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    YOUR SHOW OF SHOWS

    Gallery picks of the month: Dallas punks, abstract landscapes and beautiful freaks

    Kendall Morgan
    kendall Morgan
    Feb 18, 2013 | 1:01 pm

    DALLAS. PUNK! 1976-1982: Various artists, at Cohn Drennan Contemporary
    Opening reception:
    February 23, 6-8 pm
    Exhibition dates: February 23-March 30

    Like most cool scenes, if you weren’t there, you just don’t get it. But lucky for Dallas newbies and young ’uns who didn’t get to hang out at Zeros, Magnolia’s or the Hot Klub, Cohn Drennan Contemporary is giving us a look at the late, great world of Dallas punk.

    “Dallas has doubled in size, and only 50 percent of the people you meet on the street know this insanely cool thing happened,” says the exhibition’s curator, David Marett. “It’s also catching up to what everyone’s up to these days and what they did to embrace that ‘fuck you’ punk rock attitude in their life and work.”

    Photographers James Bland, Tracy Holman and Paul Quigg; muralist Frank Campagna; and bone sculptor Turner Van Blarcum exhibit new and classic work alongside screenings of classic videos and concert footage, with an era-appropriate soundtrack provided by DJ Mr. Rid.

    LAND HO: New works by Dean Monogenis and Pepa Prieto, at Circuit 12 Contemporary
    Opening reception:
    February 23, 6-10 pm
    Exhibition dates: February 23-March 31

    Travel the world through the mind’s eye at “Land Ho,” the latest show at Circuit 12. Featuring painting video, sculpture and installations from Brooklyn-based artists Dean Monogenis and Pepa Prieto, “Land Ho” is the result of working concurrently on two continents and two islands, including time spent in studios in New York, Spain and Greece.

    “They’re basically a husband-and-wife combo, and ‘Land Ho,’ is their way of saying, ‘We’ve gotten back home after traveling for two years,’” explains Circuit 12’s owner Dustin Orlando. With Monogenis’ architectural fantasy environments and Prieto’s abstract landscapes, the show serves as a dreamlike trip around the globe, without ever leaving the Design District.

    PROCESS: Jonathan Ramirez and Eric Cox at W.A.A.S. Gallery
    Opening reception:
    February 21, 7-10 pm
    Exhibition dates: February 21-March 22

    If grotesquery and in-your-face sexuality is your cup of tea (and why wouldn’t it be?), W.A.A.S Gallery’s collaborative exhibit featuring two of their celebrated resident artists should be on the list of the month’s must-attend events. “Process” showcases the portraits and sculptures of Phoenix artist Eric Cox, who tackles the raw, genetic and corporal identity of the human condition. Monterrey, Mexico native Jonathan Ramirez draws forth unsettling emotions from viewers who look upon his darkly emotional digital illustrations and sculptures.

    Both have been censored for their in-your-face approach, but together they break the boundaries of what fine art has become. The show also features a performance from local electro-punk Cutter, who recently took home a 2012 Dallas Observer Music Award for Best Electronic Act.

    "Land Ho," featuring the abstract landscapes of Pepa Prieto, opens February 23 at Circuit 12 Contemporary.

    Pepa Prieto, Land Ho exhibit, Circuit 12 Contemporary
      
    Photo courtesy of Circuit 12 Contemporary
    "Land Ho," featuring the abstract landscapes of Pepa Prieto, opens February 23 at Circuit 12 Contemporary.
    unspecified
    news/arts

    Budget Cuts

    Funding cuts force Dallas Children's Theater to trim 2025-26 season

    Lindsey Wilson
    Jun 3, 2025 | 1:38 pm
    Dallas Children's Theater presents James and the Giant Peach
    Photo courtesy of Dallas Children's Theater
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    The upcoming 2025-26 season for Dallas Children's Theater is shrinking, according to a new communication from its leadership.

    A June 2 email signed by executive director Samantha Turner, board president Leah Mora, and recently appointed artistic director Emily Ernst informs supporters that due to "the significant financial challenges of the current environment," DCT will be reducing the upcoming season from five mainstage shows to three.

    The email doesn't specifically call out the government's cuts to arts funding, but it is heavily implied, especially since other theaters have recently experienced financial difficulties due to the federal cuts.

    "We remain deeply committed to artistic excellence and to the 90,000 young people and families we serve annually," reads the email. "Though we will have fewer performances, we will continue to provide meaningful theatrical experiences that inspire children, nurture their imagination, and encourage connection with the world around them."

    The 2025-26 will retain the previously announced world premiere of The Pigeon Gets a Big Time Holiday Extravaganza! (November 22-December 21, 2025), as well as The Very Hungry Caterpillar Show (January 24-February 22, 2026) and Moon Mouse: A Space Odyssey (March 27-29, 2026), and add a new developmental workshop envisioned by Ernst.

    The Musical Adventures of Flat Stanley and Jungalbook will no longer be produced, and ticket-holders will be receiving instructions on ticket options.

    DCT Academy classes, a vital part of the theater’s work, will continue through the summer, concluding August 8. After that, Academy sessions will be temporarily paused. Families enrolled for the fall semester will receive a separate email with next steps.

    "Although our performances are well attended and our community support is strong, ticket sales cover only a small portion of the true cost of producing theater," the email explains. "At the same time, our operating costs have steadily increased while funding levels have remained flat. This financial pressure requires immediate action to keep DCT viable — not just for this season, but for the years ahead."

    Tickets for the 2025-26 season are on sale now.

    childrenfamiliesdallas childrens theaterchildrens theaterarts fundingtheater
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