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    Everybody Drink

    Drinking Buddies successfully brews unconventional romantic comedy

    Jonathan Rienstra
    Jul 26, 2013 | 4:00 pm
    Drinking Buddies successfully brews unconventional romantic comedy
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    Early on in Drinking Buddies (now available on iTunes and On Demand), Ron Livingston’s character references Albert Camus’ “The Myth of Sisyphus.” The essay finds that Camus eventually sees Sisyphus smiling as he pushes the boulder up the mountain time and time again, knowing a seemingly impossible action can make the journey that much more enjoyable if you truly love the action.

    It’s a heady allusion for a movie ostensibly about a foursome of twenty- and thirtysomethings dealing with the murky fluidity of relationships. But, surprisingly, it serves as a loose thesis throughout the film.

    Drinking Buddies follows two couples: Chris (Livingston) and Kate (Olivia Wilde), and Luke (Jake Johnson) and Jill (Anna Kendrick). Kate and Luke work together at a craft brewery in Chicago, which means Luke sports the kind of aggressively bushy beard that all craft brewers must possess.

    Drinking Buddies is a romantic comedy for people who operate in the real world. There are no contrived plot points revolving around tired rom-com tropes.

    Kate is a tomboy in tank tops and little makeup, capable of drinking just about anyone under the table. And they drink a lot in this movie.

    Lesser movies would make their significant others a harpy and an asshole. But here, Livingston and Kendrick eschew stereotypes for characters who are just as sympathetic and relatable as Johnson’s and Wilde’s.

    The plot is straightforward, as the four characters figure out just where they stand with one another during the course of 90 minutes. The film relies almost exclusively on talking, and the movie was entirely improvised, so the actors are front and center the entire time.

    Because of this loose structure, the film is only as good as the actors. Fortunately, everyone is game. The chemistry between Luke and Kate fills the frame each time they interact.

    They’re two peas in a pod; they are sarcastic, scruffy, and really enjoy a good beer or five. You root for these characters even when you know it would mean hurting their partners, who mostly haven’t done anything wrong.

    Drinking Buddies is a romantic comedy for people who operate in the real world. There are no contrived plot points revolving around tired rom-com tropes.

    These characters aren’t pure good or pure evil. They’re flawed beings who have moments of weakness and frustration and all the things that come with attempting to figure out if the person you’re with is the right person for you. It’s a refreshing shift from the sheen of the likes of Josh Duhamel and Kate Hudson.

    The laughs, fights and quiet doubts that can seep into the tiniest cracks of a relationship give the film a lived-in quality. It’s helped, no doubt, by director Joe Swanberg’s mumblecore background, though Drinking Buddies carries a more well-known roster of actors and a more defined reason for existing than most films of the genre.

    What Drinking Buddies explores — besides the question of how much beer is too much (answer: no such thing) — is the line between a flirtatious friendship and actual cheating.

    Can you be attracted to a friend and still be a good partner to your significant other? Whom do you really want to spend the rest of your life with, and is the possibility of something new and exciting worth destroying something that works near perfectly? And what happens when you realize that seemingly greener pastures have similar weeds?

    And that’s really what Camus’ Sisyphus is about. It’s the acceptance that worthwhile things are often the most difficult. A relationship, whether romantic or platonic, requires effort and, to a degree, sacrifice and compromise.

    These characters, particularly Luke, are tasked with deciding which boulders they will push up the mountain. Each misstep is the rock rolling back to the base. But, unlike Sisyphus, there seems to be hope that these drinking buddies can stay at the top.

    ---

    Drinking Buddies opens at Magnolia theaters August 30.

    If you tried to keep up with the characters' beer drinking, you would lose.

    Drinking Buddies
    Drinking Buddies Facebook
    If you tried to keep up with the characters' beer drinking, you would lose.
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    Movie Review

    Rachel McAdams must survive a plane crash and bad boss in Send Help

    Alex Bentley
    Jan 29, 2026 | 12:45 pm
    Rachel McAdams in Send Help
    Photo by Brook Rushton
    Rachel McAdams in Send Help.

    Director Sam Raimi has gone through different phases as a filmmaker, including leading the first Spider-Man trilogy and joining the MCU with Doctor Strange in the Multiverse of Madness. But he first gained notice with the gory and funny Evil Dead movies, a sensibility he’s returning to with his latest film, Send Help.

    Linda Liddle (Rachel McAdams) is a meek and eccentric middle manager at a financial firm that’s just named Bradley Preston (Dylan O’Brien) as its new nepo CEO. Bradley’s dad had promised Linda a promotion to vice president, but she gets passed over in favor of one of Bradley’s frat buddies, sending her into a mild rage. Still, she gets invited along on a planned business trip to Thailand, during which she hopes to prove her worth.

    Unfortunately for most of the passengers on the private plane, it crashes into the ocean, leaving only Linda and Bradley alive on a deserted island. Linda, who has privately developed survival skills, adapts quickly to the forbidding environment, while Bradley tries to revert to bossing her around. But Linda quickly understands the power dynamic has shifted, and she uses this knowledge to try to keep Bradley in line, turning their stranding into a battle of wills.

    Directed by Raimi and written by Damian Shannon and Mark Swift, the film is the classic “so bad it’s good” kind of experience. McAdams, inarguably an attractive and charming person, is given stringy hair, an antisocial personality, and quirks like eating tuna fish at her desk to make her as off-putting as possible. Bradley, along with almost everyone else at her office, is stereotyped just as hard in order to set up the twist of fate.

    When the action shifts to the island, things get even more over the top. The audience has already been primed for Linda to demonstrate her survival expertise, but the film does way more than just show her making fire. Whether it’s flawlessly building a shelter or hunting a wild boar, everything Linda does is portrayed in a slightly off-kilter manner. Then they turn everything up to 11, indulging in gore that is so unnecessary that you can’t help but laugh.

    The filmmakers prove they’re in on the joke the rest of the way, including a variety of preposterous but hilarious scenarios that would cause massive eyerolls if they were actually trying to take the film seriously. While they do a great job of showing Linda’s ability to handle herself in the wild, they also show that she is somehow the only person in the world who could get a glow up after a plane crash and weeks living in nature.

    McAdams, an Oscar-nominated actor for Spotlight, is way too high class for a movie like this, which makes her presence here all the more interesting. She is all-in on whatever Raimi wants her to do, and she’s at her most fun when she goes the animalistic route. O’Brien, who was great in the recent Twinless, doesn’t get as much of an opportunity to show his range, but he still proves to be an interesting foil for her.

    Were it released in any other month, Send Help might be looked at as bottom of the barrel material. But with the movie year just getting started, it’s easier to forgive its outrageous plot twists and just have fun, especially since Raimi and his team put the rest of the film together so well.

    ---

    Send Help opens in theaters on January 30.

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