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    Movie Review

    Won't You Be My Neighbor? shares Mister Rogers' legacy and love

    Alex Bentley
    Jun 8, 2018 | 2:28 pm
    Won't You Be My Neighbor? shares Mister Rogers' legacy and love
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    For anyone who grew up between 1968 and 2001, Mister Rogers’ Neighborhood and its star, Fred Rogers, will forever hold a place in the heart. His brand of straightforward, non-flashy entertainment for children was a shining beacon of hope in a cynical world.

    Documentarian Morgan Neville (20 Feet from Stardom, The Music of Strangers) has honored Rogers and his legacy with his new film, Won’t You Be My Neighbor? Using a variety of interviews, including with Rogers’ widow, Joanne, and much of the show’s staff, Neville traces how Rogers went from a would-be Presbyterian minister to one of the most beloved television personalities of all time.

    Very little, aside from perhaps the fact that Rogers was a lifelong Republican, will come as a surprise to anyone who had a chance to watch him over the years. He started his career with the belief that children would be better served by honest communication instead of bells and whistles, and his force of will enabled him to continue that mission on public television for over 30 years.

    He embodied the saying “What you see is what you get,” in that the engaging and wide-open friendliness he portrayed on the show was exactly what he was like in real life. And because he was almost always true to his core beliefs and easygoing personality, his influence spread far and wide, including to members of Congress who opposed funding of shows like his.

    The film is no hagiography, though, as Neville is not afraid to show some of Rogers’ warts. This includes not allowing Francois Clemmons, who played Officer Clemmons on the show, to live openly as a gay man if he wanted to remain on the program. And, according to one staff member, Rogers enjoyed a bawdy joke as much as the next person.

    But, as seen through clips of the show and the corroborating interviews, Rogers’ good points far outweighed any bad. He had a way of approaching topics that would be taboo anywhere else in a manner that made them digestible and understandable for kids of all ages. His use of puppets and other relatable things allowed him to broach topics like death, divorce, and racial relations that most kids' programs wouldn’t touch with a 10-foot pole.

    Calling someone or something “unique” has become cliché, but if the term applies to anyone, it belongs to Fred Rogers. He stood for truth and goodness in a world that often eschews those values, and he became iconic because of it. This film is a welcome reminder that we would all do well to be a little more like Mr. Rogers.

    Fred Rogers and Francois Scarborough Clemmons in Won't You Be My Neighbor?

    Fred Rogers and Francois Scarborough Clemmons in Won't You Be My Neighbor?
    Photo by John Beale
    Fred Rogers and Francois Scarborough Clemmons in Won't You Be My Neighbor?
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    Movie Review

    Matt Damon and Ben Affleck team up for Netflix crime thriller The Rip

    Alex Bentley
    Jan 16, 2026 | 12:43 pm
    Ben Affleck and Matt Damon in The Rip
    Photo by Claire Folger/Netflix
    Ben Affleck and Matt Damon in The Rip.

    For as closely tied together as Matt Damon and Ben Affleck are, it might come as a surprise how few times they’ve led a movie together. They’ve appeared alongside each other in Good Will Hunting, The Last Duel, and Air, but the only time they were on equal footing in a story was Kevin Smith’s Dogma. So the fact that they are the two true stars of the new Netflix movie The Rip makes it a rare opportunity for the longtime friends to square off against each other.

    Damon and Affleck play Lt. Dane Dumars and Detective Sgt. J.D Byrne, respectively, the two highest ranking members of a Miami police department squad that specializes in drug and drug money raids. A tragedy to begin the film already has the team - which includes Detectives Mike Ro (Steven Yeun), Numa Baptiste (Teyana Taylor), and Lolo Salazar (Catalina Sandina Moreno) - on edge, with the FBI and DEA breathing down their neck.

    Going off a tip, Dumars gathers the team to raid a house in nearby Hialeah that is supposed to have a stash of a relatively small amount of money. But when they get to the house occupied only by Desiree Molina (Sasha Calle), they soon discover that there’s close to $20 million there instead. The team, required by law to count the money on site, must not only fight the urge to skim a little off the top for themselves, but also worry about the Cartel and other agencies that might want a slice of the pie.

    Written and directed by Joe Carnahan, the film is a surprisingly effective crime thriller made even better by its high-quality cast, which also includes Kyle Chandler as a DEA agent. The story is designed for the audience to not know who’s trustworthy until the last possible second, and the various twists and turns it takes are well done, with barely a hint of narrative cheating.

    Taking place entirely at night, the mood is set right from the start, with the only surprise being that Carnahan didn’t add in rain for extra effect. He keeps things tense with a number of subtle elements, including having the house located in a seemingly deserted cul-de-sac. This allows for the characters to remain on high alert at all times, with anything out of the ordinary - an unexpected noise, a flashing light, etc. - adding to the stress of the situation.

    The only element that could have used a bit more of a punch-up is the characterization. The story is set up to cast suspicion on almost everybody, making it tougher to understand exactly what type of person each of them is. As the two leads, more time is spent with Dumars and Byrne, leaving everyone else with slightly underwhelming arcs. It’s to the credit of the actors that everyone else below Damon and Affleck is still compelling.

    Damon and Affleck play their sometimes friendly, sometimes adversarial roles well, showing an ease together that’s a result of their friendship and the acting skills they’ve honed over 30+ years. Taylor, an Oscar hopeful for One Battle After Another, and Oscar nominee/Emmy winner Yeun have a pedigree that elevates their supporting roles. Chandler, Moreno, and Calle each get just enough to demonstrate why they were cast in their respective roles.

    Damon and Affleck have had their individual ups and downs throughout their careers, but when they choose to work together, the results are usually good-to-great, as they are in The Rip. It’s a different take on a crime thriller that features a story that will keep viewers guessing until the very end.

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    The Rip is now streaming on Netflix.

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