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    Royal reads

    Dallas author writes charming new children's storybook about Princess Diana

    Stephanie Allmon Merry
    Aug 31, 2022 | 12:45 pm
    News_Princess Diana
    The book's release coincides with the 25th anniversary of Princess Diana's death on August 31, 1997.
    Photo by Patrick Demarchelier

    “Here is the stuff of which fairy tales are made," the Archbishop of Canterbury famously declared at the wedding of Lady Diana Spencer to Prince Charles in 1981. Of course, the British royal couple's real-life fairy tale did not end in a "happily ever after."

    But now, 25 years after the tragic and untimely death of Diana, Princess of Wales, a Dallas mom-and-author wants to introduce children to the parts of the beloved princess' life that really were storybook worthy. Emberli Pridham's A Real-Life Fairy Tale: Princess Diana will be published through Gatekeeper Press ($21.95) on September 1.

    The 48-page hardcover book is a charmingly illustrated biography intended for children ages 3 to 8. It succinctly chronicles Princess Diana's life, from her childhood to her life as a royal and mother, and showcases her impact on the world as "the people's princess."

    Famous vignettes from her life — including her engagement, wedding, charity work, and White House twirl around the dance floor with John Travolta — are also depicted in whimsical illustrations by Danilo Cerovic. The foreword is written by her friend and well-known interior designer Carleton Varney.

    The book will be the first in a series of "Real-Life Fairy Tale" stories about inspiring and influential people that Pridham intends to write. She is no stranger to writing books for young people. Pridham, along with her husband, David, co-authored the Amazon best-selling STEM book series, If Not You, Then Who?

    But this one had extra special meaning, she says, because of her desire to share Princess Diana’s legacy with younger generations like her daughter — who inspired the book.

    The Pridhams live in Dallas with their three children, Brooke, Noah, and Graham, and are involved in a number of philanthropic organizations throughout the city.

    We donned a tiara and chatted with Emberli about the new Princess Diana book, her fairy tale series, and the inspiration she hopes it will provide for a new generation of little princes and princesses.

    CultureMap: Why did you decide to do a children's series on the topic of "real-life" fairy tales? Are these the kinds of stories you enjoyed as a child, or read to your own children?

    Emberli Pridham: My daughter Brooke, actually! I was reading to her a fairy tale one night and went down a bunny trail of wanting to read to her about a real-life princess. And Princess Diana was the first to pop into my head. She is someone who I thought would be an incredible role model that I wanted my daughter to learn about and be inspired by her incredible compassion, kindness, and empathy.

    CM: How did you decide which vignettes from Princess Diana's life to focus on, and what kind of research did it entail? Were you a fan of hers as a child?

    EP: I chose Diana because she was a real-life princess who exemplified grace and dignity. She gave so much of her time to important causes and to the most vulnerable of people in the world. I decided to highlight all the positive aspects about her life.

    I also read her biography Diana: Her True Story — In Her Own Words by Andrew Morton, which really helped paint the story and life of Princess Diana.

    I have always been a fan of Princess Diana and I will never forget the morning of her funeral; it had quite an impact on me, watching it back as a young 10-year-old girl. It was so apparent how much she meant to people around the world.

    CM: Did you have to work with any official royal family channels to use her name or illustrate her likeness?

    EP: We didn’t have to work with any official royal channels. This book is an illustrated story based on her life, intended to highlight the positive aspects of her character for children. Similar to how people work who write historical fiction books.

    CM: The release coincides with the 25th anniversary of her death (on August 31, 1997), when there will be a lot of public remembrances about her. Was that intentional?

    EP: No, not intentional. I wrote and released this book because I really wanted to educate children of this generation (that were either not born yet or too young to remember her) so they know about this incredible and amazing woman.

    CM: The story is written like a poem, with some sweet rhyming patterns, but still covers a lot of history. What was your writing process like, writing specifically for children?

    EP: As a little girl and still to this day, I love children’s books with a rhyme. I wanted the story to sound beautiful to readers, much like reading a poem. Diana was beautiful inside and out and I wanted the story to reflect that.

    CM: Tell me about your illustrator and how you worked together on the charming yet detailed illustrations.

    EP: I wanted the illustrations to be different, and my own. I researched a lot of different illustration styles. When I was growing up, I was a big fan of The Secret Garden and watercolors and wanted the illustrations in my book to be like a work of art that you can hang up on your wall.

    Our illustrator, Danilo Cerovic, did a wonderful job; we worked well together. He was magnificent and really understood and captured what I would convey in my words and translated them into these dreamy images, truly making the pictures come to life!

    CM: You're giving 10 percent of book proceeds to Centrepoint, a UK organization that Princess Diana was patron of, and now Prince William has been its patron since 2005. How did you decide on this nonprofit?

    EP: We looked up which charities Princess Diana was most involved with and this one really struck a chord with me. (Note: The organization provides young people experiencing homelessness with accommodation, health support, and life skills to get them back into education, training, and employment, according to the website.)

    CM: Where can Dallas readers find A Real-Life Fairy Tale: Princess Diana?

    EP: You can find the book on our website, as well as Amazon and Barnes and Noble. (There are also paperback and Kindle versions.)

    CM: What can you tell us about forthcoming books in your fairy tale series?

    EP: I’m thinking about so many great women, it’s hard to narrow down. I know for sure the next book will be about Princess Grace of Monaco, but after her I am not sure who will follow, so stay tuned.

    Emberli Pridham lives in Dallas with her family.

    Emberli Pridham, Princess Diana children's book
      
    Photo by Mariah Gale Creative
    Emberli Pridham lives in Dallas with her family.
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    Season Announcement

    Dallas Theater Center finds rhythm and rhyme in 2025-26 season

    Lindsey Wilson
    Apr 2, 2025 | 5:31 pm
    Ragtime at City Center Encores
    Photo by Joan Marcus
    "Ragtime" was recently staged in New York by City Center Encores.

    The 2025-26 season for Dallas Theater Center is a mix of classic and new, large and small, and it even raises the curtain on more collaborations with the Tony Award-winning regional theater.

    This season includes the launch of a three-year partnership between Dallas Theater Center and Stage West Theatre in Fort Worth, as well as a multi-year partnership with SMU’s Meadows School of the Arts and the Sexton Institute for Musical Theatre. An ongoing collaboration continues with TheatreSquared in Fayetteville, Arkansas, and DTC will newly partner with Fort Worth Symphony Orchestra on a concert to be performed at Bass Performance Hall featuring FWSO, conducted by Robert Spano, and actors from DTC’s Brierley Resident Acting Company, directed by DTC's executive director Kevin Moriarty.

    “Collaboration is at the heart of DTC’s mission,” Moriarty says. “It’s wonderful to join with TheaterSquared to support Jonathan Norton’s brilliant playwriting and introduce his work to a national audience. Further, by partnering with Stage West Theatre, SMU’s Meadows School of the Arts and the Sexton Institute for Musical Theatre, and the Fort Worth Symphony Orchestra, we are able to expand opportunities for artists, introduce new audience members to the arts, and enrich our artistry. I’m grateful to be surrounded by so many talented, visionary artists and arts leaders here in North Texas and honored to be partnering with them this season.”

    “In curating Dallas Theater Center’s 2025-26 season, I chose to follow my mission as a playwright, which is to break down barriers through the shared joy of great storytelling,” says interim artistic director Jonathan Norton. “And the five shows in our upcoming season will do just that."

    First up is the classic slapstick farce Noises Off by Michael Frayn, directed by Ashley H. White.

    This play-within-a-play plunges you into the chaotic world of Nothing’s On, a fictional touring production tormented by backstage romances and onstage blunders. From flubbed lines to slamming doors, witness the hilarious unraveling of a troupe of eccentric actors. It runs October 3-26, 2025, at the Kalita Humphreys Theater.

    Next is the Pulitzer Prize-winning Fat Ham by James Ijames, a co-production with Stage West that's directed by vickie washington.

    In this Dallas premiere of the hit Broadway comedy, Juicy’s got a lot on his plate — his mom just married his uncle. All he wants is to make his own way as a queer Black man in a Southern family. But here’s the rub: his father’s ghost just turned up at a backyard barbecue demanding vengeance. In this delicious and sizzling reinvention of Shakespeare’s masterpiece, a young man vows to break the cycles of violence in service of his own liberation and joy. It runs January 30-February 8, 2026, at the Kalita Humphreys Theater

    The regional premiere of Donnetta Lavinia Grays' Where We Stand, another co-pro with Stage West, follows.

    Directed by Akin Babatunde, Broadway actor and Dallas legend Liz Mikel plays a lone storyteller who weaves a world through music and magic — part fable, part call-and-response. Your town stands at a crossroads. A neighbor — desperate and out of options — has struck a dangerous bargain. Now, their fate lies in your hands. In this interactive play presented as a town hall gathering, the audience must choose: mercy or justice? The future of the town — and the fate of a soul — hang in the balance. This isn’t a game. It’s your choice. It runs February 27-March 22, 2026, at Bryant Hall on the Kalita Humphreys Theater campus.

    The grand, sweeping musical Ragtime will be produced in partnership with SMU and AT&T Performing Arts Center, with direction and choreography by Sexton Institute for Musical Theatre director Joel Ferrell.

    Based on the novel by E.L. Doctorow, with music by Stephen Flaherty, lyrics by Lynn Ahrens, and book by Terrence McNally, the musical tells the intertwined stories of three families from different walks of life, all chasing the American Dream in 1902 New York. It runs March 27-April 19, 2026, at the Wyly Theatre.

    The world premiere of Jonathan Norton's Malcolm X and Redd Foxx Washing Dishes at Jimmy’s Chicken Shack in Harlem closes out the regular season.

    A commission by and co-production with TheatreSquared, which previously supported the development of Norton’s I AM DELIVERED’T, the play will be directed by Dexter J. Singleton. In the sweltering summer of 1943, two young men — Little & Foxy — forge an unlikely bond over leftover fried chicken and dirty dishwasher. But as the world outside erupts in chaos, their friendship is tested by betrayal, ambition, and the call of history. Inspired by a true story. It runs May 8-June 7, 2026, at the Wyly's Studio Theater.

    "There is nothing like the rejuvenating sensation of rollicking laughter spreading through packed houses at Noises Off and Fat Ham," says Norton. "Where We Stand will inspire rich conversations about forgiveness and redemption. Ragtime will send audiences home lifted by the stirring music and feeling ever more hopeful in these changing times. And Malcolm X and Redd Foxx Washing Dishes At Jimmy’s Chicken Shack in Harlem will leave you empowered with the knowledge that true friendship can change the world. I can’t wait for October, when I get to welcome audiences at the start of our new season. We will throw open our doors and become Dallas’ town hall — a place for the community to gather for conversation, celebration, and ultimately, connection.”

    There are also two add-on productions, beginning with the company's annual presentation of A Christmas Carol.

    Based on the novel by Charles Dickens, adapted by Kevin Moriarty, and directed by Alex Organ, with musical direction by Cody Dry, and choreography by Joel Ferrell, DTC's production takes audiences on a magical Christmas Eve adventure with Ebenezer Scrooge, as three otherworldly spirits whisk him away on a breathtaking journey of hope and redemption. From the nostalgic warmth of Christmases past to the stark truths of the present and the ominous shadows of the future, Scrooge's journey is a spectacle of wonder. It runs November 28-December 28, 2025, at the Wyly Theatre.

    Under the direction of Robert Spano and Kevin Moriarty, the Fort Worth Symphony Orchestra and Dallas Theater Center collaborate to bring musical drama and theatrical intrigue center stage in the FWSO's newest "Theater of a Concert" concept: Shakespeare at the Symphony.

    Featuring Mendelssohn's Selections from A Midsummer Night's Dream and Prokofiev's Selections from Romeo and Juliet, interspersed with scenes from Shakespeare, the multi-discipline production brings The Bard to life. It runs February 27-March 1, 2026, at Bass Performance Hall in Fort Worth.

    DTC’s Diane and Hal Brierley Resident Acting Company members will be featured throughout the 2025-26 season. Company members include Christina Austin Lopez, Tiana Kaye Blair, Blake Hackler, Bob Hess, Liz Mikel, Alex Organ, Molly Searcy, Tiffany Solano, Sally Nysteun Vahle, Esteban Vilchez, and Zachary J. Willis.

    “The talent and collaborative spirit of my colleagues in the Brierley Resident Acting Company constantly inspires me,” Norton says. “And later this spring I look forward to announcing a new company member who will further enrich our artistry.”

    Subscriptions are available now and can be purchased at DallasTheaterCenter.org and by phone at 214-522-8499. Single tickets are not yet available.

    dallas theater centernoises offfat hamragtimesmusexton institute for musical theatrea christmas carolfort worth symphonytheater
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