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    Greatest Hits

    David Cross film takes radical pay-what-you-want tour through Dallas

    Teresa Gubbins
    Feb 3, 2015 | 2:26 pm

    Dallas will be part of an experimental film tour by comedian David Cross, whose first feature film, Hits, will screen for one day at Texas Theatre. The unusual part is the payment structure: You pay whatever you want.

    It's the first feature film to be released on BitTorrent, with pay-what-you-want theatrical screenings in 50 cities across the U.S. and Canada — including Houston, Dallas and Austin — on February 12. The film also has Texas ties in producers Ryan Brooks, who's from Houston, and Jessica Latham, who's from Amarillo.

    Hits, a dark comedy exploring the nature of fame, debuted at Sundance in 2014. It stars an ensemble cast, including Michael Cera, Matt Walsh, David Koechner, Meredith Hagner, Jason Ritter, Amy Sedaris, Wyatt Cenac, James Adomian, Amy Carlson, Kurt Braunohler, Erinn Hayes, Jessie Ennis and Jake Cherry.

    Cross says that the atypical release of the film is an experiment to see if filmmaking can become more "sustainable." He's also simultaneously releasing Hits as a BitTorrent bundle, a publishing project that connects artists directly with fans.

    Cross says he was inspired by similar ventures executed by musician Thom Yorke, Radiohead and comedian Louis CK. Radiohead was first to try pay-what-you-want with their 2007 release In Rainbows, and Thom Yorke sold his 2014 album Tomorrow's Modern Boxeson BitTorrent. Louis CK has sold comedy specials directly to customers, including his successful January 2015 release Live at the Comedy Store.

    The pay-what-you-want model is popular in the theater world, says Dallas Theater Center's patron services manager DR Hanson. "It's a great opportunity to reach different aspects of community who may not come to the theater because of ticket pricing," he says. "When we do pay-what-you-can shows, we get everything from $1 to $30 a ticket."

    For Cross' film, it serves more as an advertising campaign, says Texas Theatre spokesman Barak Epstein.

    "I think it's one of the ways they're getting the word out about the film," he says. "It's a little easier to get publicity when you're allowing patrons to pay whatever they want to pay, and the one-day theatrical release is a way to promote the film's download sales."

    Texas Theatre was the obvious choice because it has no corporate entity to clear what will be an unusual method of payment that includes collecting cash of all denominations at the door. "They want us to use their signage, and there's some sort of bucket involved," he says.

    There are also pre-sales, and so far, no one's taking advantage. "We have 17 people who've RSVP'd for a combined $100 so far," he says. "So the average person is paying $5.88."

    Comedian and filmmaker David Cross (right) is trying a nontraditional route to distribute his film.

    Hits movie by David Cross
      
    Photo courtesy of Hits Film, LLC
    Comedian and filmmaker David Cross (right) is trying a nontraditional route to distribute his film.
    unspecified
    news/entertainment

    Movie Review

    Painless hero makes Novocaine a gut-busting action comedy

    Alex Bentley
    Mar 13, 2025 | 5:24 pm
    Jack Quaid in Novocaine
    Photo courtesy of Paramount Pictures
    Jack Quaid in Novocaine.

    Stories featuring ordinary people faced with extreme situations have proven to be popular in film history. They range from Hitchcock movies like Rear Window to Brian De Palma’s Blow Out to the Coen Brothers’ Fargo. Recent films like Nobody and Love Hurts have put a twist on the sub-genre, featuring protagonists whose mild personas and everyman looks hide violent abilities.

    The new film Novocaine is a further twist, as the ordinary man at its center has an ability that he’s never fully tapped before. Nate Caine (Jack Quaid) is a mild-mannered assistant bank manager whose life is boring by design, as he has a disorder called Congenital Insensitivity to Pain. Being unable to feel pain, traumatic events that would stop most people in their tracks don’t faze him at all, sometimes to his detriment.

    Soon after making a rare connection with another bank employee, Sherry (Amber Midthunder), the bank is robbed and Sherry is kidnapped. Nate decides to pursue the kidnappers to try to rescue Sherry, setting in motion a series of events that a person without his condition would find unbearable. However, his inability to feel pain turns him into a kind of unstoppable machine, determined to do whatever it takes to achieve his goal.

    That synopsis of the film, directed by Dan Berk and Robert Olsen and written by Lars Jacobsen, makes it sound like a serious action film, but it’s actually an action comedy that finds a unique angle for its hero. The filmmakers portray Nate’s condition, if not completely accurately, then with an air of plausible realism. The laughs come not at his expense, but in reaction to how he repeatedly uses his ability to his advantage.

    The result is a violently graphic film that rivals ones like John Wick in what it showcases. Knowing he can’t get hurt, Nate has no issue putting himself in harm’s way, whether it’s burns, gunshot wounds, impalements, and more. The amount of damage done to him could make the film into a kind of live-action Looney Tunes, but the filmmakers manage to walk the line between hilariously ridiculous and eye-rollingly stupid.

    The romance between Nate and Sherry provides a nice through-line for the story, with a few good twists and turns along the way. The lone big misstep of the film is Nate’s friendship with Roscoe (Jacob Batalon), one developed through online gaming that turns into real life by necessity. It takes a long time for them to get any scenes together, with their interactions ultimately feeling unnecessary.

    Quaid seems to be hitting his stride as an actor, starring in The Boys on Prime Video and in the recent Companion. He does a great job of never overplaying this role, keeping Nate as a regular person despite what he’s able to do. Midthunder is hit-and-miss, as the story takes her character through a yo-yo arc. Betty Gabriel and Matt Walsh do serviceable work as detectives tracking Nate, delivering exactly what’s expected of them.

    Novocaine is much better than it probably had a right to be, with some solid storytelling, some intense action, and a fantastic lead performance by Quaid. Humor and graphic violence don’t always go hand-in-hand, but this film finds a way to combine them in memorable ways.

    ---

    Novocaine opens in theaters on March 14.

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