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    Hello, Dali!

    Meadows Museum doubles the fun for Dallas fans of Salvador Dalí

    Stephanie Allmon Merry
    Sep 7, 2018 | 2:00 pm

    UPDATE: The Meadows Museum’s exhibition "Dalí: Poetics of the Small, 1929-1936" has been extended through January 6, 2019, the museum has announced.

    ---

    Admirers of Spanish artist Salvador Dalí have twice the reason to visit Meadows Museum this fall. The museum on the SMU campus is mounting not one but two exhibitions concurrently that will give insight into different aspects of the artist's work. Both open September 9.

    With "Dalí: Poetics of the Small, 1929-1936," Meadows is organizing the first in-depth exploration of the artist’s small-scale paintings — some measuring just over a foot, and others as tiny as 3 by 2 inches. An important part of the artist’s output during the early part of his Surrealist period (1929-1936), these miniature works reflect Dalí’s precise style of painting, the museum says.

    Painted at the time in Dali's career when nearly half of the works he produced were cabinet-sized paintings, these jewel-sized pieces have never been studied or exhibited as a cohesive group, the museum says. Plans for the exhibition began after the Meadows acquired Dalí’s small-scale painting The Fish Man (L’homme poisson, 1930) in 2014, and asked the conservation department at the Kimbell Art Museum in Fort Worth to conduct technical analysis of the work.

    Meadows will be the only venue for this exhibition of about two dozen works, which runs through December 9.

    The second exhibition, "Dalí’s Aliyah: A Moment in Jewish History," will display a rare, complete set of the lithographs created by the artist to celebrate 1968 as the 20th anniversary of the founding of the State of Israel. These works reveal a different aspect of Dalí’s artistic practice, the museum says, with images that are large in scale and painted in a loose, expressionistic style that is the opposite of the precise technique displayed in the small-scale Surrealist works.

    Inspired by the historic challenges and post-World War II renewal of the Jewish people, Dalí created a series of 25 mixed-media paintings on paper that loosely trace major moments in Jewish history — both the tragic and the joyous — culminating in the creation of Israel in 1948, the museum says. From the paintings, Shorewood Publishers produced a limited edition of 250 sets of 25 lithographs, with each set accompanied by a letter of introduction from David Ben-Gurion, the founding Prime Minister of Israel.

    The title, Aliyah, comes from the Hebrew word “to rise or ascend,” and is commonly used to describe migration to Israel, a process that many Jews see as stepping up to their homeland, Meadows says. This display will be on view through January 13, 2019.

    The Dalí exhibitions are an extension of Meadows' mission to study and present the art of Spain.

    “Despite Salvador Dalí’s global reputation, there is much still to learn about his artistic development and output,” says Mark Roglán, the Linda P. and William A. Custard Director of the Meadows Museum, in a release. “In producing so many small-scale paintings, it is clear that the artist saw their size as important, recognizing that within a constrained frame the viewer’s eyes are drawn to details differently.

    "By contrast, the large-format lithographs Dalí created for his Aliyah commission demonstrate an understanding of a different set of traditional artist’s skills, using art to capture and present history and the people involved in shaping it.”

    Meadows will celebrate the new exhibit at its inaugural Masterpiece Gala on October 13 at the museum.

    Salvador Dali, The Accommodations of Desire, 1929.

    Salvador Dali, The Accommodations of Desire
    Photo courtesy of Meadows Museum
    Salvador Dali, The Accommodations of Desire, 1929.
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    Mural News

    Netflix House will debut in Dallas with murals from acclaimed artist

    Desiree Gutierrez
    Dec 8, 2025 | 12:51 pm
    ​Jeremy Biggers at Netflix House
    Netflix House
    Jeremy Biggers at Netflix House

    A long-awaited immersive venue is opening in Dallas, and it will debut with local art on its walls: Netflix House, a year-round exhibit revolving around Netflix shows and movies, will open at Galleria Dallas on December 11, with two murals from award-winning Dallas multi-medium artist Jeremy Biggers.

    Netflix House is an immersive dive complete with merchandise store, film house, arcade, and restaurant-bar. When it opens, Dallas will be the second location in the U.S., following Philadelphia, where it debuted in November 2025, also with murals from a local artist.

    A graduate of Booker T. Washington High School for Performing and Visual Arts, Biggers is a renowned artist whose murals can be found spashed on walls across Dallas. Many, such as the Selena portrait on the wall outside Top Ten Records at 306 S. Bishop Ave., have become local landmarks.

    He's a logical choice, having worked with a number of corporations including Nike, Adidas, the Dallas Mavericks, and IBM, for whom he created the "THINK" mural in their Dallas corporate office. His works have also been exhibited nationally, including a 2024 solo exhibition "be safe out there bro" at Band of Vices, a gallery in Los Angeles.

    "Being chosen to be the artist to paint this mural, it would have been a disservice to myself, as well as the art scene in the city, not to try to infuse myself into it," he says.

    \u200bJeremy Biggers at Netflix House Jeremy Biggers at Netflix HouseNetflix House

    Biggers did two murals featuring his interpretation of Netflix figures including the Squid Game Young-hee doll, characters from KPop Demon Hunters and megahit series Stranger Things, plus Pandy and DJ Catnip, the best friends in the interactive series Gabby’s Dollhouse.

    Both murals are intensely colored works that incorporate Biggers' signature motif: a grid of polka dots spread across the image.

    • One is on the exterior of Netflix House, at the parking entrance, a colorful collage of characters, measuring 38 feet x 50 feet — the tallest mural Biggers has tackled. He painted it with aerosol; it took him two months to complete.
    • The other is on the interior, on the mall side entrance of Netflix House, measuring 57 feet x 12 feet — a study in moody blacks and blues, with accents of neon-red that give it a 3D effect.

    “I'm trying to tell the story of Netflix, and the story of where Netflix has been historically, where Netflix is headed in the future, and then also infusing my own narrative and my own language visually into that story,” he says.

    “They could have opened this anywhere, so for Dallas to be one of the very first locations — that’s a testament to us as a market, as consumers of arts and consumers in general," he says.

    Jeremy Biggers at Netflix House Jeremy Biggers at Netflix HouseNetflix House

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