KidZania, an experiential learning center for children that has 24 locations in 19 cities around the world, has announced that it will open its first U.S. location at Stonebriar Centre in Frisco.
Expected to open in 2018, the 80,000-square-foot educational center will offer kids ages 4 to 14 a “mini-city” where they can try out more than 100 real-life professions, including firefighter, chef, doctor, pilot, artist, and reporter, among others.
More than just a chance to play, the center serves up hands-on opportunities to learn through activities that mimic their real-world counterparts. Every KidZania “mini-city” is tailored to the city in which it is located, complete with buildings, paved streets, and vehicles. In addition, it has a self-contained economy that uses a currency called “kidZos,” allowing children to get lessons in financial literacy.
Frisco will also be home to KidZania’s corporate headquarters, which the company expects will bring as many as 450 jobs to the area.
The brainchild of Mexican entrepreneur Xavier Lopez Ancona, KidZania was founded in 1999 and has locations in cities like Mexico City, London, Tokyo, Moscow, and more. Another U.S. location in Chicago is expected to open in 2019.
Every KidZania “mini-city” is tailored to the city in which it is located, complete with buildings and paved streets.
Photo courtesy of KidZania
Every KidZania “mini-city” is tailored to the city in which it is located, complete with buildings and paved streets.
Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.
That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.
Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.
Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.
The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.
The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.
Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.
Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.
