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    Movie Review

    Dwayne Johnson and Emily Blunt steer Disney's Jungle Cruise through rough waters

    Alex Bentley
    Jul 28, 2021 | 2:24 pm
    Dwayne Johnson and Emily Blunt steer Disney's Jungle Cruise through rough waters
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    The last time Disney decided to make a movie out of one of its rides, it yielded the Pirates of the Caribbean series, whose five films have collectively made just over $4.5 billion worldwide. So the next time they went to plunder their theme park for movie inspiration, they passed over obvious choices like Space Mountain or Big Thunder Mountain Railroad and went straight to … Jungle Cruise?

    Sure, the classic ride has been around since Disneyland opened and offers some mild thrills along the way, but it doesn’t necessarily jump out as one on which to base an entire movie, especially one starring two action heroes like Dwayne Johnson and Emily Blunt. Blunt plays Lily Houghton, an Indiana Jones-esque adventurer who must use her foppish brother MacGregor (Jack Whitehall) to lobby for help as the patriarchal British establishment of 1916 won’t even deign to hear from a woman.

    Lily absconds with an ancient arrowhead that’s supposed to be a key piece in finding a kind of Tree of Life in Brazil. Before you know it, she and MacGregor are making their way down the Amazon under the care of Frank Wolff (Johnson), a riverboat captain known for creating fake danger and spouting bad puns. Hot on Lily’s tail from England is Prince Joachim (Jesse Plemons), a German military officer who just so happens to have a submarine to be able to track them down the river.

    Directed by Jaume Collet-Serra and written by Glenn Ficarra, John Requa, and Michael Green, the film feels less like one trying to create its own identity — and since they could have gone in any direction, the sky was the limit — and more like one cribbing from other well-known properties. The Indiana Jones nods include Lily’s whole vibe and a German on the hunt for something to bring him unlimited power. Long-dead conquistadors being brought back to life is straight out of the Pirates of the Caribbean playbook. And the myriad weird CGI creatures that pop up everywhere bring to mind (in a bad way) the Star Wars prequels.

    But even if you’re not a movie nerd like me, the film fails in what should have been its main goal: Being fun. There is plenty of goofiness, like Frank’s puns that are a direct reference to the Disneyland ride, but it mostly feels forced instead of a natural byproduct of the characters’ interactions. Lily and Frank are less of an odd couple and more like similar souls in different packaging, something that doesn’t allow for as much wacky hijinks as the film needs.

    The filmmakers do take some interesting chances, including a take on the brother that truly shows how times have changed. The British dandy is a stereotype that’s been used many times in movies and TV, but the implication of that type of character is rarely made explicit. This film allows MacGregor to state the obvious — that he’s gay — in a brief but affecting scene, giving someone who’s usually just the butt of the joke a bit more depth.

    Anyone who’s seen their other movies knows what Johnson and Blunt bring to the table. They’re both extremely charming and athletic, and both skills play into why they were cast in their roles here. Plemons uses a hard-to-understand accent throughout, but since his villain character is supposed to be cartoonish, it mostly works. Paul Giamatti shows up as the owner of Frank’s boat, a role that goes absolutely nowhere, making it a mystery as to why an actor of his caliber was cast.

    Jungle Cruise is an adventure that rarely feels truly exciting, which is never a good sign. While the film won’t be the worst thing to show up on screens in 2021, it never lives up to its potential with two A-list actors leading the way.

    ---

    Jungle Cruise opens in theaters and on Disney+ Premier Access on July 30.

    Dwayne Johnson, Emily Blunt, and Jack Whitehall in Jungle Cruise.

    Dwayne Johnson, Emily Blunt, and Jack Whitehall in Jungle Cruise
    Photo courtesy of Disney
    Dwayne Johnson, Emily Blunt, and Jack Whitehall in Jungle Cruise.
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    Movie review

    Nick Jonas steals song from Paul Rudd in music-heavy Power Ballad

    Alex Bentley
    Jun 5, 2026 | 1:30 pm
    Nick Jonas and Paul Rudd in Power Ballad
    Photo by David Cleary for Lionsgate
    Nick Jonas and Paul Rudd in Power Ballad.

    Writer/director John Carney is one of the great purveyors of movies featuring music (as opposed to musicals) in the 21st century. Starting with Once in 2007 (which was turned into a Broadway musical several years later), he has made music-themed stories like Begin Again, Sing Street, Flora and Son, and now Power Ballad.

    Rick Power (Paul Rudd) is a former wannabe rock star who is now the lead singer of “Ireland’s #1 Wedding Band,” The Bride & Grooves. While they mostly play smaller weddings, a gig at a country estate leads to an encounter with Danny Wilson (Nick Jonas), a former boy band member struggling to make it as a solo artist. Rick and Danny wind up bonding in a booze- and pot-filled jam session, sharing various song ideas.

    After returning to Los Angeles and desperate for a hit, Danny steals one of Rick’s songs, which miraculously turns into the No. 1 “How to Write a Song (Without You).” Rick, initially overjoyed that something he wrote has become big, is crushed when he finds out Danny didn’t give him credit. His quest to find a way to prove his worth sends him into a spiral, upending the ordinary life he had built.

    Co-written by Peter McDonald, the film is a nice exploration of two men trying to hold on to their music dreams. Their individual circumstances could not be more different, but each of them knows the ups and downs of the business as well as the other, as well as the ineffable magic of creating that one great song. While the music scenes are hit-and-miss because of a reliance on lip synching, the scene featuring Rick and Danny trading ideas is electric with creativity.

    Oddly, though, the film could have used a bit less music and more of a focus on the two men’s personal lives. Rick wound up living in Ireland after falling in love with his future wife, Rachel (Marcella Plunkett), while on tour with his former American band. He spends a decent amount of time with her and his daughter, Aja (Beth Fallon), but his story needed a few more family scenes to drive the point home. Danny’s personal life is all but nonexistent, giving his arc less impact than it could have had.

    Instead of loved ones, Carney and McDonald try to give Rick and Danny more depth through friends and business associates. Rick’s bandmate Sandy (McDonald) is a ride-or-die kind of guy for him, but his presence is only good for a few humorous distractions. Danny’s manager Mac (Jack Reynor) is difficult to parse, as he goes to bat for Danny on multiple occasions, but also seems to keep him at arm’s length.

    It’s long been joked that Rudd never ages, and that youthfulness serves him well in this role, in which his character is supposed to be much younger than his actual age of 57. His energy and enthusiasm make his character appealing throughout, even when Rick starts to go off the deep end. Jonas is decent in his role, selling the music side well, but there might be a reason his character doesn’t have many scenes requiring him to show emotions.

    While Power Ballad has all the hallmarks of another great Carney music movie, it’s missing a few pieces that could have put it over the top. It’s still a fun film with an insanely catchy song at its center, but it’s not quite as memorable as most of the filmmaker’s previous efforts.

    ---

    Power Ballad is now playing in theaters.

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