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    Fountain of Giving

    Nasher comes home with Xchange sculpture at NorthPark Center

    Alex Bentley
    Aug 22, 2013 | 4:15 pm

    Thomas Wolfe famously wrote "You can't go home again," but Nasher Sculpture Center is breaking that axiom with the announcement of the eighth installment in its Nasher Xchange program.

    A sculpture by artist Charles Long entitled Fountainhead will be installed at NorthPark Center when Xchange kicks off on October 19, 2013.

    NorthPark, of course, is the first place that Raymond Nasher chose to publicly exhibit works from his vast collection when he built the mall in 1965. NorthPark remains home to multiple artworks to this day, including the towering orange sculpture called Ad Astra that resides in the mall's NorthCourt.

    Joining that group will be Long's work, which will be a virtual fountain designed to inspire giving. The electronic sculpture, which will be located in the mall's SouthCourt, will have projected images of sheets of dollar bills moving down its surface to give the impression of water flowing.

    Surrounding the sculpture will be three kiosks equipped with iPads where visitors can donate money to one of three charities - Bookmarks, a branch of the Dallas Public Library aimed at children located inside NorthPark, Dallas CASA and the North Texas Food Bank.

    After donating via a credit card swipe or by dropping coins in a slot, a coin will appear on the screen of the iPad that the donors can then flick toward the sculpture, where will it make a virtual splash. It's an interactive experience that Long hopes will be embraced by NorthPark shoppers.

    "In Fountainhead, I sought to encourage the passerby to give up something of value before an anticipating audience," Long says in a press release. "I wanted to see what a massive fountain of money issuing endlessly forth might feel like as a public spectacle. There is decadence, but then there is this social act of giving. I chose charities proximally close to the lives of the participants so that their giving had a more tangible meaning.”

    NorthPark Center kicked off the giving by donating $10,000 to each of the charities at the announcement. That was followed by a ceremonial coin toss where officials from the charities, Nasher representatives and others tossed dollar coins into the real fountain in the court just outside of Dillard's.

    Long's sculpture joins the seven other Nasher Xchange pieces already announced, including ones from Ruben Ochoa, Rick Lowe, Ugo Rondinone, Liz Larner, Alfredo Jaar, the Good/Bad Art Collective and Vicki Meek. Two more projects will be announced in the coming weeks.

    Representatives from the Nasher, the three charities who will benefit from the sculpture and others participated in a ceremonial coin toss at NorthPark Center.

    Nasher coin toss at NorthPark Center fountain
    Photo by Alex Bentley
    Representatives from the Nasher, the three charities who will benefit from the sculpture and others participated in a ceremonial coin toss at NorthPark Center.
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    Dance News

    Dallas Black Dance Theatre makes interim artistic director permanent

    Lindsey Wilson
    Nov 4, 2025 | 11:41 am
    Richard A. Freeman, Jr.
    Photo by Aleah Pilot
    Richard A. Freeman Jr. became the new artistic director October 24, 2025.

    Dallas Black Dance Theatre (DBDT) has officially named Richard A. Freeman, Jr. as its new artistic director, ushering in a new era of leadership for the dance company as it approaches its 50th anniversary season.

    Freeman, a longtime member of the DBDT family, has served as interim artistic director through the company’s recently completed 48th and current 49th seasons. His appointment, effective October 24, 2025, marks a natural progression for the former lead dancer, resident choreographer, and artistic project coordinator, whose career within DBDT spans more than a decade of creative and organizational leadership.

    “Richard has been an integral part of Dallas Black Dance Theatre's artistic fabric for years, and his extraordinary leadership during his time as interim artistic director made this decision clear,” says Heidi K. Murray, a member of DBDT’s board of directors, in a release. “His dedication to artistic excellence, his deep understanding of our mission, and his vision for the future of contemporary modern dance make him the ideal person to lead DBDT into this exciting new chapter.”

    DBDT founder Ann M. Williams echoed the sentiment, calling Freeman’s appointment a full-circle moment for both artist and company. “Richard embodies everything Dallas Black Dance Theatre stands for: artistry, excellence, and a deep commitment to uplifting our community through dance,” she says in the release. “I have had the privilege of watching him grow from a gifted dancer into an inspiring leader and visionary artist. His dedication to preserving our legacy while boldly charting new artistic territory gives me tremendous confidence in DBDT’s future.”

    During his tenure as interim artistic director, Freeman guided DBDT through seasons marked by artistic innovation and expanded community engagement, but also staff shake-ups and legal issues.

    In October 2024, accusations of retaliation surfaced after 10 DBDT dancers, its entire main company, were fired following their decision to unionize in May and demand better working conditions. This led to an unprecedented "Do Not Work" order by the American Guild of Musical Artists.

    Dallas City Council ultimately voted to withhold $248,000 in city funding due to labor violations, and DBDT later settled for $560,000 with the National Labor Relations Board.

    In response, DBDT formed a 17-member advisory stakeholder task force co-chaired by Jennifer Scripps, president and CEO of Downtown Dallas, Inc., and Shawn Williams, vice president of public affairs at Allyn. The group has been working with DBDT leadership to review the organization’s policies and practices, propose changes that foster an accountable environment, and put in place safeguards to prevent future concerns related to talent.

    In September 2025, executive director Zenetta Drew announced her retirement after nearly four decades with the company. A national search for her replacement will start in early 2026. Williams retired in 2014.

    As artistic director, Freeman will oversee all aspects of DBDT’s artistic operations, from performances to educational initiatives, and continue to expand its reach throughout Dallas and beyond.

    “I am deeply honored to accept this role and to continue building on the incredible foundation established by the vision of Ann Williams,” Freeman says. “This company has a unique power to move, inspire, and unite communities through dance. I look forward to working with our talented dancers, staff, and board to create unforgettable artistic experiences and to nurture the next generation of dance artists.”

    A native of Washington, D.C., Freeman began his training with the District of Columbia Youth Ensemble and the Washington Ballet before graduating from the Duke Ellington School of the Arts and Virginia Commonwealth University. His performance credits span acclaimed companies and productions, including Elisa Monte Dance, Houston Grand Opera, Porgy and Bess, and The Wiz.

    Freeman’s choreographic works have been featured by leading institutions such as Texas Ballet Theater School, Texas Christian University, and Booker T. Washington High School for the Performing and Visual Arts. He has also shared his expertise through master classes and workshops nationwide, reinforcing his commitment to DBDT’s educational mission.

    Founded in 1976, Dallas Black Dance Theatre is the oldest and largest professional dance company in Dallas and one of the most acclaimed Black dance institutions in the U.S.

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