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    Dance News

    Dallas Black Dance Theatre makes interim artistic director permanent

    Lindsey Wilson
    Nov 4, 2025 | 11:41 am
    Richard A. Freeman, Jr.

    Richard A. Freeman Jr. became the new artistic director October 24, 2025.

    Photo by Aleah Pilot

    Dallas Black Dance Theatre (DBDT) has officially named Richard A. Freeman, Jr. as its new artistic director, ushering in a new era of leadership for the dance company as it approaches its 50th anniversary season.

    Freeman, a longtime member of the DBDT family, has served as interim artistic director through the company’s recently completed 48th and current 49th seasons. His appointment, effective October 24, 2025, marks a natural progression for the former lead dancer, resident choreographer, and artistic project coordinator, whose career within DBDT spans more than a decade of creative and organizational leadership.

    “Richard has been an integral part of Dallas Black Dance Theatre's artistic fabric for years, and his extraordinary leadership during his time as interim artistic director made this decision clear,” says Heidi K. Murray, a member of DBDT’s board of directors, in a release. “His dedication to artistic excellence, his deep understanding of our mission, and his vision for the future of contemporary modern dance make him the ideal person to lead DBDT into this exciting new chapter.”

    DBDT founder Ann M. Williams echoed the sentiment, calling Freeman’s appointment a full-circle moment for both artist and company. “Richard embodies everything Dallas Black Dance Theatre stands for: artistry, excellence, and a deep commitment to uplifting our community through dance,” she says in the release. “I have had the privilege of watching him grow from a gifted dancer into an inspiring leader and visionary artist. His dedication to preserving our legacy while boldly charting new artistic territory gives me tremendous confidence in DBDT’s future.”

    During his tenure as interim artistic director, Freeman guided DBDT through seasons marked by artistic innovation and expanded community engagement, but also staff shake-ups and legal issues.

    In October 2024, accusations of retaliation surfaced after 10 DBDT dancers, its entire main company, were fired following their decision to unionize in May and demand better working conditions. This led to an unprecedented "Do Not Work" order by the American Guild of Musical Artists.

    Dallas City Council ultimately voted to withhold $248,000 in city funding due to labor violations, and DBDT later settled for $560,000 with the National Labor Relations Board.

    In response, DBDT formed a 17-member advisory stakeholder task force co-chaired by Jennifer Scripps, president and CEO of Downtown Dallas, Inc., and Shawn Williams, vice president of public affairs at Allyn. The group has been working with DBDT leadership to review the organization’s policies and practices, propose changes that foster an accountable environment, and put in place safeguards to prevent future concerns related to talent.

    In September 2025, executive director Zenetta Drew announced her retirement after nearly four decades with the company. A national search for her replacement will start in early 2026. Williams retired in 2014.

    As artistic director, Freeman will oversee all aspects of DBDT’s artistic operations, from performances to educational initiatives, and continue to expand its reach throughout Dallas and beyond.

    “I am deeply honored to accept this role and to continue building on the incredible foundation established by the vision of Ann Williams,” Freeman says. “This company has a unique power to move, inspire, and unite communities through dance. I look forward to working with our talented dancers, staff, and board to create unforgettable artistic experiences and to nurture the next generation of dance artists.”

    A native of Washington, D.C., Freeman began his training with the District of Columbia Youth Ensemble and the Washington Ballet before graduating from the Duke Ellington School of the Arts and Virginia Commonwealth University. His performance credits span acclaimed companies and productions, including Elisa Monte Dance, Houston Grand Opera, Porgy and Bess, and The Wiz.

    Freeman’s choreographic works have been featured by leading institutions such as Texas Ballet Theater School, Texas Christian University, and Booker T. Washington High School for the Performing and Visual Arts. He has also shared his expertise through master classes and workshops nationwide, reinforcing his commitment to DBDT’s educational mission.

    Founded in 1976, Dallas Black Dance Theatre is the oldest and largest professional dance company in Dallas and one of the most acclaimed Black dance institutions in the U.S.

    dallas black dance theatredance
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    Musical Theater

    Broadway Dallas launches intimate Club 909 cabaret shows at Fair Park

    Alex Bentley
    Jul 13, 2026 | 12:00 pm
    Reeve Carney
    Photo courtesy of Reeve Carney
    Broadway star Reeve Carney will be the inaugural performer at Broadway Dallas' Club 909.

    Broadway Dallas, which hosts the national tours of Broadway shows, is expanding its offerings with Club 909, an all-new cabaret concept at the Music Hall at Fair Park.

    According to a release, the new venue, located in the Music Hall's transformed Crystal Terrace, will open with a performance by Grammy Award winner and Broadway star Reeve Carney, September 3-5.

    It marks Broadway Dallas' first dedicated cabaret programming in the organization's 85-year history.

    Carney is best known for originating the role of “Orpheus” in the Tony Award-winning musical Hadestown. He is currently starring as “Jay Gatsby” in The Great Gatsby on Broadway.

    At Club 909, he will present “Reeve Carney: Broadway Divas," featuring his takes on Broadway's most iconic songs, selections from the Great American Songbook, and original music from his debut album, Youth Is Wasted.

    Club 909 will be an intimate venue, seating only 200 guests per evening in a cabaret-style setting complete with full tableside service, including specialty drinks and chef-created light bites. The menu comes from Broadway Dallas' restaurant partner Culinaire.

    In addition to the ticket price for the Club 909 show, a $30 food and beverage minimum will be charged per person.

    Seating is general admission and includes table and bar seating. A limited number of reserved VIP seats are also available.

    Seating is decided on the night of the show at the discretion of house management, the release says. Guests may be seated at shared tables with other attendees, and large parties may not be able to be seated together.

    "Broadway Dallas has always believed that musical theater has the power to move, uplift, and connect us, and cabaret is one of the purest expressions of that power," said Ken Novice, President & CEO of Broadway Dallas, in a statement. "Club 909 gives us the opportunity to offer our audiences something deeply personal and intimate"

    Tickets for the debut event, which go on sale on Friday, July 17, start at $75 and will be available at BroadwayDallas.org or by calling 800-982-2728.

    A very limited number of VIP seats are also available and include a meet and greet with Carney.

    broadway dallasconcertsfair parkmusictheater
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