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    Action in Space

    Guardians of the Galaxy defies end-of-summer movie doldrums

    Alex Bentley
    Aug 1, 2014 | 12:00 am
    Guardians of the Galaxy defies end-of-summer movie doldrums
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    Up until this point, comic book movies have focused on characters that have either proven popular across the board or those with such a history that a movie about them makes sense. That all changes with the arrival of Guardians of the Galaxy, an outer space-set saga that almost defies description.

    Based on a hit-and-miss Marvel Comics series, the core of Guardians is Peter Quill, aka Star-Lord (Chris Pratt), a human who was kidnapped from Earth as a boy for unknown reasons. He’s established himself in the universe as a rogue-for-hire, using his considerable charm and stash of gadgets to complete underhanded tasks.

    Guardians of the Galaxy is a welcome respite from the normal decline we see in movies released in August.

    His latest job has him making off with an orb with mysterious powers that’s desired by almost everyone he runs across, most notably the evil Ronan (Lee Pace). Through a series of unplanned events, Star-Lord finds himself aligned with four other alien beings: the green Gamora (Zoe Saldana); the muscle-bound and tattooed Drax (Dave Bautista); Rocket, a talking raccoon (Bradley Cooper); and tree creature Groot (Vin Diesel).

    As if you couldn’t already tell, the film announces itself as a departure from other Marvel movies with an almost constant lighthearted tone. Aside from the general strangeness of the characters and visuals, snarkiness and sarcasm are littered throughout the dialogue, most notably by Star-Lord and Rocket.

    The film also departs from other Marvel movies in that it has an emotional through-line with Star-Lord’s connection to his mother. He was torn away from her at the worst possible moment, and the story uses a mix-tape she made for him to remind us that there’s more to Star-Lord than meets the eye.

    The story has parallels with Star Wars, with Star-Lord filling in for Luke Skywalker, Gamora as Princess Leia, Rocket and Groot as Han Solo and Chewbecca, and Drax as, well, the comparisons stop there. Star-Lord is a hero almost by default rather than design; neither he nor those he ends up trying to save would necessarily choose him as a leader.

    The only real misstep of the film is the number of side stories and people jammed in. Aside from the main quintet, there are at least three other significant groups director/co-writer James Gunn asks us to care about, something that spreads the film a bit too thin.

    However, because our protagonists have such fun together, it’s easy to forgive a bit of excess in other areas. Pratt, as anyone who watches Parks and Recreation knows, has the comedic part of acting down pat, but he uses his newly buff body to convincingly portray an action hero too.

    Saldana matches him step-for-step, and with this, Star Trek and Avatar, she’s proven herself as the go-to female for sci-fi movies. Both Cooper, who uses a vaguely New York accent, and Diesel are hilarious in their voiceover roles, and Bautista, a WWE wrestler now dabbling in acting, steals his fair share of scenes.

    Although Guardians of the Galaxy can’t claim to being the best film of the summer, it’s a welcome respite from the normal decline we see in movies released in August — and a definite improvement in the quality of Marvel movies overall.

    Drax and Star-Lord are just two of the motley crew at the center of Guardians of the Galaxy.

    Dave Bautista and Chris Pratt in Guardians of the Galaxy
    Photo courtesy of Walt Disney Studios Motion Pictures
    Drax and Star-Lord are just two of the motley crew at the center of Guardians of the Galaxy.
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    news/entertainment

    Listen up

    Underground hi-fi 'listening bar' Shyboy opens in downtown Dallas

    Stephanie Allmon Merry
    Mar 2, 2026 | 3:10 pm
    Shyboy
    Photo courtesy of Shyboy
    Shyboy lounge is new on Main Street in downtown Dallas.

    A new lounge is turning up the volume beneath the streets of downtown Dallas: Shyboy, billed as Dallas' first "hi fi bar," will debut at 1313 Main St., in the subterranean level of The Drakestone building.

    According to a release, opening weekend events will take place March 4-7.

    The new nightlife concept comes from The Headington Companies, the folks behind the Joule hotel and other Main Street developments.

    "Inspired by hi-fi listening bars around the world, with roots in Tokyo’s post-WWII 'jazz kissas,' Shyboy offers a social and listening experience unlike any other nightlife space, with progressive, genre-bending programming, signature hi-balls and cocktails, and two state-of-the-art OJAS sound systems, designed by Devon Turnbull," says the release. (Turnbull's speakers have been used in projects with Mark Ronson, Public Records in Brooklyn, and more.)

    Jazz kissas are cafes that specialize in the playing of and listening to recorded jazz music; here, jazz is played for active listening rather than as background serenade.

    Piggybacking on that idea, Shyboy will offer "an immersive environment where design, lighting, and atmosphere are treated as essential elements of the performance, inviting guests into a unique experience that blurs the line between listener and participant," they say.

    The 3,000-square-foot underground space, once a bank vault in the historic Davis Building (renovated and rebranded as The Drakestone residential building in 2017), will house one of the most advanced sound systems in the city within its historic concrete "bones." Interiors were designed by acclaimed Dallas-based 5G Studio Collaborative.

    The venue includes two distinct spaces. The main room functions as a social listening environment, where towering speakers double as sculptural focal points beneath curved underground ceilings.

    A second chamber, called The Vault, is designed as a more intimate lounge for private events, sound classes, performances, and art exhibitions. The Vault’s entrance features an installation from artist Lachlan Turczan’s Optical Resonance series, which uses water and light to visibly respond to sound waves, the release says. The room also includes a newly commissioned reflective sculpture by Florentine artist Duccio Maria Gambi.

    Shyboy’s inaugural month will include a lineup spanning house, deep grooves, soul, and global dance sounds. Opening weekend, March 4-7, will welcome talent like JT Donaldson (Shyboy music director), Dallas legend Red Eye, Sound Advice Vol. 1, Skeme Richards, Patrice Scott + Brandon Epocha, and Wamono Nights.

    The calendar later in the year will feature appearances by celebrated DJs and producers such as Theo Parrish, Derrick Carter, Eli Escobar, Kai Alcé, and the Los Angeles-based listening collective In Sheep’s Clothing.

    Shyboy’s cocktail menu starts at $13, and the bar will serve soft-serve ice cream.

    Throughout March, there will be no cover charge for entry; for more information, visit the venue's website.


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