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    Well-Tailored Soiree

    Sophisticated art patrons party with style at Dallas Contemporary

    Kendall Morgan
    kendall Morgan
    May 6, 2013 | 5:15 am

    In a season of spectacular functions, Bespoke at the Dallas Contemporary stands out. Not just because patrons fly in from all over the U.S. for this fresh and flashy fundraiser, but because local art powerhouses turn up to show their unwavering support for a not-for-profit institution.

    The likes of Circuit 12 Contemporary, Goss-Michael Foundation, Cris Worley Fine Arts and Barry Whistler Gallery all donated art to the Bespoke auction. Worley, Whistler and Goss-Michael associate director Ariel Saldivar were on hand for the festivities.

    Local fashionistas were also thrilled to be involved. Said Clutts Agency founder John Clutts on the way into the silent auction, “I’m lucky because I’m on the board. The amazing thing is the Contemporary would have been half the size if it weren’t for [director] Peter Doroshenko. He pushed us, and now we’re one of the largest contemporary museums in the world. And we’re a non-collecting museum, so events like tonight help pay for the art that’s exhibited.”

    Rebranded two years ago from the Contemporary’s Wish! Auction, Bespoke offers a more curated approach to both the live and silent auctions. Canadian designer Jeremy Laing, who donated a geometric dress to the auction, agreed with V.O.D. owner Jackie Bolin that this year’s event “is even bigger and better” than before.

    Guests sipped champagne while watching a modernist dance performance by Danielle Georgiou and the DGDG Dance Group between silent bids on art by the likes of Shepard Fairey, Kevin Todora and Faile. Futuristic floral arrangements by Grange Hall dressed up the second half of the space, where attendees enjoyed a dinner by TK Culinary while learning what crucial programs their generous donations will fund.

    Doroshenko’s opening remarks touched on the Contemporary’s DCU, a series of lectures featuring North Texas college professors, and the Renaissance Programme, which targets emerging museum professionals, allowing them to develop their curatorial skills.

    The inaugural Bespoke raised more than $450,000, and this year’s edition surpassed that, at more than $500,000 — thanks in no small part to the fast-and-furious, five-figure bids for jaunts to Art Basel Miami and the Fiac Art Fair in Paris and works by Inez and Vinoodh and Patrick Martinez.

    Other onsite celebrants included Barbara Buzzell, Brian Bolke, Jeffrey Lee, Muffin and John Lemak, Niven Morgan, Nini Nguyen, Brad Oldham, Christy Coltrin, Rajan Patel, Susan Posnick, Allison V. Smith, Nancy Rogers, Maxine Trowbridge, Barbara and Don Daseke, Jessica Olsson Nowitzki, Erin Wasson, and Dee Wyly.

    Jessica Nowitzki, Barbara Daseke, Lauren Preston, Laree Holshoff

    Jessica Nowitzki, Barbara Daseke, Laree Holshoff, Lauren Preston, Bespoke
      
    Photo by Jerry McClure
    Jessica Nowitzki, Barbara Daseke, Lauren Preston, Laree Holshoff
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    Budget Cuts

    Funding cuts force Dallas Children's Theater to trim 2025-26 season

    Lindsey Wilson
    Jun 3, 2025 | 1:38 pm
    Dallas Children's Theater presents James and the Giant Peach
    Photo courtesy of Dallas Children's Theater
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    The upcoming 2025-26 season for Dallas Children's Theater is shrinking, according to a new communication from its leadership.

    A June 2 email signed by executive director Samantha Turner, board president Leah Mora, and recently appointed artistic director Emily Ernst informs supporters that due to "the significant financial challenges of the current environment," DCT will be reducing the upcoming season from five mainstage shows to three.

    The email doesn't specifically call out the government's cuts to arts funding, but it is heavily implied, especially since other theaters have recently experienced financial difficulties due to the federal cuts.

    "We remain deeply committed to artistic excellence and to the 90,000 young people and families we serve annually," reads the email. "Though we will have fewer performances, we will continue to provide meaningful theatrical experiences that inspire children, nurture their imagination, and encourage connection with the world around them."

    The 2025-26 will retain the previously announced world premiere of The Pigeon Gets a Big Time Holiday Extravaganza! (November 22-December 21, 2025), as well as The Very Hungry Caterpillar Show (January 24-February 22, 2026) and Moon Mouse: A Space Odyssey (March 27-29, 2026), and add a new developmental workshop envisioned by Ernst.

    The Musical Adventures of Flat Stanley and Jungalbook will no longer be produced, and ticket-holders will be receiving instructions on ticket options.

    DCT Academy classes, a vital part of the theater’s work, will continue through the summer, concluding August 8. After that, Academy sessions will be temporarily paused. Families enrolled for the fall semester will receive a separate email with next steps.

    "Although our performances are well attended and our community support is strong, ticket sales cover only a small portion of the true cost of producing theater," the email explains. "At the same time, our operating costs have steadily increased while funding levels have remained flat. This financial pressure requires immediate action to keep DCT viable — not just for this season, but for the years ahead."

    Tickets for the 2025-26 season are on sale now.

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