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    Kindle Not Required

    The Wild Detectives in Oak Cliff inspires camaraderie with books and beer

    Whitney Harris
    Apr 9, 2014 | 12:28 pm

    Paco Vique and Javier Garcia del Moral first met on a civil engineering project in Ireland. (Don’t worry. It gets better.) During some Guinness-fueled bonding over books, music and film, they came to realize their common interests amounted to something bigger: a shared dream to open an independent bookstore they would eventually realize with The Wild Detectives.

    Both originally from Spain (del Moral from Logroño, La Rioja, and Vique from Almería, Andalucía), the two found themselves once again working in the same city here in Dallas in 2012. They soon began hanging out at the Texas Theatre, where they met like-minded cinephiles and eventually launched a monthly Spanish film series known as Pata Negra.

    It’s the kind of place where you can order a latte or a lager, grab a page-turner and chat for hours about bands with the person next to you.

    Still hungry for a more permanent culture fix — and missing the idiosyncratic shops packed with sleek hardcovers and fresh paperbacks in their native Spain — del Moral and Vique worked up the nerve to strike out on their own as independent bookstore proprietors. The part-time departure from designing roads and bridges has been as much a winding journey as a labor of love.

    Although the timing (post-economic slump) and location (a quaint 1940s home in Oak Cliff) presented themselves as near perfect, it took more than a year to quell some lingering hiccups in the form of city regulations and ordinances. In spite of all that, Wild Detectives opened its gleaming glass porch doors early last month.

    With just 2,000 titles inside, the store focuses primarily on fiction but has plenty of room for graphic novels and poetry. It’s the kind of place where you can order a latte or a lager, grab a page-turner, and end up chatting for hours about bands like Wilco (one of Vique’s favorites) or Sonic Youth with the person next to you.

    The coffee shop-bar-bookstore format lends itself to all kinds of conversation triggers. But if you do get around to doing any reading, there’s a mix of old (Ragtime by E.L. Doctorow) and new (Bark: Stories by Lorrie Moore) to be pulled from nearby tables and shelves. You’ll also find Philip Larkin, George Saunders and, of course, Robert Bolaño — author of The Savage Detectives, which inspired the shop’s moniker.

    Still, the idea isn’t to make a killing selling books. (They’re not quitting their day jobs anytime soon.) Rather, the goal is to simply be self sustainable and, with that, to create a shared community space where people can present projects and ideas they’re wrestling with or working on and see how the public responds.

    Just this past weekend, the shop hosted a mini photo shoot conceived by Dallas-based creative agency and production company Resident Alien. The idea was to take thought-provoking portraits of readers balancing books on their heads. The results? Likely a poignant look at the many faces of literary obsession.

    And unlike any of the dusty (dare we say, crusty) used bookstores out there, you’ll walk out of Wild Detectives with a stack of spotless tomes. No more begrudgingly inherited broken spines or dog-eared pages. That kind of handiwork is left to you.

    ---

    The Wild Detectives is throwing an opening party on Saturday, April 12, featuring paella and live music in the backyard.

    The Wild Detectives bookstore in Oak Cliff opened in March.

    Photo by CasaHuertas
    The Wild Detectives bookstore in Oak Cliff opened in March.
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    news/arts

    Museum News

    2 Dallas museums partner on landmark Roy Lichtenstein acquisition

    Teresa Gubbins
    Nov 12, 2025 | 12:51 pm
    Roy Lichtenstein
    Courtesy
    Roy Lichtenstein

    The Dallas Museum of Art (DMA) and the Nasher Sculpture Center will present works from the joint acquisition of more than 50 artworks generously gifted by the Roy Lichtenstein Foundation in 2024, showing prints, drawings, and sculptures by the groundbreaking American artist at the two neighboring institutions in the Dallas Arts District.

    According to a release, the installations will be on view from January 31 to August 16, 2026 at the Nasher and from January 1 to July 5, 2026 at the DMA.

    The joint gift made by the Roy Lichtenstein Foundation to the DMA and the Nasher in Celebration of the Centennial of Roy Lichtenstein is comprised of a selection of prints, drawings, maquettes, and sculptures by Roy Lichtenstein (1923–1997), a leading figure in twentieth-century American art and a pioneer of the Pop Art movement.

    The works were specifically selected by the curatorial staff of both institutions and relate to objects already in their respective collections including sculptures, works on paper, and maquettes, along with tools and study objects.

    Organized by the Nasher Sculpture Center’s Senior Curator Dr. Catherine Craft, The Nancy and Tim Hanley Assistant Curator of Contemporary Art at the DMA Ade Omotosho, and The Allen and Kelli Questrom Assistant Curator of Prints and Drawings at the DMA Dr. Emily Friedman, the presentation is divided according to each institution’s strengths and will be shown in combination with objects by Lichtenstein already in their respective permanent collections.

    At the Nasher, works relating to three sculptures from the Raymond and Patsy Nasher Collection—Head with Blue Shadow, Peace through Chemistry, and Double Glass—will be accompanied by a selection from the Foundation's gift of more than two dozen drawings and maquettes associated with Lichtenstein’s Brushstroke sculptures.

    At the Dallas Museum of Art, the presentation features a set of Brushstroke sculptures carved from wood alongside various prints and studies that reveal the artist’s eclectic imagery.

    Events
    In addition to the exhibition, the DMA and the Nasher will co-host a Study Day focused on the artist on March 28, 2026, sponsored by the Roy Lichtenstein Foundation. This scholarly event will bring together a variety of curators, academics, and conservators to discuss Lichtenstein’s studio practice and the fabrication and conservation of his sculptures.

    Concluding the Study Day will be a public conversation held at the DMA between Nasher Director Carlos Basualdo and artist Alex Da Corte, regarding Da Corte’s work on the forthcoming Lichtenstein retrospective at the Whitney Museum of American Art.

    “In bestowing this generous gift, the Roy Lichtenstein Foundation established Dallas as a center for the study and display of Lichtenstein’s work,” Basualdo says in a statement. “This collaborative presentation of the gift and the corresponding programming is an important step in the direction of pursuing that goal, deepening the understanding of an artist who remains immensely influential to contemporary art and its relationship with mass media and today’s culture.”

    Roy Lichtenstein is made possible by support from the Roy Lichtenstein Foundation and the Dallas Tourism Public Improvement District (DTPID).

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