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    Your Show of Shows

    Gallery picks of the month: Traumatic beauty, oversized inflatables and vanity power

    Kendall Morgan
    kendall Morgan
    May 1, 2013 | 9:57 am

    The barriers of physical perfection, candy-colored kinetic objects, an obsession with fame — these are this month’s reasons to get out of the house and into your local art gallery. Below, our round-up of the must-see shows on the Dallas contemporary art circuit for May.

    THIS MORTAL COIL: Rebuking the Ideal in Contemporary Figurative Art, various artists, at CentralTrak
    Opening reception:
    May 11, 8-10 pm
    Exhibition dates: May 11-June 29

    Exploring our cultural preoccupation with beauty and physical perfection, CentralTrak’s “This Mortal Coil” promises to provide far more intense fodder for cocktail chatter than your run-of-the-mill opening.

    With seven participating artists from New York, New Orleans, Texas and Japan, each work straddles the line between thought-provoking and disturbing. And no one’s works are more of a conversation starter than Austin-based Denise Prince, who has spent more than three years exploring the connection between trauma and beauty in a series of provocative photographs based on advertising campaigns.

    Sourcing her subjects from support groups, the Internet and even the city streets, Price captures her subjects in a way that breaks the rules of fashion photography as it highlights the true nature of humanity.

    “It’s about confronting something people may find jarring at first, but it’s got so many beautiful edges to it,” she syas. “[My subjects] are a step ahead of confronting something we don’t want to think about, and they’re not afraid of who they are anymore.”

    Prince explores the concept further in a lecture during the exhibition. “Not On Speaking ‘Terms’: Trauma and Beauty” features commentary by the artist’s psychoanalyst, notable philosopher Charles Merward, who processes her work in an experimental live “couch session” on May 16 at 7 pm. Analysis and art have never been so perfectly aligned.

    BLOW UP with Anne Ferrer, at Red Arrow Contemporary
    Opening reception:
    May 18, 6-9, pm
    Exhibition dates: May 18-June 22

    It’s a rule of thumb in every gallery space: “Don’t Touch the Art!” This may prove to be more challenging than usual when “Blow Up” by French artist Anne Ferrer opens later this month at Red Arrow Contemporary.

    Working with oversized inflatables in an irresistible range of candy hues and stripes, Ferrer’s work has the viewer longing to jump into the middle of one of her air-filled sculptures. Although Ferrer — who has also shown at New York’s LAB Gallery, the Blue Star Contemporary in San Antonio and the Centre Pompidou in Paris — says her work “ravishes you aggressively and with pure pleasure,” this particular ravishing has to be experienced in a strictly hands-off manner.

    The largest of the pieces measures 13-by-20-by-10 feet. Along with the inflatables, Ferrer exhibits 34 of her watercolors and five collectible “Rain Flower” coats that leave buyers looking like living sculptures.

    VANITY FARE by Drew Merritt, at Global Fashion News Gallery
    Opening reception:
    May 11, 7-10 pm
    Exhibition dates: May 11-18

    What’s the equivalent of a trendy pop-up shop in 2013? A pop-up gallery, of course. Global Fashion News has teamed with W.A.A.S. Gallery to bring artist Drew Merritt’s “Vanity Fare” to its current location at 3005A Commerce St., the former home of the Factory Girl boutique.

    Inspired by his time living in Los Angeles, Merritt uses a mixture of mediums to bring his TMZ-ready technique to the gallery walls. The result is a vibrant comment on the way modern-day viewers approach celebrity persona and the obsession with fame.

    Hitting the sweet spot between pop art and pop culture, “Vanity Fare” paintings, prints — even limited-edition shirts — are for sale during the duration of the show in the Global Fashion News space.

    Heike by Denise Prince from "That Mortal Coil" at CentralTrak, May 11-June 19.

    Heike by Denise Prince from "That Mortal Coil" at CentralTrak in Dallas
    Photo courtesy of CentralTrak
    Heike by Denise Prince from "That Mortal Coil" at CentralTrak, May 11-June 19.
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    Dance News

    Dallas Black Dance Theatre makes interim artistic director permanent

    Lindsey Wilson
    Nov 4, 2025 | 11:41 am
    Richard A. Freeman, Jr.
    Photo by Aleah Pilot
    Richard A. Freeman Jr. became the new artistic director October 24, 2025.

    Dallas Black Dance Theatre (DBDT) has officially named Richard A. Freeman, Jr. as its new artistic director, ushering in a new era of leadership for the dance company as it approaches its 50th anniversary season.

    Freeman, a longtime member of the DBDT family, has served as interim artistic director through the company’s recently completed 48th and current 49th seasons. His appointment, effective October 24, 2025, marks a natural progression for the former lead dancer, resident choreographer, and artistic project coordinator, whose career within DBDT spans more than a decade of creative and organizational leadership.

    “Richard has been an integral part of Dallas Black Dance Theatre's artistic fabric for years, and his extraordinary leadership during his time as interim artistic director made this decision clear,” says Heidi K. Murray, a member of DBDT’s board of directors, in a release. “His dedication to artistic excellence, his deep understanding of our mission, and his vision for the future of contemporary modern dance make him the ideal person to lead DBDT into this exciting new chapter.”

    DBDT founder Ann M. Williams echoed the sentiment, calling Freeman’s appointment a full-circle moment for both artist and company. “Richard embodies everything Dallas Black Dance Theatre stands for: artistry, excellence, and a deep commitment to uplifting our community through dance,” she says in the release. “I have had the privilege of watching him grow from a gifted dancer into an inspiring leader and visionary artist. His dedication to preserving our legacy while boldly charting new artistic territory gives me tremendous confidence in DBDT’s future.”

    During his tenure as interim artistic director, Freeman guided DBDT through seasons marked by artistic innovation and expanded community engagement, but also staff shake-ups and legal issues.

    In October 2024, accusations of retaliation surfaced after 10 DBDT dancers, its entire main company, were fired following their decision to unionize in May and demand better working conditions. This led to an unprecedented "Do Not Work" order by the American Guild of Musical Artists.

    Dallas City Council ultimately voted to withhold $248,000 in city funding due to labor violations, and DBDT later settled for $560,000 with the National Labor Relations Board.

    In response, DBDT formed a 17-member advisory stakeholder task force co-chaired by Jennifer Scripps, president and CEO of Downtown Dallas, Inc., and Shawn Williams, vice president of public affairs at Allyn. The group has been working with DBDT leadership to review the organization’s policies and practices, propose changes that foster an accountable environment, and put in place safeguards to prevent future concerns related to talent.

    In September 2025, executive director Zenetta Drew announced her retirement after nearly four decades with the company. A national search for her replacement will start in early 2026. Williams retired in 2014.

    As artistic director, Freeman will oversee all aspects of DBDT’s artistic operations, from performances to educational initiatives, and continue to expand its reach throughout Dallas and beyond.

    “I am deeply honored to accept this role and to continue building on the incredible foundation established by the vision of Ann Williams,” Freeman says. “This company has a unique power to move, inspire, and unite communities through dance. I look forward to working with our talented dancers, staff, and board to create unforgettable artistic experiences and to nurture the next generation of dance artists.”

    A native of Washington, D.C., Freeman began his training with the District of Columbia Youth Ensemble and the Washington Ballet before graduating from the Duke Ellington School of the Arts and Virginia Commonwealth University. His performance credits span acclaimed companies and productions, including Elisa Monte Dance, Houston Grand Opera, Porgy and Bess, and The Wiz.

    Freeman’s choreographic works have been featured by leading institutions such as Texas Ballet Theater School, Texas Christian University, and Booker T. Washington High School for the Performing and Visual Arts. He has also shared his expertise through master classes and workshops nationwide, reinforcing his commitment to DBDT’s educational mission.

    Founded in 1976, Dallas Black Dance Theatre is the oldest and largest professional dance company in Dallas and one of the most acclaimed Black dance institutions in the U.S.

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