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Awards Season

2014 Oscar predictions: Banner movie year makes it a tight race

Alex Bentley
Feb 28, 2014 | 1:44 pm

More than a few observers of the industry have called 2013 a classic movie year, and it's not hard to see why. At least two of the nine films up for Best Picture at the 2014 Academy Awards, which airs on Sunday, March 2 on ABC, have already been hailed as all-time great films that will stand the test of time.

But being great and actually coming away with the Oscar are two entirely separate ideas. With around 6,000 members in the Academy, there could be myriad reasons a voter would cast a ballot for one film over another.

Although there are some sure things heading into the 86th annual ceremony, there are still multiple question marks in big categories, another indication of the quality of films vying for prizes.

Here are our predictions for the eight major categories; we could pretend to be knowledgeable about things like production design and sound mixing, but you'd see right through us.

Best Adapted Screenplay
Four of the five nominees are solid and worthy of being nominated, but there's really only one choice here: John Ridley's script for 12 Years a Slave. Although director Steve McQueen has — and should — get credit for the film's greatness, Ridley's delicate handling of Solomon Northup's biography helped make the film what it is.

Best Original Screenplay
This one is more of a toss-up than the adapted screenplay category. Her, written by Spike Jonze, and American Hustle, written by Eric Warren Singer and David O. Russell, are both considered complete visions of their directors, who get extra credit for writing the scripts. With all four actors nominated for American Hustle but none likely to win an award, voters could reward Russell here.

However, Her took home the Writers Guild of America award this year, which has increasingly become an accurate predictor, so look for Jonze to win his first Oscar on Sunday.

Best Supporting Actress
No disrespect to Sally Hawkins in Blue Jasmine, Julia Roberts in August: Osage County or June Squibb in Nebraska, but this is also a two-person race. With Jennifer Lawrence following up her win last year with another great turn in another David O. Russell movie, she could become one of the few people to win an acting award in back-to-back years.

But Lupita Nyong'o's devastating film debut in 12 Years a Slave is impossible to ignore, and with her taking home most of the pre-Oscars awards, this is her statue to lose.

Best Supporting Actor
This is a category that should be much closer than it actually is. Barkhad Abdi made a memorable screen debut in Captain Phillips; Bradley Cooper once again held his own in the acting-heavy American Hustle; Michael Fassbender brought tons of nuance to a potentially one-note role in 12 Years a Slave; and Jonah Hill continued to surprise, in a good way, in The Wolf of Wall Street.

But Jared Leto has many things going for him in his role as Rayon in Dallas Buyers Club, including his six-year absence from movies and his total immersion into the transgender character. Considering he's won virtually every other award, he's the lock of all locks.

Best Actress
There's no hiding in this category, as each nominee is squarely on the A-list in Hollywood. Meryl Streep earned her 18th nomination for August: Osage County, but she has no chance at winning. Judi Dench is fantastic in the under-seen Philomena​, but this isn't her year, either. Sandra Bullock is the heart and soul of Gravity, but that film, rightly or wrongly, is viewed more as a success for director Alfonso Cuarón.

That leaves Amy Adams for American Hustle and Cate Blanchett in Blue Jasmine. There's no denying Adams was superb, but Blanchett has had the momentum for many weeks now, and she will take home the award.

Best Actor
The roster of great lead actor performances was so strong in 2013 that this category is equally notable for who's not in it as it is for those who are. No Robert Redford for All is Lost? No Michael B. Jordan for Fruitvale Station? And how in the h-e-double hockey sticks could you leave out Tom Hanks for Captain Phillips?

As for those who actually got nominated, cases could be made Christian Bale in American Hustle, Bruce Dern in Nebraska, Chiwetel Ejiofor in 12 Years a Slave and especially Leonardo DiCaprio in The Wolf of Wall Street, who has the best chance to pull an upset.

But considering the career renaissance that Matthew McConaughey has undergone in just the past year, his all-encompassing performance in Dallas Buyers Club will rule the day.

Best Director
Another heavy-hitter category, with the five nominees combining for 32 career Oscar nominations yet somehow only three wins. Each director put a distinctive imprint on his respective film, but it will come down to who was perceived to have the biggest influence in the success of his film.

Gravity was such a phenomenal technical success that choosing Cuarón would be easy were it not for the enduring legacy that Steve McQueen's 12 Years a Slave will have. Even still, Cuarón will finally win after years of impressive work.

Best Picture
Those two instant classics we talked about earlier? They are Gravity and 12 Years a Slave. No movie in the last 10 years (if not more) has had the wow factor that Gravity did, and 12 Years a Slave is already the definitive movie about slavery in America, so much so that it will be taught in high schools for years to come.

There's been some hubbub that many Oscar voters didn't watch 12 Years a Slave because of its brutal and upsetting content, which is shocking if it's true because they presumably didn't blink an eye at the ultra-violence in last year's Django Unchained. But if that is the case, then Gravity will be the beneficiary.

More than any year in recent memory, the outcome is truly a toss-up, but all signs seem to point toward Gravity winning the big prize.

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Speaking of winners, there is still time to vote in our Oscar poll. Vote now and you will be entered for a chance to win a year's worth of free movies at Look Cinemas.

Lupita Nyong'o is the heavy favorite to win Best Supporting Actress for her work in 12 Years a Slave.

Lupita Nyong\u2019o in 12 Years a Slave
Photo courtesy of Fox Searchlight Pictures
Lupita Nyong'o is the heavy favorite to win Best Supporting Actress for her work in 12 Years a Slave.
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Movie Review

Amanda Seyfried and Sydney Sweeney go off in trashy film The Housemaid

Alex Bentley
Dec 19, 2025 | 12:24 pm
Amanda Seyfried and Sydney Sweeney in The Housemaid
Photo courtesy of Lionsgate
Amanda Seyfried and Sydney Sweeney in The Housemaid.

Both Amanda Seyfried (the upcoming The Testament of Ann Lee) and Sydney Sweeney (Christy) are starring in movies with Oscar ambitions this year. By sheer coincidence, the two actors are also co-starring in The Housemaid, a thriller coming out within weeks of their more ambitious works, one that is likely to be seen by many more people than those prestige plays.

Sweeney is given top billing as Millie, a down-on-her-luck ex-convict looking to land any type of job so as not to break her parole. She finds a too-good-to-be-true lifeboat with Nina (Seyfried), who hires her to be a housemaid for her large house on Long Island, where she lives with her husband, Andrew (Brandon Sklenar), and daughter, Cecilia (Indiana Elle).

After a warm interview, Nina almost immediately becomes highly erratic, whipping back-and-forth between happy-go-lucky and rageful. It seems clear that Nina is suffering from mental health issues, as she’ll often accuse Millie of misplacing or stealing items that she didn’t take. Andrew, apparently used to Nina’s tirades, tries to protect Millie from the worst, something that grows increasingly difficult as Nina ups the ante.

Directed by Paul Feig (A Simple Favor) and adapted by Rebecca Sonnenshine from the bestselling book by Freida McFadden, the film is likely the trashiest mainstream movie to come out in 2025. The first half of the movie relies not on story but on moments as Nina embodies the word “hysterical” to an unbelievable extent. The resigned acceptance of the abuse by Millie, as well as the saintly patience of Andrew, make almost every scene laughable, as nobody seems to be acting anywhere close to how a person would normally react to such extreme situations.

The scenes and the performance of Seyfried are so over-the-top, in fact, that it’s clear that the filmmakers are in on the joke. It’s next to impossible not to have a little bit of fun while watching the actors react to outrageous incidents as if nothing is out of the ordinary. The worse Nina acts, the more Millie and Andrew retreat into their chosen roles, and the funnier the film becomes.

Fans of the book will know that the story changes course, eventually turning into a more stereotypical thriller that also has some relatively gnarly visuals to offer. But the trashiness continues, with Sweeney’s, um, assets repeatedly on display in both clothed and unclothed ways. The sex appeal of the R-rated movie makes it an outlier, as recent studio films have shied away from asking their big stars to disrobe completely.

Both Seyfried and Sweeney are far from their Oscar hopeful roles here. Seyfried is given free rein to act as brazenly as she pleases, and she takes full advantage of that ability. Sweeney seems to have been told to be much more reserved, and unfortunately that results in too many wooden line readings. Sklenar continues his breakout streak (It Ends with Us, Drop) with a role that allows him to show more range than either Seyfried or Sweeney.

The Housemaid is an unusual type of movie to be released at a time of year when most films are either those aiming for awards or more family-friendly fare. Despite its many flaws, it’s still an enjoyable watch that features a variety of crazy scenarios not typically seen in movies nowadays.

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The Housemaid is now playing in theaters.

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