high school) who'd fix his stare upon you as if you were a critter to be studied.

    One friend said, "I always feel that Albert is going to spring some meta shit on me every time i see him and he rarely disappoints. What a cool cat."

    A native of Nebraska, Scherbarth moved to Dallas in 1979 to earn a master's in fine arts at the University of Dallas, Irving. After graduating in 1981, he began teaching in the community college district, including Brookhaven College, Northlake College, University of Texas at Dallas, and the Creative Art Center, as well as at Dallas' Arts Magnet.

    Albert Scherbarth Sculpture by Albert Scherbarth which appeared at the State Fair of Texas in 2018.Laura Walters/Facebook

    After graduating from art school, he felt the need to do "real" work like his father, and took jobs in construction and woodwork, which helped shape the very physical nature of his art.

    He was one of the early and many artists who resided in the Continental Gin Building, where he worked on his designs and commissions, fabricated other artists’ ideas, and helped galleries with installations, crating, and shipping.

    Through the years he made furniture, got into fused and cast glass, poured concrete countertops, and painted, including a successful era of doing giant flower paintings. In his latter years, he acquired a welding machine and worked with builders, designers, and architects constructing screens, fences, furniture, and sculptures.

    His works around town include a giant wine tree for Fleming Steakhouse in Frisco, and a sculpture named, "Cecil, age 12" up on Henderson Avenue at Capital Street which was was a finalists for the Henderson Art Prize. He also worked on the famed Bowler Hat sculpture in the Cedars.

    In an interview with Voyage Dallas, he said, "I’m constantly looking for more meaning and more permanence in the work that I’m doing," and acknowledged that "I’ve been very, very fortunate to get a lot of really great commissions over the years. I’ve sold a lot of work and fallen into great studio situations – large spaces, cheap rent and wonderful landlords. Today, I think my ignorance of all the pitfalls ahead allowed me to storm through life and I have a certain stubbornness, a dogged determination to succeed."

    "My grandfathers died before I came of age, my father died, my favorite uncle died so there was not much in the way of male guidance or perspective on how to be a man, so I’ve just kind of made it up on my own, stumbling through, winging it and I’m still alive, amazingly enough."

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