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    Movie Review

    Booksmart works hard to show full depth of female friendship

    Alex Bentley
    May 24, 2019 | 1:30 pm
    Booksmart works hard to show full depth of female friendship
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    When it comes to comedies about teenagers going wild, more often than not they focus on male characters. That stereotype may be beginning to change as, following 2018’s Blockers, teen girl characters are once again front and center in Booksmart.

    Molly (Beanie Feldstein) and Amy (Kaitlyn Dever) are best friends on the verge of graduating from high school and moving on to highly respected universities. Their school-first attitudes are shattered, though, when they learn that many of the popular kids, whom they had assumed didn’t do well in school because of their partying, are also going to great colleges.

    In the classic “one last night before school ends” movie tradition, Molly and Amy decide to throw caution to the wind and finally party like everyone else. The only problem is actually getting to the party. The duo endures a host of hijinks en route to their intended destination, in the process learning a lot about their classmates and themselves.

    Marking the directorial debut of Olivia Wilde and written by the all-female team of Susanna Fogel, Emily Halpern, Sarah Haskins, and Katie Silberman, the film provides a nice mix between over-the-top antics and down-to-earth sensibilities. Befitting the two girls’ mostly buttoned-down personalities, the filmmakers draw laughs from fish-out-of-water scenarios, as well as a variety of characters that stand in stark contrast to their dispositions.

    The biggest reason the film works as well as it does is the intimate look into Molly and Amy’s friendship. The audience is privy to a number of private details about their lives that make them highly relatable. They’re goofy, they’re nerdy, and they’re sexual, traits we all share in our own way no matter your background. The film also offers equal time for different sexual orientations, with both girls nursing crushes, one on a boy and one on a girl.

    Feldstein, who knocked it out of the park as the sidekick in Lady Bird, shines again in another high school role. With her talent and comic timing, she may soon challenge brother Jonah Hill for acting supremacy. Dever, who’s been in a string of high-profile projects in which she’s not the star, may see her profile rise after this great performance. Special note should also be made of fantastic supporting roles turned in by Jason Sudeikis, Billie Lourd, and Skyler Gisondo.

    Booksmart, despite a plethora of profanity and sexual innuendo, is a mostly sweet film that works hard to show the full depth of a female friendship. Showcasing two up-and-coming highly-talented actors, it’s a movie that holds up well against other recent notable comedies.

    Beanie Feldstein and Kaitlyn Dever in Booksmart.

    Beanie Feldstein and Kaitlyn Dever in Booksmart
    Photo by Francois Duhamel
    Beanie Feldstein and Kaitlyn Dever in Booksmart.
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    Movie Review

    Safe cracking is a snap for White Lotus alum Leo Woodall in Tuner

    Alex Bentley
    May 29, 2026 | 2:55 pm
    Leo Woodall in Tuner
    Photo courtesy of Black Bear
    Leo Woodall in Tuner.

    Of all the ways that movies depict people trying to steal money and other valuables, safe cracking is among the least exciting. By design, it’s a laborious process that only those with a very certain set of skills can do. While clever editing and the right music can enhance scenes of safes being cracked, there’s a reason that the method is among the least used in heist films.

    In the new film Tuner, Niki (Leo Woodall) has a job and a condition that just happens to lend itself well to committing that specific crime. He works as an apprentice piano tuner for Harry (Dustin Hoffman), usually doing the hard work while Harry schmoozes the client. Niki is well-suited for the job because he has a rare condition called hyperacusis, which makes him both sensitive to loud noises and able to hear subtle things that others cannot.

    When he runs across a trio of criminals trying to break open a safe at a house where he’s tuning a piano, he helps them more out of frustration than avarice. But when Harry goes into the hospital and racks up huge bills, Niki decides to join the group to make some quick money. They soon want more than he’s willing to give, and he must find a way to extricate himself from them without losing himself completely.

    Written and directed by documentary filmmaker Daniel Roher (making his narrative feature debut) and co-written by Robert Ramsey, the film has a nice pace to it despite there being relatively little action. Roher and Ramsey spend the first third or so establishing Niki, Harry, and Harry’s wife Marla (Tovah Feldshuh) as characters, letting the audience understand their relationships and how they interact with each other.

    The time they devote to the personal storytelling pays dividends when Niki starts to descend into crime, as his divided loyalties - not to mention the danger of the thefts - insert tension into the plot. That stress is heightened even more when Niki starts a relationship with piano student Ruthie (Havana Rose Liu), as getting closer to her necessitates a series of lies.

    There comes a point, though, where the plot stagnates to a degree. Niki’s end goal, if he has one, is never clear, and it’s obvious that it’s only a matter of time before things start to fall apart. After starting strong in their character development, Roher and Ramsey take shortcuts as the film rushes toward its conclusion. This is most notable in a weird argument scene between Niki and Ruthie that comes out of nowhere and seems to serve no purpose in the story.

    Woodall, who had a memorable turn in season 2 of The White Lotus, is on the cusp of breaking out, and this understated-but-compelling lead role should help him become an even bigger name in Hollywood. Hoffman has a small role, but he remains as interesting as ever despite the lack of screentime. Liu (Bottoms) is also an up-and-coming actor who should become a star with more roles like this one.

    Tuner is a low-key thriller that succeeds because of the way the filmmakers approach the under-used method of robbery. Even if it doesn’t quite reach its potential, the film maintains a high quality throughout thanks to its storytelling and acting.

    ---

    Tuner is now playing in theaters.

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