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    Actor Spotlight

    Invincible Dallas stage fighter Jeffrey Colangelo spars about martial arts and Shakespeare

    Lindsey Wilson
    Jul 8, 2015 | 1:33 pm

    At this year’s Festival of Independent Theatres, held at the Bath House Cultural Center from July 10-August 1, there’s a good chance you’ll see some pretty sweet swordplay. That's because Jeffrey Colangelo, one of the area’s most respected stage combat experts and movement choreographers, is presenting Renaissance Fighters with Dean Wray and Caitlin Galloway, with collaboration from SCDallas. (It plays on July 11, 12, 16, 25 and 26.)

    Colangelo is one of the founders of SCDallas, a company that was formed in 2012 to safely teach and oversee stage combat in Dallas-Fort Worth. He’s also the co-founder of PrismCo, a performance group that presents experimental movement pieces. (Their Galatea was recognized by the DFW Critics Forum in 2014.)

    Before he picks up his sword for FIT Fest, Colangelo took the time to fill out our survey of serious, fun and sometimes ridiculous questions.

    Name: Jeff Colangelo

    Participation in the Festival of Independent Theatres: Actor, fight director and writer of Renaissance Fighters

    Previous work in the DFW area: Acting: PrismCo (Prism and Galatea) Shakespeare in the Bar (A Midsummer Night’s Dream, Love’s Labour’s Lost, Much Ado About Nothing), Cara Mia (Zoot Suit, Romeo and Julieta). Fight direction: DTC, Trinity Shakespeare, Shakespeare Dallas, Theatre Three, Cara Mia, Water Tower, Undermain and PrismCo. Co- founded PrismCo with Katy Tye, and co-founded SCDallas with Ashley White and Brandon Sterret.

    Hometown: Orlando, Florida

    Where you currently reside: Dallas

    First theater role: First professional role was a Volsce Lieutenant in Shakespeare Dallas' Coriolanus.

    First stage show you ever saw: The Lion King on Broadway

    Moment you decided to pursue a career in theater: It was in middle school. I was really hoping for a career as an animator or scientist, but then I got hooked by the drama club.

    Most challenging role you’ve played: Michael in The Pillowman. Getting inside the head of the character took me basically the moment before opening to even come close to figuring him out.

    Special skills: Fight direction, martial arts, juggling, clowning and mime

    Something you’re really bad at: I am so, so, so bad at singing. There are professional singers who think that being tone-deaf is just a myth and after working with me, they have quickly changed their minds.

    Current pop culture obsession: Any of the Batman Arkham games, Fallout and anything Guillermo del Toro has worked on.

    Last book you read: Don’t judge me, but Abraham Lincoln: Vampire Hunter is the last book I’ve read cover to cover.

    Favorite movie(s): Pacific Rim, Old Boy, Black Swan, Stranger than Fiction

    Favorite musician(s): Skrillex, Ludivico, Tribe Called Red, The Avett Brothers, Yo Yo Ma. Basically anything that helps me choreograph movement.

    Favorite song: "Short Change Hero" by The Heavy. It sounds like a cowboy ballad, and I respect it for that.

    Dream role: Mercutio, Caliban, Old Capulet — just throw me some good Shakespeare roles, and I’m down.

    Favorite play(s): Almost anything by Shakespeare, Sleep No More, True West, The Pillowman

    Favorite musical(s): Bloody Bloody Andrew Jackson, Stagger Lee, The 25th Annual Putnam County Spelling Bee, Spring Awakening

    Favorite actors/actresses: Robin Williams, Robert Downey Jr., Jennifer Lawrence. I deeply admire a lot of our local actors and actresses.

    Favorite food: Sushi, hummus, pasta, and tortas. There’s this great place on Jefferson that I’m addicted to called Tortas Las Tortugas.

    Must-see TV show(s): Breaking Bad, Game of Thrones, Sherlock, Attack on Titan, Dragon Ball Z, Arrested Development, Important Things by Dimitri Martin

    Something most people don’t know about you: Despite my profession, I’ve never broken a bone in my body.

    Place in the world you’d most like to visit: Italy (all of it)

    Pre-show warm-up: Trying to forget there’s a show coming up (keeps my nerves down).

    Favorite part about your current role: My purple sash, and some of the ridiculous monologues I get to say.

    Most challenging part about your current project: It is most definitely doing the sword fight choreography in such a confined space; it requires a lot of precision to make sure the fight looks good and is safe.

    Most embarrassing onstage mishap: One time I was onstage as Donalbain, and I bent over and boom, my pants ripped. I had to do the rest of the scene with a huge tear on my butt. It was not fun.

    Career you’d have if you weren’t in theater: I would probably be teaching at a martial arts studio, doing stunts for film work or freelance writing.

    Favorite post-show spot: It used to be called Nandina’s, but now I think its called Sunny’s. It's open until 3 am and they’ve got amazing Thai teas. Best place to go after a show with your cast.

    Favorite thing about Dallas-Forth Worth: There is so much potential here. Space is cheap, and the theater atmosphere is dying for some growth and innovative new ideas. It’s really an exciting time to make theater in Dallas.

    Most memorable theater moment: Doing Galatea with the movement theater company I co-founded: PrismCo. That show was just so incredibly magical and fun to do. We knew we were changing people’s lives when they came to see that show, and it was a great way to start off our work as a company.

    Colangelo (right) and Dean Wray in Renaissance Fighters at FIT Fest.

    Jeffrey Colangelo
    Photo courtesy of FIT
    Colangelo (right) and Dean Wray in Renaissance Fighters at FIT Fest.
    unspecified
    news/arts

    Stepping Down

    Dallas Arts District director Lily Cabatu Weiss to retire after 9 years

    Lindsey Wilson
    Oct 30, 2025 | 1:14 pm
    Lily Cabatu Weiss
    Photo by Brian Guilliaux
    Lily Cabatu Weiss

    Veteran arts executive Lily Cabatu Weiss, who has led the Dallas Arts District since 2016, announced she will step down from her role as executive director on January 30, 2026, marking the end of a nearly decade-long tenure that transformed the nation’s largest urban cultural district.

    In a statement, Weiss — a former dancer, educator, and arts advocate — says that leading the district has been a career highlight.

    “To be able to spend so much time supporting and promoting our city’s artists, this district, its premier arts and cultural institutions, parks, commercial and retail interests, historic churches, residents, an award-winning high school, and all of the neighborhood stakeholders — being this community’s champion has been a blessing and an honor,” Weiss says.

    During her nine years at the helm, Weiss guided the Dallas Arts District through major milestones and challenges. She helped elevate it as a premier tourism destination, was a contributor to the 2018 Dallas Cultural Plan, and oversaw creation of the Connect Master Plan — the district’s first comprehensive plan in nearly 40 years — which included infrastructure improvements such as currently ongoing sidewalk replacements and public art installations.

    She also enhanced the district’s branding and created the popular Signature Block Party Series, a set of free, family-friendly events featuring regional and international artists that now draw more than 50,000 visitors.

    Weiss led the community through the financial difficulties of the COVID-19 pandemic and celebrated national recognition when USA Today readers ranked the Dallas Arts District the No. 1 arts district in the United States in both 2024 and 2025.

    “Lily Weiss has led the Dallas Arts District through transformational change over the past nine years,” says Jill Magnuson, Dallas Arts District board chair. “By rolling up her sleeves and deeply engaging the neighborhood’s many diverse interests, we’ve been able to weather crises, enjoy dynamic growth and position the district for success in the future.”

    Beyond her local leadership, Weiss has been an active advocate for the arts at city, state, and national levels.

    She serves on the steering committee for the Dallas Area Cultural Advocacy Coalition, helping secure and expand City of Dallas funding for the arts and arts bond programs. At the state level, she serves on the board of Texans for the Arts, where she has pushed for increased funding for the Texas Commission on the Arts, including Cultural District Grants that benefit smaller resident organizations.

    Weiss has represented the Dallas Arts District globally through the Global Cultural District Network, of which Dallas is a founding member.

    Her career in the district began in 1978, when she joined the faculty of Booker T. Washington High School for the Performing and Visual Arts, eventually becoming chair of its dance department and artistic director. She retired from teaching in 2016 to lead the Dallas Arts District organization.

    Looking ahead, Magnuson will step in as interim executive director on January 30, 2026, after concluding her term as board chair. AT&T Performing Arts Center president and CEO Warren Tranquada will become the new board chair on November 1 and will oversee the search for Weiss’s permanent successor early next year.

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