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    Actor Spotlight

    Why this fire-eating Broadway star loves being back in Dallas

    Lindsey Wilson
    Aug 8, 2016 | 11:57 am

    Back in 2012, the UK's National Theatre brought to Broadway a groovy update of the commedia dell'arte play The Servant of Two Masters. Called One Man, Two Guvnors, the laugh-out-loud comedy starred a then-little-known actor named James Corden. Understudying Corden was an actor from Dallas: Brian Gonzales.

    In the years since, Corden has gone on to late-night hosting fame and Gonzales has continued his Broadway streak, currently appearing in Disney's Aladdin. But now Gonzales is taking a short break from the Great White Way to return to his hometown. He's starring in WaterTower Theatre's regional premiere of One Man, Two Guvnors, along with his wife, Ashley Puckett Gonzales.

    Before the show opens on August 8 (running through August 28), Gonzales took the time to fill out our survey of serious, fun, and sometimes ridiculous questions.

    Name: Brian Gonzales

    Role in One Man, Two Guvnors: Francis

    Previous work in the DFW area: Actor at WaterTower Theatre, Dallas Theater Center, Lyric Stage

    Hometown: Dallas

    Where you currently reside: New York

    First theater role: A Christmas Carol

    First stage show you ever saw: The Nutcracker

    Moment you decided to pursue a career in theater: When I saw Jerry Haynes onstage. [Haynes was a Dallas actor who starred for 30 years as the host of one of the longest-running local children's shows on television, Mr. Peppermint.]

    Most challenging role you’ve played: Leaf Coneybear in The 25th Annual Putnam Spelling Bee.

    Special skills: Fire-eating, puppetry

    Something you’re REALLY bad at: Soccer, being tall

    Current pop culture obsession: Star Trek

    Last book you read: Over the Top and Back: The Autobiography by Tom Jones

    Favorite movie(s): Night of the Hunter, Patton, To Kill a Mockingbird, Shaft

    Favorite musician(s): Lyle Lovett, Michael Kiwanuka, Dolly Parton, Paul Weller, Tina Turner

    Favorite song: The theme from Mission: Impossible

    Dream role: John Adams in 1776 [Gonzales played the role at Lyric Stage in 2012], Georges Seurat in Sunday in the Park with George [he played the role in 2001 at Plano Repertory Theatre].

    Favorite play(s): Equus; One Man, Two Guvors

    Favorite musical(s): 1776, Sunday in the Park with George, Ragtime

    Favorite actors/actresses: My wife, Roscoe Lee Brown, Dame Judi Dench, Peter O'Toole, Angela Bassett

    Favorite food: All of it.

    Must-see TV show(s): River on Netflix

    Something most people don’t know about you: I'm terrified of water and swimming.

    Place in the world you’d most like to visit: New Zealand

    Pre-show warm-up: Rolling and stretching, iTunes on the mp3 player.

    Favorite part about your current role: The audience interaction.

    Most challenging part about your current project: The audience interaction. And the physical comedy.

    Most embarrassing onstage mishap: It involved vomit, and we'll leave it at that.

    Career you’d have if you weren’t in theater: A chef

    Favorite post-show spot: Home

    Favorite thing about Dallas-Forth Worth: My friends and family are here.

    Most memorable theater moment: Going on for James Corden.

    Brian Gonzales.

    Actor Brian Gonzales
    Photo courtesy of WaterTower Theatre
    Brian Gonzales.
    interviewqatheater
    news/arts

    Dance News

    Dallas Black Dance Theatre makes interim artistic director permanent

    Lindsey Wilson
    Nov 4, 2025 | 11:41 am
    Richard A. Freeman, Jr.
    Photo by Aleah Pilot
    Richard A. Freeman Jr. became the new artistic director October 24, 2025.

    Dallas Black Dance Theatre (DBDT) has officially named Richard A. Freeman, Jr. as its new artistic director, ushering in a new era of leadership for the dance company as it approaches its 50th anniversary season.

    Freeman, a longtime member of the DBDT family, has served as interim artistic director through the company’s recently completed 48th and current 49th seasons. His appointment, effective October 24, 2025, marks a natural progression for the former lead dancer, resident choreographer, and artistic project coordinator, whose career within DBDT spans more than a decade of creative and organizational leadership.

    “Richard has been an integral part of Dallas Black Dance Theatre's artistic fabric for years, and his extraordinary leadership during his time as interim artistic director made this decision clear,” says Heidi K. Murray, a member of DBDT’s board of directors, in a release. “His dedication to artistic excellence, his deep understanding of our mission, and his vision for the future of contemporary modern dance make him the ideal person to lead DBDT into this exciting new chapter.”

    DBDT founder Ann M. Williams echoed the sentiment, calling Freeman’s appointment a full-circle moment for both artist and company. “Richard embodies everything Dallas Black Dance Theatre stands for: artistry, excellence, and a deep commitment to uplifting our community through dance,” she says in the release. “I have had the privilege of watching him grow from a gifted dancer into an inspiring leader and visionary artist. His dedication to preserving our legacy while boldly charting new artistic territory gives me tremendous confidence in DBDT’s future.”

    During his tenure as interim artistic director, Freeman guided DBDT through seasons marked by artistic innovation and expanded community engagement, but also staff shake-ups and legal issues.

    In October 2024, accusations of retaliation surfaced after 10 DBDT dancers, its entire main company, were fired following their decision to unionize in May and demand better working conditions. This led to an unprecedented "Do Not Work" order by the American Guild of Musical Artists.

    Dallas City Council ultimately voted to withhold $248,000 in city funding due to labor violations, and DBDT later settled for $560,000 with the National Labor Relations Board.

    In response, DBDT formed a 17-member advisory stakeholder task force co-chaired by Jennifer Scripps, president and CEO of Downtown Dallas, Inc., and Shawn Williams, vice president of public affairs at Allyn. The group has been working with DBDT leadership to review the organization’s policies and practices, propose changes that foster an accountable environment, and put in place safeguards to prevent future concerns related to talent.

    In September 2025, executive director Zenetta Drew announced her retirement after nearly four decades with the company. A national search for her replacement will start in early 2026. Williams retired in 2014.

    As artistic director, Freeman will oversee all aspects of DBDT’s artistic operations, from performances to educational initiatives, and continue to expand its reach throughout Dallas and beyond.

    “I am deeply honored to accept this role and to continue building on the incredible foundation established by the vision of Ann Williams,” Freeman says. “This company has a unique power to move, inspire, and unite communities through dance. I look forward to working with our talented dancers, staff, and board to create unforgettable artistic experiences and to nurture the next generation of dance artists.”

    A native of Washington, D.C., Freeman began his training with the District of Columbia Youth Ensemble and the Washington Ballet before graduating from the Duke Ellington School of the Arts and Virginia Commonwealth University. His performance credits span acclaimed companies and productions, including Elisa Monte Dance, Houston Grand Opera, Porgy and Bess, and The Wiz.

    Freeman’s choreographic works have been featured by leading institutions such as Texas Ballet Theater School, Texas Christian University, and Booker T. Washington High School for the Performing and Visual Arts. He has also shared his expertise through master classes and workshops nationwide, reinforcing his commitment to DBDT’s educational mission.

    Founded in 1976, Dallas Black Dance Theatre is the oldest and largest professional dance company in Dallas and one of the most acclaimed Black dance institutions in the U.S.

    dallas black dance theatredance
    news/arts
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