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    Movie Review

    The Wrong Missy follows unsubtle playbook to mediocre results

    Alex Bentley
    May 14, 2020 | 1:05 pm
    The Wrong Missy follows unsubtle playbook to mediocre results
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    When Adam Sandler went into business with Netflix back in 2014, it was only natural that his usual crew of former Saturday Night Live co-stars — David Spade, Rob Schneider, and Chris Rock, among others — would benefit from the deal, as well. But Spade has been the biggest beneficiary, scoring cameos, a co-starring role, and two starring roles, first in 2018’s Father of the Year and now in the romantic comedy The Wrong Missy.

    Spade plays Tim Morris, who begins the movie with a disastrous blind date with Missy (Lauren Lapkus), who has an extremely boisterous and abrasive personality. A few months later while on a business trip, he meets the gorgeous and personable Melissa (Molly Sims), with whom he improbably shares a lot in common.

    As the title predicts, Tim proceeds to inadvertently start texting the wrong Missy, not realizing his mistake until after he has invited her on a company trip to Hawaii. Unsurprisingly, Missy wreaks havoc on his life with drunken antics, misguided offers of help to his co-workers, and a general lack of social graces.

    As with all films from Sandler’s Happy Madison Productions, there is absolutely nothing subtle in The Wrong Missy. It’s an over-the-top version of a story told many times before, with Tim naturally abhorring Missy’s actions before somehow warming to her unique brand of craziness. Nothing about his change of heart would make sense in a normal movie, but the film doesn’t pretend to take place in the real world.

    That’s not to let the film off the hook for its outdated views. Writers Chris Pappas and Kevin Barnett are only too happy to turn nonconsensual sex into a joke, apparently claiming it’s okay because it’s the woman initiating the encounters. And, ironically, having the 55-year-old Spade in a relationship with 47-year-old Sims would be more appropriate than with the 35-year-old Lapkus, an age gap the film acknowledges but never interrogates.

    Despite the eye-rolling humor present for much of the film, the story does manage to score the occasional genuine laugh. Lapkus’ commitment to the outrageous role can’t help but entertain, and Spade is a great straight man for her insanity. The romantic portions of the film don’t work well, but making audiences believe in true love is not exactly the goal.

    The film follows Sandler’s playbook perfectly, from pairing Spade with multiple beautiful women (Sarah Chalke shows up as Tim’s ex-fiancée) to setting the film in an exotic location. Regulars like Schneider, Nick Swardson, and John Farley all make appearances, and Sandler’s wife Jackie and nephew Jared also get plum roles.

    Fans of Sandler films will find plenty to enjoy in The Wrong Missy, but everyone else will be left wondering why such a mediocre product could be at all appealing. Good or not, though, Sandler and his cronies will continue laughing all the way to the bank.

    David Spade and Nick Swardson in The Wrong Missy.

    David Spade and Nick Swardson in The Wrong Missy
    Photo by Katrina Marcinowski/Netflix
    David Spade and Nick Swardson in The Wrong Missy.
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    Movie Review

    Eye-popping I Love Boosters takes aim at fashion and social issues

    Alex Bentley
    May 22, 2026 | 3:00 pm
    Naomi Ackie, Keke Palmer, Poppy Liu, and Taylour Paige in I Love Boosters
    Photo courtesy of Neon
    Naomi Ackie, Keke Palmer, Poppy Liu, and Taylour Paige in I Love Boosters.

    Boots Riley’s first feature film, 2018’s Sorry to Bother You, was an auspicious and audacious debut that challenged viewers both with its subject matter and the visuals it contained. Even though it took eight years for him to put out his second film, Riley hasn’t lost his knack for outrageousness in the almost inexplicable I Love Boosters.

    At its core, the movie is about three women - Corvette (Keke Palmer), Mariah (Taylour Paige), and Sade (Naomi Ackie) - who survive in the world by boosting (aka stealing) high-end fashion and reselling it for more affordable prices. In the surreal world in which the film takes place, their primary target is Metro Designers, a shop that deals in monochromatic clothes and is led by the eccentric CEO Christie Smith (Demi Moore).

    The women’s felonious-but-low-stakes mission is up-ended by the appearance of Jianhu (Poppy Liu), who possesses a machine that shoplifts much better than they ever could. The only difference is that Jianhu is looking to expose the shoddy working conditions in the Chinese factories where Metro Designers’ clothes are made. Inspired, the women join forces on a quest that is as bizarre as it is righteous.

    Riley, who both wrote and directed the film, loves his over-the-top visuals. There are eye-popping elements in almost every scene of the film, from the clothes in the Metro Designers stores to the oddly-slanted floors of Smith’s office to the bold masks worn by the group during one heist. Every weird thing on screen serves a purpose, though, even the transformation of Pinky Ring Guy (LaKeith Stanfield) from an object of Corvette’s desire into a soul-sucker with an unusual method.

    While not quite as pointed as Sorry to Bother You, which had Black characters affecting “white” voices to be more appealing to the general public, the film does take aim at a variety of different social issues. The idea of wealth inequality is front-and-center, with Corvette and her friends forced to squat in an abandoned restaurant. The treatment of Chinese factory workers, fashion industry practices and excesses, and more crop up over the course of the film.

    The latter half of the film gets crazier, if that’s even possible. Jianhu’s machine introduces sci-fi elements into the story, with the same circular contraption able to transport, disintegrate, and transform objects or people. Combined with the visuals and storyline, the film becomes something that is both wildly entertaining and also somewhat incomprehensible.

    While the movie has a large cast, Palmer is inarguably the star. With her effervescent acting style and an overall inviting demeanor, she sells every bonkers turn the film takes. Each of the supporting actors gets a moment to shine, but Paige, Ackie, and Moore have the most impact. Stanfield is memorable in a creepy kind of way, but he’s been better in other films.

    I Love Boosters is one of the more outlandish and interesting films to come out in 2026, a long-awaited return from Riley that demonstrates his strong storytelling and filmmaking voice. Even if it’s not clear exactly what’s happening at every turn, the acting and the audacity of the visuals keeps the film extremely watchable.

    ---

    I Love Boosters is now playing in theaters.

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