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    Treasures of a Legend

    A sneak peek at precious Van Cliburn treasures coming up for auction

    Jennifer Chininis
    Feb 24, 2014 | 2:57 pm

    On March 4-5, Christie’s offers collectors the rare opportunity to procure treasures from the estate of renowned musician Van Cliburn, who died a year ago this week at his Fort Worth home. The New York auction, dubbed Two Distinguished American Collections, also features pieces from the estate of Noreen Drexel.

    But it’s the Van Cliburn collection that speaks most to Capera Ryan, senior vice president and managing director, Southwest region, for Christie’s, who selected some of her favorite pieces in the slideshow above. She recounts with fondness her time spent with “sweet Van,” a cherished family friend.

    “The objects he collected in a way tell the story of his life,” Ryan says. “As he played all over the world, he’d always buy himself something. He collected everything, and he went after it passionately. He didn’t have children; these objects were like his family.”

    “The objects he collected in a way tell the story of his life,” says Capera Ryan, a senior VP at Christie’s and friend of Van Cliburn’s.

    Silver was one of Van Cliburn’s great loves, a passion he inherited from his mother and aunt, who were also big silver collectors. “The oval tea tray [lot 445] to me is very reminiscent of his passion for English silver,” Ryan says. “He had it in his library. It just makes me think of him.”

    Russian pieces also figure prominently among the auction items, of course, as the pianist skyrocketed to fame in 1958, when, at the tender age of 23, he won the International Tchaikovsky Piano Competition in Moscow at the height of the Cold War. In addition to buying himself collectibles during his travels, he would often receive gifts from the Russians he encountered as he toured.

    “The Russian pieces say so much about his connection to the country,” says Ryan, who also remembers attending a Russian gala with Van Cliburn and watching young Russian women approach him as if he were a rock star. It was in that moment, she says, that she truly understood his celebrity status in that country.

    Naturally, the Christie’s auction also includes a C. Bechstein piano, dated 1869. It was a gift to Van Cliburn from his mother, who taught music. “He had seven pianos in his house. A piano of Van’s is such a collectible item,” Ryan says.

    Ryan really got to know Van Cliburn in 2012, when Christie’s held its first auction featuring items from his estate. (You can watch an interview from that time in the video below.) The pianist considered Ryan’s grandmother, Deborah Moncrief, a good luck charm, and he would often send her lavish bouquets of flowers after a performance. By 2012, Moncrief had passed, but Ryan says her grandmother is what bonded her to Van Cliburn.

    As they catalogued the pieces in that 2012 auction, the two shared fond memories of Ryan’s grandmother. Van Cliburn also had an incredible memory of his objects and shared elaborate stories about each, from the provenance and the artist to where he bought it and even how much he paid for it. Ryan says he saw beauty in everything and had impeccable taste, which is reflected in the assortment of items up for bid.

    Ryan also notes that Van Cliburn truly enjoyed his collections and, as an avid entertainer, put items like his silver to good use. They didn’t sit around collecting dust. They were very much a part of his household, and he took great pleasure in sharing them with those who visited his home.

    “He had everything out, in view,” Ryan says. “He enjoyed these things. He served food on his silver. It was as much about collecting as enjoying.”

    The upcoming auction is bittersweet, Ryan says, because the musician wasn’t there to relate the stories of how he acquired his beloved objects and the lives they had before coming into his possession. But she knows these treasures will live on, creating memories for their new owners, just as Van Cliburn himself lives on through his music.

    “I can see the similarity between Van the collector and the objects themselves,” Ryan says. “I think he believed in many lives.”

    ---

    The auction, Two Distinguished American Collections, takes place March 4-5 in New York. Bidders can register by telephone, bid online or in person. The pieces will be on view at Christie's New York — open to the public — for a week preceding the sale.

    George II mahogany pier table, c. 1745. Estimate: $15,000-$20,000.

    Van Cliburn Christie's auction lot 315
    Photo courtesy of Christie's Images LTD 2014
    George II mahogany pier table, c. 1745. Estimate: $15,000-$20,000.
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    news/arts

    RIP Albert

    Colorful and iconoclastic Dallas artist Albert Scherbarth dies at 70

    Teresa Gubbins
    Feb 19, 2026 | 11:44 am
    Albert Scherbarth
    Courtesy
    Dallas artist Albert Scherbarth

    Dallas artist Albert Scherbarth, known for his jubilant creativity which he displayed in a wide range of media, died on February 18; he was 70 years old. According to friends, he suffered a heart attack.

    Scherbarth's myriad "canvases" ranged from printmaking to furniture to steel and metal working. He was a colorful presence in the Dallas art scene with a shock of thick hair that stood tall, definitive horn-rimmed glasses, and an unfiltered, no-nonsense personal style.

    He was also a key figure in the Cedars District: an urban pioneer who settled in the area directly south of downtown Dallas in the early '80s when the neighborhood was a mostly-deserted collection of abandoned warehouses, before it became a major art nexus.

    A post by Lee Harvey's, the Cedars District bar, said that "Some people don’t just live in a neighborhood — they leave their mark on it. Albert did exactly that. Through his art, his presence, and his time at our bar, he became part of the story here. We’ll miss him more than we can say. Rest easy Bert."

    He was a real character, as well — a stocky physical presence (he played football in high school) who'd fix his stare upon you as if you were a critter to be studied.

    One friend said, "I always feel that Albert is going to spring some meta shit on me every time i see him and he rarely disappoints. What a cool cat."

    A native of Nebraska, Scherbarth moved to Dallas in 1979 to earn a master's in fine arts at the University of Dallas, Irving. After graduating in 1981, he began teaching in the community college district, including Brookhaven College, Northlake College, University of Texas at Dallas, and the Creative Art Center, as well as at Dallas' Arts Magnet.

    Albert Scherbarth Sculpture by Albert Scherbarth which appeared at the State Fair of Texas in 2018.Laura Walters/Facebook

    After graduating from art school, he felt the need to do "real" work like his father, and took jobs in construction and woodwork, which helped shape the very physical nature of his art.

    He was one of the early and many artists who resided in the Continental Gin Building, where he worked on his designs and commissions, fabricated other artists’ ideas, and helped galleries with installations, crating, and shipping.

    Through the years he made furniture, got into fused and cast glass, poured concrete countertops, and painted, including a successful era of doing giant flower paintings. In his latter years, he acquired a welding machine and worked with builders, designers, and architects constructing screens, fences, furniture, and sculptures.

    His works around town include a giant wine tree for Fleming Steakhouse in Frisco, and a sculpture named, "Cecil, age 12" up on Henderson Avenue at Capital Street which was was a finalists for the Henderson Art Prize. He also worked on the famed Bowler Hat sculpture in the Cedars.

    In an interview with Voyage Dallas, he said, "I’m constantly looking for more meaning and more permanence in the work that I’m doing," and acknowledged that "I’ve been very, very fortunate to get a lot of really great commissions over the years. I’ve sold a lot of work and fallen into great studio situations – large spaces, cheap rent and wonderful landlords. Today, I think my ignorance of all the pitfalls ahead allowed me to storm through life and I have a certain stubbornness, a dogged determination to succeed."

    "My grandfathers died before I came of age, my father died, my favorite uncle died so there was not much in the way of male guidance or perspective on how to be a man, so I’ve just kind of made it up on my own, stumbling through, winging it and I’m still alive, amazingly enough."

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