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    Movie Review

    Action and emotions carry Those Who Wish Me Dead through the fire

    Alex Bentley
    May 13, 2021 | 3:38 pm
    Action and emotions carry Those Who Wish Me Dead through the fire
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    Even the most complicated action movies tend to have a singular focus. If you’re making a crime thriller, the action is about the crime. If you’re making a movie about firefighters, the action is about the danger of the fire. The new film Those Who Wish Me Dead divides its focus, trying to fit a bit about both of those worlds into its running time, and barely succeeding at making a coherent whole.

    Angelina Jolie stars as Hannah, a wildland firefighter who’s been consigned to a fire tower watchpoint as she recovers from a traumatic recent experience. She and her group of firefighters are a close-knit bunch who are also tight with the local rural community, including Ethan (Jon Bernthal), a sheriff’s deputy who runs a wilderness survival school with his wife Allison (Medina Senghore).

    Their isolated world soon collides with the criminal underground when Owen (Jake Weber) and his son Connor (Finn Little) come to town, hoping to find refuge with Ethan, Owen’s brother-in-law. They’re on the run from Jack (Aiden Gillen) and Patrick (Nicholas Hoult), two killers who are trying to prevent Owen from releasing damaging information about the people for whom they work.

    Directed by Taylor Sheridan and written by Sheridan, Michael Koryta (who wrote the book on which the film is based), and Charles Leavitt, the film is a mixed bag of storytelling. Where the filmmakers succeed the most is establishing the bonds of the various relationships in the film.

    In relatively short periods of time, the connection between Owen & Connor and Ethan & Allison become meaningful parts of the story. Hannah is shown to be an extremely empathetic character, something that helps her greatly as the film progresses. Heck, even the killer duo of Jack and Patrick have an unspoken link that is unusual in a world where people tend to only look out for themselves.

    But the disparate parts of the story ultimately become a bit much for the film to handle. The crime part of the story never really makes sense, as they never say exactly what information Owen has or who employs Jack and Patrick. There’s a lot of innuendo and intrigue, including a random meeting with Arthur (Tyler Perry) that hints at a larger story that got edited out of the movie if only because having Perry show up for one scene doesn’t compute.

    However, you don’t have to understand the story to get into the suspense of the third act of the film, which includes not just the killers menacing everybody in sight, but also a raging forest fire. Sheridan and his team stage almost all of these scenes well, even if the computer-generated fire fails to inspire the awe that it should.

    The acting in the film is uniformly good, probably too good for the type of film it is. Jolie, despite a few over-the-top moments, remains a commanding screen presence. Bernthal and especially Senghore do a lot with relatively small roles. Little is likely to get a lot more work thanks to his nuanced performance. Gillen and Hoult are way overqualified for their respective roles, but the fact that they are elevates their characters to more than they might have been.

    Those Who Wish Me Dead is not a film that will stand the test of time, but it’s a solidly entertaining action film with a number of compelling performances, much more than can be said about other recent films.

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    Those Who Wish Me Dead opens in theaters and on HBO Max on May 14.

    Finn Little and Angelina Jolie in Those Who Wish Me Dead.

    Finn Little and Angelina Jolie in Those Who Wish Me Dead
    Photo by Emerson Miller
    Finn Little and Angelina Jolie in Those Who Wish Me Dead.
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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

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    Oh. What. Fun. is now streaming on Prime Video.

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