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    Movie Review

    Yes, God, Yes delivers big rewards that outstrip its small size

    Alex Bentley
    Jul 20, 2020 | 4:27 pm
    Yes, God, Yes delivers big rewards that outstrip its small size
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    Teen sex comedies have come a long way since the bawdy and, let’s face it, sexist days of the 1980 and 1990s. The majority of those featured male characters on a quest to lose their virginity or, at the very least, find an outlet for their ever-growing libido. It’s only been in the last few years, with films like Blockers, Booksmart, and now Yes, God, Yes that teen girls have been given their own showcases in the genre.

    Natalia Dyer of Stranger Things fame stars as Alice, who attends a Catholic high school that seems to have a preoccupation with sex, mostly on the anti side. Alice and her classmates, including best friend Laura (Francesca Reale), banter constantly about sex with barely any idea about what to do or what some racy terms actually mean. Meanwhile, they are subjected to sex ed classes led by Father Murphy (Timothy Simons) that go into intricate detail about the desires of boys and girls, only to insist that abstinence is the only acceptable route if they want to please God.

    Alice, who’s subjected to false rumors about a sexual encounter with a boy, is massively confused about the conflicting messages she’s receiving. She starts her exploration through an online chat with an anonymous stranger, and slowly but surely ramps up her search, even while she’s away at a church retreat. The push and pull between what her religion wants her to do and what her body is telling her is important threatens to drive her crazy.

    Written and directed by Karen Maine, who has a story credit on another button-pusher, Obvious Child, the film toes a fine line between being curious and being exploitative. With a setting of the early 2000s, the early scene with an anonymous online stranger gives off a queasy feeling, but Maine makes sure not to dwell on it, instead focusing on Alice’s unique urges.

    Similarly, even though Alice gives in to some self-love on a few occasions, the scenes are relatively chaste, with the only nudity coming courtesy of some online images and videos. Maine is more concerned with giving Alice the space to try to get all of her questions answered instead of objectifying her or giving the impression that she’s doing something wrong.

    Instead, the entire film is a condemnation of the hypocrisy of the teachings of the Catholic Church, with the leaders being some of the biggest hypocrites. Being a comedy, it keeps things on the light side, juxtaposing the self-righteousness of the supposed biggest believers with actions that severely undercut those beliefs.

    Dyer is an ideal person to play such an innocent yet inquisitive character. She has the look of someone who’s never stepped over the line in her whole life, so when she does run afoul of others, the push and pull of desire and guilt is palpable. Supporting actors like Alisha Boe and Wolfgang Novogratz play pious-but-not-spotless characters well, while Simons knocks the crucial role of Father Murphy out of the park.

    Taking inspiration from her own life, Maine gives a unique twist on a teen sex comedy while also exposing the fact that many authority figures don’t practice what they preach. Consequently, Yes, God, Yes is a small film that winds up delivering outsized rewards.

    ---

    Yes, God, Yes is screening via select virtual cinemas on July 24. It will debut on VOD/digital options like Vudu, Apple TV, and Google Play on July 28.

    Timothy Simons in Yes, God, Yes.

    Timothy Simons in Yes, God, Yes
      
    Photo courtesy of Vertical Entertainment
    Timothy Simons in Yes, God, Yes.
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    Movie review

    Tantalizing teen comedy Summer of 69 is more nerdy than naughty

    Alex Bentley
    May 8, 2025 | 2:00 pm
    Sam Morelos and Chloe Fineman in Summer of 69
    Photo courtesy of Hulu
    Sam Morelos and Chloe Fineman in Summer of 69.

    There was a trend in the late 2010s/early 2020s of bawdy comedies featuring teenage female protagonists, including Blockers, Booksmart, and Yes, God, Yes. Those types of films seemed to go by the wayside in recent years, but they’re making a comeback with the new film Summer of 69.

    Abby (Sam Morelos) is a high school senior and video game streamer who has had a crush on her classmate Max (Matt Cornett) for her entire childhood. When she learns that Max has recently broken up with his longtime girlfriend, she’s determined to make her move. With advice from a confidant that Max likes a certain sexual position, Abby sets out to learn as much as she can about it, including hiring a stripper, Santa Monica (Chloe Fineman), to help her.

    Coincidentally, Santa Monica is facing a situation where the club at which she works, Diamond Dolls, will be closed if the owner doesn’t come up with $20,000 in a week. Abby, who comes from a well-to-do family, seems to offer the perfect solution, and so the two agree to a week of lessons for that amount. Naturally, all sorts of complications arise, as well as the two women forming an unexpected bond.

    Written and directed by Jillian Bell, with help from co-writers Jules Byrne and Liz Nico, the film is both suggestive and innocent at the same time. For all of the talk about sex and innuendo, having the nerdy and inexperienced Abby at the center of the film ensures that the story remains relatively chaste throughout. That includes scenes at the strip club, where Bell makes the choice to show almost no nudity.

    Most of the humor of the film stems from Abby’s lack of experience, highlighted by her having “sexual” fantasies about Max that never actually get to the sex part. The juxtaposition between Abby and Santa Monica is also used for laughs, although Bell and her co-writers make sure to include a side story for the dancer that makes her into a three-dimensional person.

    What ultimately makes the movie succeed is the way it keeps its characters relatable. Many high school films feel the need to play into a bunch of stereotypes, but those are kept to a minimum here. Instead, Bell upends expectations by delivering honest - sometimes to a fault for the characters - dialogue that acknowledges the spectrum of sexual realities for high schoolers, a version that differs from insatiable horniness of some other teen comedies.

    Morelos, one of the stars of Netflix’s That ‘90s Show, makes for a charming lead, someone who can convincingly take her character from awkward to confident over the course of the story. Fineman, best known for her current stint as a cast member on Saturday Night Live, complements her well, showing her comedic prowess in a number of physical scenes. A supporting cast that includes Nicole Byer, Paula Pell, Alex Moffat, and Natalie Morales keeps the energy level high.

    Despite its titillating title, Summer of 69 is much more sweet than naughty. Like most coming-of-age movies, it’s about a girl who’s trying to figure out where she fits in the world. The answers she finds aren’t always the ones she was expecting, but in the best possible way.

    ---

    Summer of 69 starts streaming on Hulu on May 9.

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