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    Theater Critic Picks

    These are the 9 can't-miss shows in Dallas-Fort Worth theater for July

    Lindsey Wilson
    Jul 2, 2018 | 9:17 am

    Have you caught your breath yet from June? That was a lot of theater. This month is a little more manageable, but the lineup does include the Festival of Independent Theatres, which pairs up one-act plays from eight indie theater companies over three weeks. There's also a historic collaboration between two big organizations and a timely original work developed by a group of socially conscious teens.

    Here are the 9 shows to see, in order by start date:

    Babel
    Cry Havoc Theater Company, July 5-15
    Following the success of Shots Fired, the documentary theater piece about the 2016 Dallas Police shootings, this youth theater's new work examines gun violence in America and the emotionally charged conversations around it. Inspired by and filled with first-person interviews from people on all sides of the gun violence and gun safety debate, the Elevator Project production in Hamon Hall includes survivors of recent shootings, experts on gun violence, gun owners, politicians, and more. A large-scale public art installation called The Cenotaph will display 8,000 shoes, each representing a person who has lost his or her life to gun violence.

    Hairspray
    Dallas Theater Center and AT&T Performing Arts Center, July 7-15
    The new collaboration between the Tony-winning local company and AT&T's Broadway Series brings Marc Shaiman and Scott Wittman's musical (which is based on John Waters' iconic film) to the Winspear stage. 1960s Baltimore teen Tracy Turnblad just wants to dance on The Corny Collins Show, but in pursuing her dream the curvy teen sparks a social revolution.

    Don't Dress for Dinner
    Stage West, July 12-August 12
    The playwright behind Boeing-Boeing, Marc Camoletti, also penned this madcap farce (Robing Hawdon did this translation) where wild lies pile up, identities and bedrooms are swapped, and romantic plans are thwarted. Though this play was written in the 1960s, director Christie Vela has set it in the '80s, so expect lots of teased hair, legwarmers, and blue eyeshadow.

    Priscilla Queen of the Desert
    Uptown Players, July 13-29
    Speaking of teased hair and blue eyeshadow... "girls just wanna have fun" in this stage adaptation of the1994 Academy Award-winning film, which finds three friends (two drag queens and a transexual) on a road trip in the middle of the Australian Outback. The score is a hit parade of dancefloor favorites, including "It's Raining Men," "I Will Survive," and "Girls Just Wanna Have Fun."

    Festival of Independent Theatres
    July 13-August 4
    FIT's 20th anniversary features eight companies with one-act plays, paired in two-show blocks. In the lineup this year are shows from Camp Death Productions, DGDG (Danielle Georgiou Dance Group), Eccentric Bear Productions, Echo Theatre, Imprint Theatreworks, Laughter League, Prism Movement Theater, and WingSpan Theatre Co. The art exhibitions Revived with Light: An Exploration of Expired Photographic Media and Road Trip – Photographic Journeys of the Dead Photographers Society are also on display at the Bath House Cultural Center, along with live music on weekend evenings in the Bath House's shore level performance space, FIT Underground.

    King Liz
    Amphibian Stage Productions, July 13-August 5
    Kenneisha Thompson stars in Fernanda Coppel's play about the making and breaking of basketball superstars and the power brokers behind them. The story — about sports agent Liz Rico and her new client, a high school basketball superstar with a troubled past — was sold to Showtime and is being developed into a half hour comedy-drama.

    The Revolutionists
    Imprint Theatreworks, July 20-August 4
    Lauren Gunderson's play is a comedic quartet about four real women who lived boldly during the French Revolution: playwright Olympe De Gouges, assassin Charlotte Corday, Haitian rebel Marianne Angelle, and former queen Marie Antoinette. Sometimes a revolution needs a woman's touch.

    Love Never Dies
    Dallas Summer Musicals, July 24-August 5
    Did you know The Phantom of the Opera has a sequel? Andrew Lloyd Webber's follow-up to his smash musical hit premiered in London in 2010, but then mostly faded into obscurity (except for a 2012 DVD recording of the West End production). But now it's on tour! Check in with the Phantom and Christine, who are now in Coney Island 10 years after the big showdown at the Paris Opera House.

    Blues in the Night
    Jubilee Theatre, July 27-August 26

    Set in a rundown Chicago hotel in 1938, this musical revue focuses on three women's relationships with the same "snake of a man" and their interweaving stories told through the torch songs and blues of Duke Ellington, Bessie Smith, Johnny Mercer, Harold Arlen, and Alberta Hunter, among others. Jubilee last performed this one in 2010, and now it's back by popular demand.

    Don't Dress for Dinner at Stage West.

    Stage West presents Don't Dress for Dinner
    Photo by Evan Michael Woods
    Don't Dress for Dinner at Stage West.
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    Artist sues FIFA for $25 million over painted-over Dallas whale mural

    Associated Press
    Jun 3, 2026 | 11:54 am
    Wyland Whaling Wall
    Facebook/Wyland
    Artist Wyland's Whaling Wall mural being painted over for a FIFA World Cup-related mural in Dallas.

    The artist who painted a giant mural on a building in downtown Dallas of life-sized swimming whales has filed a $25 million lawsuit against soccer's international governing body and others, saying they illegally painted over his work to promote the city's upcoming World Cup matches.

    The artist Wyland says he hand-painted the sprawling mural that covered roughly 17,000 square feet (1,580 square meters) across two of the building's walls.

    The mural stood for nearly three decades before workers began painting over it last month, causing an uproar among residents who admired the mural's grand scale and message of ocean conservation.

    The area’s World Cup organizing committee said in a statement that, in place of Wyland's mural, new artwork is planned "that captures this current historical moment and reflects the energy, unity, and global spirit surrounding the World Cup 2026.” It said a portion of Wyland's mural would be preserved.

    Wyland filed suit Monday, June 1 in U.S District Court in Dallas saying that World Cup organizers, along with the building's owner and management company, painted over his mural without his consent or even notifying him. He says their actions violated a 1990 federal law passed to protect visual artists from destruction of publicly displayed works.

    Wyland is seeking at least $25 million in damages. His lawsuit says world soccer's governing body, FIFA, and other defendants “hastily and irrevocably destroyed a civic landmark” to promote the World Cup.

    “Though FIFA claims they were working to develop art for the host city, in truth, they defaced an historic fixture of the host city,” the artist's lawsuit says.

    A FIFA spokesperson said Tuesday the federation “has no involvement in this whatsoever” and referred a reporter to the tournament's local organizing committee.

    A spokesperson for the North Texas FWC Organizing Committee declined to comment. The committee isn't named as a defendant in the lawsuit.

    A spokesperson for Slate Asset Management, which manages the building where the mural was painted over, said in a statement that local World Cup organizers asked Slate in March to donate the mural space for “a new public art installation.”

    “Slate is not being compensated in any way for the use of the wall space and was told by the local groups that Mr. Wyland had been notified,” the management company's spokesperson said in an email.

    Dallas is hosting more World Cup matches than any of the other sites in the event co-hosted by the U.S., Canada and Mexico, with nine matches set to be played at AT&T Stadium in suburban Arlington, home of the Dallas Cowboys.

    Wyland's Dallas mural, titled “Whaling Wall 82,” was finished in 1999 and is among more than 100 similar murals known as Whaling Walls the artist painted around the world to promote the conservation of ocean life.

    An online petition protesting the mural's destruction and calling for protecting of public artwork in Dallas has received more than 2,600 signatures.

    Wyland's lawsuit alleges violations of the Visual Artists Rights Act, a 1990 federal law that protects artwork of “recognized stature” even if someone else owns the physical artwork.

    A judge cited that law in 2018 when he ordered a property owner to pay a group of New York graffiti artists $6.7 million for whitewashing dozens of their spray-painted murals on buildings that once housed a factory in Queens. The ruling was upheld on appeal.

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