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    Movie Review

    Pixar conjures magic yet again with bittersweet Toy Story 4

    Alex Bentley
    Jun 20, 2019 | 12:06 pm
    Pixar conjures magic yet again with bittersweet Toy Story 4
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    The mere existence of Toy Story 4 is a little bittersweet. As fans of the series know, the final moments of Toy Story 3 (which, BTW, came out NINE years ago) seemed a pitch-perfect ending to the series, with all the toys we know and love moving on from their original owner, Andy, so that a new child, Bonnie, could grow up with them.

    But no matter why Pixar decided to go ahead with a fourth film, it remains an utter pleasure to spend time with the characters that made the studio the powerhouse it is today. This time, Woody (Tom Hanks), Buzz Lightyear (Tim Allen), Jessie (Joan Cusack), Hamm (John Ratzenberger), and more are on a road trip with Bonnie (Madeleine McGraw) and her family. Bonnie, who recently started kindergarten, has created her new favorite toy, Forky (Tony Hale), and thanks to Forky’s strong desire to throw himself in the trash, Woody takes it upon himself to protect Forky at all costs.

    This proves an exhausting job, and one of Woody’s many attempts at rescue leads them both into a small-town antique store, where Woody thinks he has found the long-lost Bo Peep (Annie Potts). There, they also encounter Gabby Gabby (Christina Hendricks), an old doll who has long lingered on the shelf thanks to a broken voice box. When she discovers Woody is a pull-string toy, she covets his voice box to make her whole again.

    Those are the basics, but there is so much going on in the film that it would be impossible to cover it all in a synopsis. Written by Andrew Stanton and Stephany Folsom and directed by Josh Cooley, the characters have an adventure more-than-worthy of previous entries in the series, buoyed by the outstanding humor and emotion that Pixar has brought to nearly every film in its history.

    As they’ve done in the other films in the series, the filmmakers seamlessly integrate a variety of new characters. Forky is hilarious from the start, as are carnival toys Bunny (Jordan Peele) and Ducky (Keegan-Michael Key), motorcycle daredevil Duke Kaboom (Keanu Reeves), and Giggle McDimples (Ally Maki). Gabby Gabby is ostensibly the villain of the film, especially when she calls in a troupe of ventriloquist dummies to protect her, but she comes with a heartbreaking backstory that makes her feel less than evil.

    Unsurprisingly, the film’s animation is absolutely gorgeous. While the core characters are still recognizable from their debut in 1995, the advance in the amount of detail the animators can now show on them and the world in general is staggering. There are many times where, with a little suspension of disbelief, the film could plausibly be passed off as live action, especially when it comes to things like water and hair.

    Now, the bittersweet feeling comes with knowing — absolutely this time — that it will be the final experience watching and listening to these iconic characters. For the past 25 years, they have set a standard that most other films can’t match. They will live on in the hearts of children and the young at heart, but the tears that come at the end aren’t merely because of the stellar storytelling.

    It may not have truly needed to be made, but Toy Story 4 is just as good as any of the other films in the series and proves once again that Pixar is the undisputed master in the animation field.

    Gabby Gabby and Woody in Toy Story 4.

    Gabby Gabby and Woody in Toy Story 4
      
    Photo courtesy of Walt Disney Studios
    Gabby Gabby and Woody in Toy Story 4.
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    Movie Review

    Horror film Bring Her Back may shock even fans of the genre

    Alex Bentley
    May 30, 2025 | 1:33 pm
    Sally Hawkins and Sora Wong in Bring Her Back
    Photo courtesy of A24
    Sally Hawkins and Sora Wong in Bring Her Back.

    While there have been plenty of great horror movies that have come out of the United States, there are also many examples of other countries delivering films that put American ones to shame. Whether it’s the freedom of working outside the U.S. studio system, different sensibilities, or something else, international horror movies often hit way harder than domestic ones.

    The latest example is the Australian film Bring Her Back, directed by Danny and Michael Philippou, the same filmmakers behind the 2023 sensation Talk to Me. The fantastically unnerving story centers on Andy (Billy Barratt) and his sister, Piper (Sora Wong), who’s legally blind. The two are put into foster care after the death of their father, finding a home with Laura (Sally Hawkins), a former social worker. Laura is enthusiastic about having Piper, who reminds her of her blind daughter who passed away, but Andy feels a coolness toward him right away.

    Also living with Laura is Oliver (Jonah Wren Phillips), whom Laura says has been mute since her daughter’s death. But Oliver’s actions are much weirder than him not being able to talk, and Laura alternates between being dismissive of him and overly attentive. Things start to go off the rails when Andy witnesses a horrific event, and he and Piper - along with the audience - are unprepared for how awful things will get.

    The film, written by Danny Philippou and Bill Hinzman, ranks extremely high on the list of most disturbing films you’re likely to see. It’s not just the blood and gore that can be found in many other horror movies; it’s the manner in which the carnage comes about that may haunt the dreams of viewers. The things that the filmmakers choose to show are so shocking that it’s fair to wonder what kind of a mind comes up with such atrocities.

    But the Philippous have more on their mind than trying to traumatize viewers visually. It’s a movie about grief and a broken foster care system mixed with a tinge of the supernatural. While it’s not entirely clear what’s going on with Laura and Oliver, it involves something spooky that has affected both of them in inexplicable ways. The film combines the horrors of real life and the incomprehensible for a highly effective story.

    The film also veers far away from your typical horror film arc. While Laura is the “villain” of the film, she’s also a victim in a certain way, and the filmmakers have empathy for the trauma that she has endured. They don’t excuse her actions, but the reasons behind them are explained, and so the journey that Andy and Piper go on becomes more meaningful than if it involved a monster with no back story.

    Hawkins, who’s been nominated for two Oscars, elevates the film with her high-level acting. No matter what kind of weird thing Laura does, it feels grounded because Hawkins is bringing it to life. Barratt and Wong play their roles well, but it’s Phillips who’s the real revelation. Without speaking a word, he turns in a supremely creepy performance, one that’s especially amazing for the physical things he’s asked to do.

    Even horror film aficionados may not be able to anticipate the level of depravity on display in Bring Her Back. Unlike other movies in the genre, it’s not out for cheap thrills. The Philippous give it heart and soul, along with some of the most messed-up scenes you’ll see this year.

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    Bring Her Back is now playing theaters.

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