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    Emerging Gallerist

    Erin Cluley departs Dallas Contemporary to ignite art scene at Trinity Groves

    Kendall Morgan
    kendall Morgan
    Aug 11, 2014 | 6:00 am

    In her role as director of exhibitions at the Dallas Contemporary, Erin Cluley has worked with today’s most renowned artists — including K8 Hardy, Richard Phillips, Rob Pruitt, Jennifer Rubell and Julian Schnabel. Cluley will take everything she’s learned in the past five years as she exits her current position on August 23 to embark on a new journey: opening her own gallery.

    With her eponymous space in Trinity Groves, she hopes to bring a new outlook on contemporary art. Kicking off September 13, with an exhibition of works by René Treviño, the Erin Cluley Gallery will be the first focused on this genre to reside on the west side of the Margaret Hunt Hill Bridge.

    “There’s an excitement in Dallas right now around artists and collectors, and it’s a good time for the art community,” Cluley says.

    “I’d been thinking about going back into the commercial world,” says the native Texan, who originally joined the Contemporary after four years at C. Grimaldis Gallery in Baltimore. “When I moved back to Texas, I thought I was going to come here, get the lay of the land and open my own space. But when I started working at the Contemporary, I thought the museum path was where I was going to stay.”

    That is, until the fates intervened. During a trip last summer to Salem, Massachusetts, on a lark Cluley sat down for a psychic reading. When it was predicted she’d open her own space, she decided to have a sit-down meeting with Trinity Groves developer Butch McGregor upon her return.

    Cluley’s time spent overseeing the execution of murals by Shepard Fairey, Faile and JR in the area gave her unique insight into the Groves’ artistic potential. McGregor gave her the perfect launching pad in the guise of an affordable 2,000-square-foot metal building on Fabrication Street.

    “There’s something happening over there, and I feel like there’s room for what I want to do,” she says. “Having worked with the people in Trinity Groves, I have great relationships, enabling me to make a great physical space.

    “There’s an excitement in Dallas right now around artists and collectors, and it’s a good time for the art community.”

    The Erin Cluley Gallery will exhibit 10 shows a year from local and East Coast talent, and she hopes to add California artists to the mix in the coming year. In addition to Treviño, Cluley has already slated shows and projects by Baltimore’s Jimmy Joe Roche; Brooklyn’s Hidenori Ishii; and Texas artists Josephine Durkin, Francisco Moreno and Kevin Todora.

    Cluley also plans on continuing the strides she’s made exhibiting public works. These may come in the more traditional sense of murals and sculpture, or as “public interventions,” such as Roche’s “Baltimore in Dallas” ’zine that will appear in the rooms of a local hotel in the coming months.

    “I want to keep the public element going by helping to produce these ideas that are conceptualized by the artists. It might not be in the traditional sense, but it’ll be something that you’re going about your daily routine and you’re unexpectedly surprised.”

    Erin Cluley Gallery will open to the public with a reception on September 13, 6-8 pm. The exhibition “Estrellas” by René Treviño will run through October 11. Hours are Tuesday-Saturday, 10 am-6 pm, and Sunday and Monday by appointment.

    Jimmy Joe Roche, Great Alaskan Meta Dripper, 2013. Paper, acrylic paint, spray paint, 144 x 180 x 8 in. Installation view at Baltimore Museum of Art.

    Jimmy Joe Roche
    Photo courtesy of Baltimore Museum of Art
    Jimmy Joe Roche, Great Alaskan Meta Dripper, 2013. Paper, acrylic paint, spray paint, 144 x 180 x 8 in. Installation view at Baltimore Museum of Art.
    unspecified
    news/arts

    Lawsuit news

    Artist sues FIFA for $25 million over painted-over Dallas whale mural

    Associated Press
    Jun 3, 2026 | 11:54 am
    Wyland Whaling Wall
    Facebook/Wyland
    Artist Wyland's Whaling Wall mural being painted over for a FIFA World Cup-related mural in Dallas.

    The artist who painted a giant mural on a building in downtown Dallas of life-sized swimming whales has filed a $25 million lawsuit against soccer's international governing body and others, saying they illegally painted over his work to promote the city's upcoming World Cup matches.

    The artist Wyland says he hand-painted the sprawling mural that covered roughly 17,000 square feet (1,580 square meters) across two of the building's walls.

    The mural stood for nearly three decades before workers began painting over it last month, causing an uproar among residents who admired the mural's grand scale and message of ocean conservation.

    The area’s World Cup organizing committee said in a statement that, in place of Wyland's mural, new artwork is planned "that captures this current historical moment and reflects the energy, unity, and global spirit surrounding the World Cup 2026.” It said a portion of Wyland's mural would be preserved.

    Wyland filed suit Monday, June 1 in U.S District Court in Dallas saying that World Cup organizers, along with the building's owner and management company, painted over his mural without his consent or even notifying him. He says their actions violated a 1990 federal law passed to protect visual artists from destruction of publicly displayed works.

    Wyland is seeking at least $25 million in damages. His lawsuit says world soccer's governing body, FIFA, and other defendants “hastily and irrevocably destroyed a civic landmark” to promote the World Cup.

    “Though FIFA claims they were working to develop art for the host city, in truth, they defaced an historic fixture of the host city,” the artist's lawsuit says.

    A FIFA spokesperson said Tuesday the federation “has no involvement in this whatsoever” and referred a reporter to the tournament's local organizing committee.

    A spokesperson for the North Texas FWC Organizing Committee declined to comment. The committee isn't named as a defendant in the lawsuit.

    A spokesperson for Slate Asset Management, which manages the building where the mural was painted over, said in a statement that local World Cup organizers asked Slate in March to donate the mural space for “a new public art installation.”

    “Slate is not being compensated in any way for the use of the wall space and was told by the local groups that Mr. Wyland had been notified,” the management company's spokesperson said in an email.

    Dallas is hosting more World Cup matches than any of the other sites in the event co-hosted by the U.S., Canada and Mexico, with nine matches set to be played at AT&T Stadium in suburban Arlington, home of the Dallas Cowboys.

    Wyland's Dallas mural, titled “Whaling Wall 82,” was finished in 1999 and is among more than 100 similar murals known as Whaling Walls the artist painted around the world to promote the conservation of ocean life.

    An online petition protesting the mural's destruction and calling for protecting of public artwork in Dallas has received more than 2,600 signatures.

    Wyland's lawsuit alleges violations of the Visual Artists Rights Act, a 1990 federal law that protects artwork of “recognized stature” even if someone else owns the physical artwork.

    A judge cited that law in 2018 when he ordered a property owner to pay a group of New York graffiti artists $6.7 million for whitewashing dozens of their spray-painted murals on buildings that once housed a factory in Queens. The ruling was upheld on appeal.

    fifa world cupfifa world cup 2026lawsuitwylandwhaling muralmuralsdowntown dallas
    news/arts
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