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    Movie Review

    The Wrong Missy follows unsubtle playbook to mediocre results

    Alex Bentley
    May 14, 2020 | 1:05 pm
    The Wrong Missy follows unsubtle playbook to mediocre results
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    When Adam Sandler went into business with Netflix back in 2014, it was only natural that his usual crew of former Saturday Night Live co-stars — David Spade, Rob Schneider, and Chris Rock, among others — would benefit from the deal, as well. But Spade has been the biggest beneficiary, scoring cameos, a co-starring role, and two starring roles, first in 2018’s Father of the Year and now in the romantic comedy The Wrong Missy.

    Spade plays Tim Morris, who begins the movie with a disastrous blind date with Missy (Lauren Lapkus), who has an extremely boisterous and abrasive personality. A few months later while on a business trip, he meets the gorgeous and personable Melissa (Molly Sims), with whom he improbably shares a lot in common.

    As the title predicts, Tim proceeds to inadvertently start texting the wrong Missy, not realizing his mistake until after he has invited her on a company trip to Hawaii. Unsurprisingly, Missy wreaks havoc on his life with drunken antics, misguided offers of help to his co-workers, and a general lack of social graces.

    As with all films from Sandler’s Happy Madison Productions, there is absolutely nothing subtle in The Wrong Missy. It’s an over-the-top version of a story told many times before, with Tim naturally abhorring Missy’s actions before somehow warming to her unique brand of craziness. Nothing about his change of heart would make sense in a normal movie, but the film doesn’t pretend to take place in the real world.

    That’s not to let the film off the hook for its outdated views. Writers Chris Pappas and Kevin Barnett are only too happy to turn nonconsensual sex into a joke, apparently claiming it’s okay because it’s the woman initiating the encounters. And, ironically, having the 55-year-old Spade in a relationship with 47-year-old Sims would be more appropriate than with the 35-year-old Lapkus, an age gap the film acknowledges but never interrogates.

    Despite the eye-rolling humor present for much of the film, the story does manage to score the occasional genuine laugh. Lapkus’ commitment to the outrageous role can’t help but entertain, and Spade is a great straight man for her insanity. The romantic portions of the film don’t work well, but making audiences believe in true love is not exactly the goal.

    The film follows Sandler’s playbook perfectly, from pairing Spade with multiple beautiful women (Sarah Chalke shows up as Tim’s ex-fiancée) to setting the film in an exotic location. Regulars like Schneider, Nick Swardson, and John Farley all make appearances, and Sandler’s wife Jackie and nephew Jared also get plum roles.

    Fans of Sandler films will find plenty to enjoy in The Wrong Missy, but everyone else will be left wondering why such a mediocre product could be at all appealing. Good or not, though, Sandler and his cronies will continue laughing all the way to the bank.

    David Spade and Nick Swardson in The Wrong Missy.

    David Spade and Nick Swardson in The Wrong Missy
    Photo by Katrina Marcinowski/Netflix
    David Spade and Nick Swardson in The Wrong Missy.
    movies
    news/entertainment

    Movie Review

    The Super Mario Galaxy Movie chases nostalgia for shiny but shallow sequel

    Alex Bentley
    Apr 1, 2026 | 12:37 pm
    Yoshi, Mario, and Luigi in The Super Mario Galaxy Movie
    Photo courtesy of Nintendo and Illumination
    Yoshi, Mario, and Luigi in The Super Mario Galaxy Movie.

    When The Super Mario Bros. Movie came out in 2023, it had two big things going for it. Audiences had little experience with a fully-animated video game adaptation, and certainly not from a property as revered as Super Mario Bros. And coming from Illumination Entertainment and featuring an all-star cast, the massive budget for the film was on the screen, showing how much effort the filmmakers put into at least the visuals.

    Three years later comes the sequel, The Super Mario Galaxy Movie, passing over a massive number of Mario games to go straight to 2007’s Super Mario Galaxy, originally put out for Nintendo’s Wii system. This time, the returning Mario (Chris Pratt), Luigi (Charlie Day), Princess Peach (Anya Taylor-Joy), and Toad (Keegan-Michael Key), now joined by Yoshi (Donald Glover), are sent on a mission to save Princess Rosalina (Brie Larson) from the evil clutches of Bowser Jr. (Benny Safdie), who’s trying to prove his worth to his dad, Bowser (Jack Black).

    And that is about as much actual story there is to be found in a film that feels like a slog even at a brief 98 minutes. The filmmakers - directors Aaron Horvath and Michael Jelenic, co-directors Pierre Leduc and Fabien Polack, and writer Matthew Fogel - have lots of fun inserting references from a bunch of different Mario games, but they pay little attention to giving the characters anything to do that makes sense.

    Instead, small groups are shuttled around different points in the galaxy - sometimes using game mechanics, sometimes not - to accomplish minor goals that are forgotten almost as soon as they’re named. Nothing they do rises to the level of exciting or even interesting; everything is merely an excuse to showcase another part of Mario lore for the masses.

    It’s impossible to call the filmmaking lazy, as the visuals remain top notch and it’s clear the entire crew put a lot of effort into making every scene as appealing as possible. But the film is certainly cynical, throwing out empty treats like Fox McCloud (Glen Powell) or Bowser Jr.’s magic paintbrush to give Nintendo mega-fans a rush of serotonin without attaching those elements to anything substantial.

    I have long railed against using big-name actors in voiceover roles, arguing that few people know or care whose voice they’re hearing in animated films. Somehow, this film makes the idea worse, as the voices of people like Key, Glover and Safdie are changed so that you would never know it’s them, something that’s especially strange for Glover since Yoshi only says one word - “Yoshi.”

    Even stranger is that, after making a joke in the first film about Mario not having an Italian accent, Pratt goes in and out of an accent in this film. At least he and Day feel like they’re having fun. Bowser is sidelined for a good amount of this film, giving Black not much to do overall. Taylor-Joy and Larson might as well be anonymous actors for all the impact they make on their roles.

    The Super Mario Galaxy Movie is the worst kind of fan service, delivering a shiny product that might make some people feel good in the moment, but something that is forgotten the second they step out of the theater. If Nintendo is to continue adapting their properties, they’d do well to give their fans a film they want to see more than once.

    ---

    The Super Mario Galaxy Movie is now playing in theaters.

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    news/entertainment

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