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    Your Show of Shows

    3 must-see art exhibitions to close out summer in Dallas

    Kendall Morgan
    kendall Morgan
    Aug 21, 2015 | 1:33 pm

    September is when the art world kicks into high gear, but we’re getting a little taste of what’s to come a few weeks early, with work from CalArts-trained talents; an icon of sculpture; and a colorful, campy tribute to everybody’s favorite country star.

    “It Came From CalArts,” various artists at CentralTrak
    Reception: August 22, 8-10 pm
    Exhibition dates: August 22-October 4
    Perhaps it’s the laid-back attitude or the sunbaked landscape, but there’s always been a special connection between California and Texas. For Texan talents who trained at CalArts, the influence of these two environments continues to inform their work long after they’ve left the Golden State. Curator and artist Robin Myrick (an alumna herself) decided to group together the work of her fellow graduates to examine how these “Calartians” navigate their blended worlds.
    “This project is a labor of love,” she explains. “I graduated in 2008 and came back and have talked to a lot of alums here. [Going to the school] is a mind-blowing experience and changes the way you think about art and writing. In Texas, in particular, you feel like an alien presence. I started from the impulse of find other CalArts folks in Texas, but it came together as an actual exhibition.”
    Focusing on artists actively doing art in Austin, Dallas, Denton, El Paso, Houston and San Antonio, the nine she discovered have wildly different disciplines, from the crochet work of Elaine Bradford to Denise Prince’s boundary-pushing photography. In order to further understand where these talents are coming from, CentralTrak will also offer an artist conversation with Danielle Dean, Peter Bo Rappmund and Ariane Roesch September 10 at 7 pm, followed by a slate of short readings, sounds and ideas on September 12 at 2 pm.
    Chihuly and “Ted: Kincaid: Monday’s Romance is Tuesday’s Sad Affair” at Talley Dunn
    Reception: August 29, 5-8 pm
    Exhibition dates: August 29-October 4
    Acclaimed glass artist Dale Chihuly has already made a great impression on our fair city — his 2012 show at the Dallas Arboretum was a sellout success, storm damage aside. Fans of his vivid sculptures will be thrilled to know Chihuly is returning to Talley Dunn’s eponymous space with gardens of glass, his beloved Jerusalem Cylinders plus a wall piece inspired by the Far East. An “Amber Spire Tower” nine-foot-tall vertical sculpture will lend a nod to his Arboretum installations.
    "I have had the pleasure of witnessing first-hand the very special relationship Chihuly has with Dallas, from his exhibition at the DMA in the early 1990s to the stunning outdoor garden works created for the Dallas Arboretum,” says gallerist Dunn, who has a 20-year relationship with the artist. “It's been a wonderful experience for me to work with such a legendary artist as his career and vision have grown, and I am thrilled to be bringing him back to Dallas for another awe-inspiring exhibition."
    Joining him will be Dallas-based artist Ted Kincaid, who will unveil his new series of ink on canvas tondo thunderhead clouds and waterfalls, a natural complement to Chihuly’s organic-influenced works.
    “Tease It to Jesus,” various artists, and “Bushwacker,” the Hancock Brothers, at Webb Gallery
    Reception: August 30, 4-7 pm
    ​Exhibition dates: August 30-September 19
    The Webb Gallery in Waxahachie always puts on more than just an art show. Owners Bruce and Julie Webb are back from an Outsider Art road trip and ready to roll into the season with “Tease It to Jesus,” the Texas debut of a portfolio of 35 different portraits of Dolly Parton. A big Parton fan herself, Julie Webb says she has a shrine to the singer in her office and couldn’t resist the subject matter.
    “Someone told me about this project and I contacted Margot (Ecke) of Smokey Road Press. Once a year she does a 35-piece box set of different subjects, and she tied this one to a print conference going on in Knoxville (Tennessee), which is one of the reasons she chose Dolly Parton. The printmakers were chosen for their skill in creating a Dolly likeness — not just her big hair and big breasts, but her body language and how fascinating a person she is.”
    Because the prints are a limited run, some are on their last editions, and all are affordable, ranging from $45 to $400. Also on hand will be master printers John and Charles Hancock, who are known for both their adept woodcuts and their performance art. Guests are encouraged to dress in their finest Smokey Mountain attire, and wearing wigs is encouraged.
    “We hope people will come in costume,” says Julie Webb. “I’ve got six Dolly Parton wigs in my collection, so I’m ready to go at any point!"

    Impossible Things by Elaine Bradford from CentralTrak’s “It Came from CalArts.”

    Elaine Bradford
    Photo courtesy of CentralTrak
    Impossible Things by Elaine Bradford from CentralTrak’s “It Came from CalArts.”
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    Dance News

    Dallas Black Dance Theatre makes interim artistic director permanent

    Lindsey Wilson
    Nov 4, 2025 | 11:41 am
    Richard A. Freeman, Jr.
    Photo by Aleah Pilot
    Richard A. Freeman Jr. became the new artistic director October 24, 2025.

    Dallas Black Dance Theatre (DBDT) has officially named Richard A. Freeman, Jr. as its new artistic director, ushering in a new era of leadership for the dance company as it approaches its 50th anniversary season.

    Freeman, a longtime member of the DBDT family, has served as interim artistic director through the company’s recently completed 48th and current 49th seasons. His appointment, effective October 24, 2025, marks a natural progression for the former lead dancer, resident choreographer, and artistic project coordinator, whose career within DBDT spans more than a decade of creative and organizational leadership.

    “Richard has been an integral part of Dallas Black Dance Theatre's artistic fabric for years, and his extraordinary leadership during his time as interim artistic director made this decision clear,” says Heidi K. Murray, a member of DBDT’s board of directors, in a release. “His dedication to artistic excellence, his deep understanding of our mission, and his vision for the future of contemporary modern dance make him the ideal person to lead DBDT into this exciting new chapter.”

    DBDT founder Ann M. Williams echoed the sentiment, calling Freeman’s appointment a full-circle moment for both artist and company. “Richard embodies everything Dallas Black Dance Theatre stands for: artistry, excellence, and a deep commitment to uplifting our community through dance,” she says in the release. “I have had the privilege of watching him grow from a gifted dancer into an inspiring leader and visionary artist. His dedication to preserving our legacy while boldly charting new artistic territory gives me tremendous confidence in DBDT’s future.”

    During his tenure as interim artistic director, Freeman guided DBDT through seasons marked by artistic innovation and expanded community engagement, but also staff shake-ups and legal issues.

    In October 2024, accusations of retaliation surfaced after 10 DBDT dancers, its entire main company, were fired following their decision to unionize in May and demand better working conditions. This led to an unprecedented "Do Not Work" order by the American Guild of Musical Artists.

    Dallas City Council ultimately voted to withhold $248,000 in city funding due to labor violations, and DBDT later settled for $560,000 with the National Labor Relations Board.

    In response, DBDT formed a 17-member advisory stakeholder task force co-chaired by Jennifer Scripps, president and CEO of Downtown Dallas, Inc., and Shawn Williams, vice president of public affairs at Allyn. The group has been working with DBDT leadership to review the organization’s policies and practices, propose changes that foster an accountable environment, and put in place safeguards to prevent future concerns related to talent.

    In September 2025, executive director Zenetta Drew announced her retirement after nearly four decades with the company. A national search for her replacement will start in early 2026. Williams retired in 2014.

    As artistic director, Freeman will oversee all aspects of DBDT’s artistic operations, from performances to educational initiatives, and continue to expand its reach throughout Dallas and beyond.

    “I am deeply honored to accept this role and to continue building on the incredible foundation established by the vision of Ann Williams,” Freeman says. “This company has a unique power to move, inspire, and unite communities through dance. I look forward to working with our talented dancers, staff, and board to create unforgettable artistic experiences and to nurture the next generation of dance artists.”

    A native of Washington, D.C., Freeman began his training with the District of Columbia Youth Ensemble and the Washington Ballet before graduating from the Duke Ellington School of the Arts and Virginia Commonwealth University. His performance credits span acclaimed companies and productions, including Elisa Monte Dance, Houston Grand Opera, Porgy and Bess, and The Wiz.

    Freeman’s choreographic works have been featured by leading institutions such as Texas Ballet Theater School, Texas Christian University, and Booker T. Washington High School for the Performing and Visual Arts. He has also shared his expertise through master classes and workshops nationwide, reinforcing his commitment to DBDT’s educational mission.

    Founded in 1976, Dallas Black Dance Theatre is the oldest and largest professional dance company in Dallas and one of the most acclaimed Black dance institutions in the U.S.

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