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    Your Show of Shows

    The 4 Dallas art gallery shows you must see in May

    Kendall Morgan
    kendall Morgan
    May 15, 2015 | 10:01 am

    A Brit import’s digital revolution, 20 years of photography worth celebrating and candy-colored images from two young talents are all on the roster for the merry month of May.

    “My Shoes, My Stove, My Life,” Luke Dowd, at Zhulong Gallery
    Reception: May 15, 6-9 pm

    Exhibition dates: May 15-June 20

    Moving from collage to silkscreen to digital prints, London-based artist Luke Dowd’s work has remained incredibly personal, even as it backs away from a more organic process.

    “I was interested in his formal sensibility and his approach to art making, which has a strong modernist tack, given his thoughts on making, medium and composition,” says Zhulong owner Aja Martin, who brought the artist to Dallas after shows in London, Frankfurt, New York and Paris.

    “But Luke doesn’t allow this approach to bog down his practice, and he’s happy to step away from tradition — which is apparent in his use of various processes that incorporate printing technologies and even a light use of software.”

    Dowd’s 16 half-tone digital canvases of stoves, shoes and abstract shapes were crafted with Photoshop across the pond, but they were not printed until the artist arrived in town, providing for a bit of pre-opening nerves.

    Dowd says the results drawn a through line from his former work, with a trajectory that removes emotional content as his technique is refined. “You can cool it down as much as you want, but you can’t really escape yourself. There’s a certain continuity happening.”

    20th Anniversary Exhibition at PDNB Gallery
    Reception: May 16, 5-8 pm

    Exhibition dates: May 16-June 20

    Twenty years in the art world is no small achievement, and Photographs Do Not Bend is celebrating in a manner befitting its status as one of longest running spaces in the Design District. Originally opening its doors on Routh Street in 1995 with a Joel-Peter Witkin show paired with a show of Latin American artists, PDNB has culled some of its most iconic imagery from both their stable and their devoted collectors to celebrate their two decades in the industry.

    “A lot of the inventory is from our artists, but there are pieces I cannot get that I really wanted to include, so I asked some of my collectors to loan them for the show,” says co-owner Missy Finger. “There’s Joel-Peter Witkin, a Vic Muniz, and there’s a great Diane Arbus.”

    Things have changed from the days photography was considered the “bastard child of the art world,” but it’s still one of the most collectible mediums in contemporary art. One can score a print by the likes of Henri Cartier-Bresson or Man Ray for far, far less than equivalent pieces from blue chip painters, a fact that bodes well for PDNB’s continued success.

    “Truly, Madly,” Kasumi Chow and Desiree Espada, at the Public Trust
    Reception: May 23, 6-9 pm

    Exhibition dates: May 23-June 20

    The collaborative work of local photographers Kasumi Chow and Desiree Espada (a CultureMap contributor) captures imagery of champagne, cake and balloons in a way that is poignant and girlie without being too saccharin sweet. It’s their party, and they’ll cry if they want to.

    Discovered by the Public Trust’s Brian Gibb as he was looking for submissions to this year’s Slideluck event, the duo’s photography ended up being a pleasant surprise that led to a perfectly timed show at the gallery’s new space at 2271 Monitor St.

    “They were first in the slideshow and the DJ dropped in a Stereolab track and I thought, ‘I love this work!’”

    Having recently moved with neighbor Liliana Bloch from their former spot in Deep Ellum to a larger space next door to Galleri Urbane, Gibb had a vacancy in his schedule for a solo show that the two young talents easily filled.

    “[The work] says a lot about them,” he explains. “It’s contemporary still life reflections of young womanhood. They’re asking the same existential questions we all are, but they’re working through it through visuals that are really striking and fun.”

    Not to mention affordable. With prints measuring at a lofty 3-by-3-foot size and retailing for just $1,250, it’s an opportunity for collectors to nab something high impact at a very reasonable price.

    Shapes Zines Pop Up, various artists, at the Reading Room
    Reception: May 23, noon-7 pm


    Enthusiastic collectors of zines know it’s a passion that can’t quite be explained. Artist Randy Guthmiller turned his own fondness for shapes into an ongoing series of publications, and the local impact of his creations led other artists to ask how they can spread their own unique visions around town. Guthmiller responded by starting his own publishing house, and Shapes Zines will the first selection of these DIY collectibles May 23 at the Reading Room.

    “We’ve got almost a dozen artists, and all of them are making at least one zine,” he says. “They’re all totally different and based off their own interests; there’s one by Brooke Granowski called America’s Hottest Potatoes that combines imagery of all types of potatoes with Maine potato harvest beauty queens.”

    Other options include Vice Palace artists Larry Carey’s illuminati grids and Evan Henry’s impressions of a visit to SXSW. Each retails for just $5, so you can collect them all. Guthmiller plans on following up this pop-up with a more traditional zine fair at the Wild Detectives on September 6.

    Luke Dowd, Shoes 3, 2015, digital print on canvas, at Reading Room.

    Luke Dowd
    Photo courtesy of Zhulong Gallery
    Luke Dowd, Shoes 3, 2015, digital print on canvas, at Reading Room.
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    Stepping Down

    Dallas Arts District director Lily Cabatu Weiss to retire after 9 years

    Lindsey Wilson
    Oct 30, 2025 | 1:14 pm
    Lily Cabatu Weiss
    Photo by Brian Guilliaux
    Lily Cabatu Weiss

    Veteran arts executive Lily Cabatu Weiss, who has led the Dallas Arts District since 2016, announced she will step down from her role as executive director on January 30, 2026, marking the end of a nearly decade-long tenure that transformed the nation’s largest urban cultural district.

    In a statement, Weiss — a former dancer, educator, and arts advocate — says that leading the district has been a career highlight.

    “To be able to spend so much time supporting and promoting our city’s artists, this district, its premier arts and cultural institutions, parks, commercial and retail interests, historic churches, residents, an award-winning high school, and all of the neighborhood stakeholders — being this community’s champion has been a blessing and an honor,” Weiss says.

    During her nine years at the helm, Weiss guided the Dallas Arts District through major milestones and challenges. She helped elevate it as a premier tourism destination, was a contributor to the 2018 Dallas Cultural Plan, and oversaw creation of the Connect Master Plan — the district’s first comprehensive plan in nearly 40 years — which included infrastructure improvements such as currently ongoing sidewalk replacements and public art installations.

    She also enhanced the district’s branding and created the popular Signature Block Party Series, a set of free, family-friendly events featuring regional and international artists that now draw more than 50,000 visitors.

    Weiss led the community through the financial difficulties of the COVID-19 pandemic and celebrated national recognition when USA Today readers ranked the Dallas Arts District the No. 1 arts district in the United States in both 2024 and 2025.

    “Lily Weiss has led the Dallas Arts District through transformational change over the past nine years,” says Jill Magnuson, Dallas Arts District board chair. “By rolling up her sleeves and deeply engaging the neighborhood’s many diverse interests, we’ve been able to weather crises, enjoy dynamic growth and position the district for success in the future.”

    Beyond her local leadership, Weiss has been an active advocate for the arts at city, state, and national levels.

    She serves on the steering committee for the Dallas Area Cultural Advocacy Coalition, helping secure and expand City of Dallas funding for the arts and arts bond programs. At the state level, she serves on the board of Texans for the Arts, where she has pushed for increased funding for the Texas Commission on the Arts, including Cultural District Grants that benefit smaller resident organizations.

    Weiss has represented the Dallas Arts District globally through the Global Cultural District Network, of which Dallas is a founding member.

    Her career in the district began in 1978, when she joined the faculty of Booker T. Washington High School for the Performing and Visual Arts, eventually becoming chair of its dance department and artistic director. She retired from teaching in 2016 to lead the Dallas Arts District organization.

    Looking ahead, Magnuson will step in as interim executive director on January 30, 2026, after concluding her term as board chair. AT&T Performing Arts Center president and CEO Warren Tranquada will become the new board chair on November 1 and will oversee the search for Weiss’s permanent successor early next year.

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