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    Actor Spotlight

    Dallas actor Jeremy Schwartz racks up the juicy roles. And he can cook, yo.

    Lindsey Wilson
    Sep 18, 2013 | 11:14 am

    We may have lost him to New York for a while, but Jeremy Schwartz is back in Dallas with a bang. The actor has been racking up the juicy roles lately, playing everything from a menacing ex-husband in Kitchen Dog Theater's world-premiere Se Llama Cristina to the rough-around-the-edges brother in Second Thought Theatre's acclaimed production of In a Forest, Dark and Deep.

    He returns to Kitchen Dog on September 26 to star in the regional premiere of Detroit, Lisa D'Amour's "funny and incisive look into the subterranean psyche of the suburbs."

    Schwartz recently took the time to fill out our survey of serious, fun and sometimes ridiculous questions.

    Name: Jeremy Schwartz

    Role in Detroit: Kenny

    Previous work in the DFW area:God’s Country; Someone Who’ll Watch Over Me; Shiner; The Seagull; Sarajevo; All He Fears; Loot; Ice Cream; Cherry Docs; How I Learned To Drive; A Christmas Carol; Triumph of Love; Ardy Fafirsin; Se Llama Cristina; In a Forest, Dark and Deep

    Hometown: Born in New Brunswick, New Jersey, but raised in Plano from age 5.

    Where you currently reside: Lakewood

    First theater role: The Kid with The Cuckoo in The Kid with The Cuckoo. His name was Clarence. The kid. Not the cuckoo.

    First stage show you ever saw:The Fantastiks at Plano Community Theater.

    Moment you decided to pursue a career in theater: When I heard “The 2,000 Year Old Man.” I had it memorized by the second grade and did it every time we had company.

    Most challenging role you’ve played: Stashu Okonsky in Shiner.

    Special skills: I can cook, yo. For real.

    Something you’re REALLY bad at: Dancing and mental telepathy. I haven’t the gift for either.

    Current pop culture obsession: That’s not really my thing.

    Last book you read: A Barry Hannah collection called Long, Lost, Happy.

    Favorite movie(s): Zelig, It’s a Wonderful Life, The Right Stuff, The Philadelphia Story, Cool Hand Luke, Black Narcissus, Michael Clayton, All The President’s Men, Apocalypse Now, Being There, Dr. Strangelove, Young Frankenstein, Meet John Doe, The Big Lebowski

    Favorite musician(s): Frank Black, Super Furry Animals, Los Lobos, CCR, Pearl Jam, Eric Dolphy, MMW, Blind Melon, Steve Earle, Mike Patton, Art Blakey, Four Tet, Madlib, Can, XTC, MF Doom, John Zorn, Stereolab, Nels Cline, Minutemen, Stevie Wonder, Tortoise, Led Zeppelin, Willie Nelson

    Favorite song: I cycle songs in and out. Right now it’s the Bryan Ferry version of “Re-make/Re-model” from Let’s Stick Together.

    Dream role: Narrating NFL films.

    Favorite play(s): Right now it's Jerusalem by Jez Butterworth.

    Favorite musical(s): Sweeney Todd

    Favorite actors/actresses: Joseph Cotten, Lionel Barrymore, Jimmy Stewart, Robert DeNiro, Dustin Hoffman, Barbara Stanwyk, Daniel Day Lewis, Jean Arthur, Mickey Rourke, William Powell, Nick Nolte, Cate Blanchett, Meryl Streep, Judy Holliday, Edward Arnold, Jason Robards, Bill Murray, James Spader, Peter Sellers

    Favorite food: I love a nice sandwich.

    Must-see TV show(s):Veep

    Something most people don’t know about you: I can hypnotize a chicken.

    Place in the world you’d most like to visit: Petra

    Pre-show warm-up: It changes with every show. The only consistent thing I do is arrive two to three hours early.

    Favorite part about your current role: I sure do love working at Kitchen Dog.

    Most challenging part about your current role: The extended dance sequence.

    Most embarrassing onstage mishap: I accidentally punched a well-known comedian in the face during rehearsal for a bit on Conan. For some reason I was released that day.

    Career you’d have if you weren’t a performer: Tactical driver. Funky drummer. Chef.

    Favorite post-show spot: I’m a homebody these days, but if I go out, I stop by the Lakewood Landing.

    Favorite thing about Dallas-Forth Worth: It’s home.

    Most memorable theater moment: I played Marley’s Ghost when Raphael Parry directed A Christmas Carol at DTC. For my entrance I was dropped in head-first from 40 feet up. Still the most fun I’ve had working on a show.

    ---

    Detroitplays at Kitchen Dog Theater September 26-October 26.

    Heather Henry as Betty and Jeremy Schwartz as Bobby in In a Forest.

    Second Thought Theatre, In a Forest
      
    Photo by Karen Almond
    Heather Henry as Betty and Jeremy Schwartz as Bobby in In a Forest.
    unspecified
    news/arts

    Season Announcement

    Dallas Theater Center finds rhythm and rhyme in 2025-26 season

    Lindsey Wilson
    Apr 2, 2025 | 5:31 pm
    Ragtime at City Center Encores
    Photo by Joan Marcus
    "Ragtime" was recently staged in New York by City Center Encores.

    The 2025-26 season for Dallas Theater Center is a mix of classic and new, large and small, and it even raises the curtain on more collaborations with the Tony Award-winning regional theater.

    This season includes the launch of a three-year partnership between Dallas Theater Center and Stage West Theatre in Fort Worth, as well as a multi-year partnership with SMU’s Meadows School of the Arts and the Sexton Institute for Musical Theatre. An ongoing collaboration continues with TheatreSquared in Fayetteville, Arkansas, and DTC will newly partner with Fort Worth Symphony Orchestra on a concert to be performed at Bass Performance Hall featuring FWSO, conducted by Robert Spano, and actors from DTC’s Brierley Resident Acting Company, directed by DTC's executive director Kevin Moriarty.

    “Collaboration is at the heart of DTC’s mission,” Moriarty says. “It’s wonderful to join with TheaterSquared to support Jonathan Norton’s brilliant playwriting and introduce his work to a national audience. Further, by partnering with Stage West Theatre, SMU’s Meadows School of the Arts and the Sexton Institute for Musical Theatre, and the Fort Worth Symphony Orchestra, we are able to expand opportunities for artists, introduce new audience members to the arts, and enrich our artistry. I’m grateful to be surrounded by so many talented, visionary artists and arts leaders here in North Texas and honored to be partnering with them this season.”

    “In curating Dallas Theater Center’s 2025-26 season, I chose to follow my mission as a playwright, which is to break down barriers through the shared joy of great storytelling,” says interim artistic director Jonathan Norton. “And the five shows in our upcoming season will do just that."

    First up is the classic slapstick farce Noises Off by Michael Frayn, directed by Ashley H. White.

    This play-within-a-play plunges you into the chaotic world of Nothing’s On, a fictional touring production tormented by backstage romances and onstage blunders. From flubbed lines to slamming doors, witness the hilarious unraveling of a troupe of eccentric actors. It runs October 3-26, 2025, at the Kalita Humphreys Theater.

    Next is the Pulitzer Prize-winning Fat Ham by James Ijames, a co-production with Stage West that's directed by vickie washington.

    In this Dallas premiere of the hit Broadway comedy, Juicy’s got a lot on his plate — his mom just married his uncle. All he wants is to make his own way as a queer Black man in a Southern family. But here’s the rub: his father’s ghost just turned up at a backyard barbecue demanding vengeance. In this delicious and sizzling reinvention of Shakespeare’s masterpiece, a young man vows to break the cycles of violence in service of his own liberation and joy. It runs January 30-February 8, 2026, at the Kalita Humphreys Theater

    The regional premiere of Donnetta Lavinia Grays' Where We Stand, another co-pro with Stage West, follows.

    Directed by Akin Babatunde, Broadway actor and Dallas legend Liz Mikel plays a lone storyteller who weaves a world through music and magic — part fable, part call-and-response. Your town stands at a crossroads. A neighbor — desperate and out of options — has struck a dangerous bargain. Now, their fate lies in your hands. In this interactive play presented as a town hall gathering, the audience must choose: mercy or justice? The future of the town — and the fate of a soul — hang in the balance. This isn’t a game. It’s your choice. It runs February 27-March 22, 2026, at Bryant Hall on the Kalita Humphreys Theater campus.

    The grand, sweeping musical Ragtime will be produced in partnership with SMU and AT&T Performing Arts Center, with direction and choreography by Sexton Institute for Musical Theatre director Joel Ferrell.

    Based on the novel by E.L. Doctorow, with music by Stephen Flaherty, lyrics by Lynn Ahrens, and book by Terrence McNally, the musical tells the intertwined stories of three families from different walks of life, all chasing the American Dream in 1902 New York. It runs March 27-April 19, 2026, at the Wyly Theatre.

    The world premiere of Jonathan Norton's Malcolm X and Redd Foxx Washing Dishes at Jimmy’s Chicken Shack in Harlem closes out the regular season.

    A commission by and co-production with TheatreSquared, which previously supported the development of Norton’s I AM DELIVERED’T, the play will be directed by Dexter J. Singleton. In the sweltering summer of 1943, two young men — Little & Foxy — forge an unlikely bond over leftover fried chicken and dirty dishwasher. But as the world outside erupts in chaos, their friendship is tested by betrayal, ambition, and the call of history. Inspired by a true story. It runs May 8-June 7, 2026, at the Wyly's Studio Theater.

    "There is nothing like the rejuvenating sensation of rollicking laughter spreading through packed houses at Noises Off and Fat Ham," says Norton. "Where We Stand will inspire rich conversations about forgiveness and redemption. Ragtime will send audiences home lifted by the stirring music and feeling ever more hopeful in these changing times. And Malcolm X and Redd Foxx Washing Dishes At Jimmy’s Chicken Shack in Harlem will leave you empowered with the knowledge that true friendship can change the world. I can’t wait for October, when I get to welcome audiences at the start of our new season. We will throw open our doors and become Dallas’ town hall — a place for the community to gather for conversation, celebration, and ultimately, connection.”

    There are also two add-on productions, beginning with the company's annual presentation of A Christmas Carol.

    Based on the novel by Charles Dickens, adapted by Kevin Moriarty, and directed by Alex Organ, with musical direction by Cody Dry, and choreography by Joel Ferrell, DTC's production takes audiences on a magical Christmas Eve adventure with Ebenezer Scrooge, as three otherworldly spirits whisk him away on a breathtaking journey of hope and redemption. From the nostalgic warmth of Christmases past to the stark truths of the present and the ominous shadows of the future, Scrooge's journey is a spectacle of wonder. It runs November 28-December 28, 2025, at the Wyly Theatre.

    Under the direction of Robert Spano and Kevin Moriarty, the Fort Worth Symphony Orchestra and Dallas Theater Center collaborate to bring musical drama and theatrical intrigue center stage in the FWSO's newest "Theater of a Concert" concept: Shakespeare at the Symphony.

    Featuring Mendelssohn's Selections from A Midsummer Night's Dream and Prokofiev's Selections from Romeo and Juliet, interspersed with scenes from Shakespeare, the multi-discipline production brings The Bard to life. It runs February 27-March 1, 2026, at Bass Performance Hall in Fort Worth.

    DTC’s Diane and Hal Brierley Resident Acting Company members will be featured throughout the 2025-26 season. Company members include Christina Austin Lopez, Tiana Kaye Blair, Blake Hackler, Bob Hess, Liz Mikel, Alex Organ, Molly Searcy, Tiffany Solano, Sally Nysteun Vahle, Esteban Vilchez, and Zachary J. Willis.

    “The talent and collaborative spirit of my colleagues in the Brierley Resident Acting Company constantly inspires me,” Norton says. “And later this spring I look forward to announcing a new company member who will further enrich our artistry.”

    Subscriptions are available now and can be purchased at DallasTheaterCenter.org and by phone at 214-522-8499. Single tickets are not yet available.

    dallas theater centernoises offfat hamragtimesmusexton institute for musical theatrea christmas carolfort worth symphonytheater
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