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Theater Critics' Picks

Dallas-Fort Worth theater critics declare standouts from 2013-14 season

Jennifer Chininis
Sep 8, 2014 | 8:02 am

Members of the DFW Theater Critics Forum gathered September 6 to hash out their picks from the 2013-14 season in categories such as best direction, best actor and actress, and best new play. Rather than declare a single winner in each category, the critics dole out accolades to several deserving works.

With stellar seasons from Uptown Players, Jubilee Theatre, Dallas Theater Center and Kitchen Dog Theater, several contenders just missed the five-vote minimum for inclusion, which led to many impassioned pleas from individuals who fought for their favorites, says Lindsey Wilson, CultureMap contributor and critic for D Magazine. So expect to see more people and plays than these on end-of-year best-of lists.

Without further ado, these are the critics’ picks for 2013-14:

Direction

  • Liesl Tommy, Les Miserables (Dallas Theater Center)
  • Tim Johnson, Detroit (Kitchen Dog Theater)
  • Tre Garrett, A Raisin in the Sun (Dallas Theater Center) and Ma Rainey’s Black Bottom (Jubilee Theatre)
  • Susan Sargeant, The Diaries of Adam and Eve and Happy Days (WingSpan Theatre Co.)
  • Daniel Aukin, The Fortress of Solitude (Dallas Theater Center)
  • Terry Martin, Dogfight (WaterTower Theatre)
  • Kevin Moriarty, Oedipus el Rey (Dallas Theater Center)
  • David Denson, Year of the Rooster (Upstart Productions)
  • B.J. Cleveland, Vanya and Sonia and Masha and Spike (Uptown Players)

Actor

  • Steven Walters, Les Miserables (Dallas Theater Center)
  • Drew Wall, Nocturne (Second Thought Theatre)
  • Garret Storms, for his season of performances
  • Adam A. Anderson, Ma Rainey’s Black Bottom (Jubilee Theatre)
  • Joey Folsom, Year of the Rooster (Upstart Productions) and Hank Williams: Lost Highway (WaterTower Theatre)
  • Alex Ross, The Boy From Oz (Uptown Players)
  • Jaxon Beeson, Stiff (Fun House Theatre and Film)

Actress

  • Tina Parker, Detroit (Kitchen Dog Theater)
  • Liz Mikel, A Raisin in the Sun (Dallas Theater Center)
  • Tiffany Hobbs, A Raisin in the Sun (Dallas Theater Center) and Spunk (WaterTower Theatre)
  • Allison Pistorius, Venus in Fur (Circle Theatre) and Clybourne Park (Dallas Theater Center)
  • Juliette Talley, Dogfight (WaterTower Theatre)
  • Janelle Lutz, The Boy from Oz (Uptown Players)
  • Sarah Elizabeth Smith, The Boy from Oz (Uptown Players)
  • Ashley Wilkerson, The Mountaintop (Jubilee Theatre)

Ensemble

  • Heroes (Stage West)
  • Barbecue Apocalypse (Kitchen Dog Theater)
  • Vanya and Sonia and Masha and Spike (Uptown Players)
  • The Echo Room Presents: Her Song (Echo Theatre)

Creative Contribution

  • Coy Covington for his wig and makeup design for The Boy From Oz (Uptown Players) and wig designs for Pageant: The Musical (Uptown Players)
  • Gary James for his wig designs for Dogfight (WaterTower Theatre)
  • Clare Floyd DeVries for her set design for Detroit (Kitchen Dog Theater)
  • Jay Dias for his music direction of Nine and Titanic (Lyric Stage)
  • The design team for their season with Trinity Shakespeare Festival
  • Jeffrey Colangelo and Katy Tye for their movement design in Galatea (Prism Co.)

New Play or Musical

  • Stiff by Jeff Swearingen (Fun House Theatre and Film)
  • Booth by Steven Walters (Second Thought Theatre)
  • Barbecue Apocalypse by Matt Lyle (Kitchen Dog Theater)
  • Mania/Gift by Shelby-Allison Hibbs (Echo Theatre)
  • The Fortress of Solitude by Itamar Moses and Michael Friedman (Dallas Theater Center)

Touring Production

  • Evita (Dallas Summer Musicals)
  • Trick Boxing (Sossy Mechanics)
  • The Gershwins’ Porgy & Bess (ATTPAC)
  • Peter and the Starcatcher (ATTPAC)

Special Citations

  • To Matt Tomlanovich for reviving the Margo Jones as a busy performance space; opening it to fledgling companies at a reasonable price; and making it available to small festivals, poetry slams, readings and dance groups.
  • To Lawson Taitte for his distinguished career in arts criticism.

Contributing critics:

  • Lindsey Wilson, D Magazine
  • Elaine Liner and Lauren Smart, Dallas Observer
  • Mark Lowry, TheaterJones.com and Fort Worth Star-Telegram
  • Martha Heimberg, Dallas Weekly and TheaterJones.com
  • Jan Farrington, M. Lance Lusk, David Novinski, TheaterJones.com
  • Alexandra Bonifield, Criticalrant.com
  • Punch Shaw, Fort Worth Star-Telegram
  • Arnold Wayne Jones, Dallas Voice
  • Nancy Churnin, Dallas Morning News

The Fortress of Solitude at Dallas Theater Center.

"The Fortress of Solitude" at Dallas Theater Center
Photo by Karen Almond
The Fortress of Solitude at Dallas Theater Center.
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Musical Theater

Broadway Dallas launches intimate Club 909 cabaret shows at Fair Park

Alex Bentley
Jul 13, 2026 | 12:00 pm
Reeve Carney
Photo courtesy of Reeve Carney
Broadway star Reeve Carney will be the inaugural performer at Broadway Dallas' Club 909.

Broadway Dallas, which hosts the national tours of Broadway shows, is expanding its offerings with Club 909, an all-new cabaret concept at the Music Hall at Fair Park.

According to a release, the new venue, located in the Music Hall's transformed Crystal Terrace, will open with a performance by Grammy Award winner and Broadway star Reeve Carney, September 3-5.

It marks Broadway Dallas' first dedicated cabaret programming in the organization's 85-year history.

Carney is best known for originating the role of “Orpheus” in the Tony Award-winning musical Hadestown. He is currently starring as “Jay Gatsby” in The Great Gatsby on Broadway.

At Club 909, he will present “Reeve Carney: Broadway Divas," featuring his takes on Broadway's most iconic songs, selections from the Great American Songbook, and original music from his debut album, Youth Is Wasted.

Club 909 will be an intimate venue, seating only 200 guests per evening in a cabaret-style setting complete with full tableside service, including specialty drinks and chef-created light bites. The menu comes from Broadway Dallas' restaurant partner Culinaire.

In addition to the ticket price for the Club 909 show, a $30 food and beverage minimum will be charged per person.

Seating is general admission and includes table and bar seating. A limited number of reserved VIP seats are also available.

Seating is decided on the night of the show at the discretion of house management, the release says. Guests may be seated at shared tables with other attendees, and large parties may not be able to be seated together.

"Broadway Dallas has always believed that musical theater has the power to move, uplift, and connect us, and cabaret is one of the purest expressions of that power," said Ken Novice, President & CEO of Broadway Dallas, in a statement. "Club 909 gives us the opportunity to offer our audiences something deeply personal and intimate"

Tickets for the debut event, which go on sale on Friday, July 17, start at $75 and will be available at BroadwayDallas.org or by calling 800-982-2728.

A very limited number of VIP seats are also available and include a meet and greet with Carney.

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