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    Hugh Jackman Delivers Again

    Prisoners puts all other morally ambiguous movies to shame

    Alex Bentley
    Sep 20, 2013 | 12:00 am
    Prisoners puts all other morally ambiguous movies to shame
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    One of the great movie litmus tests is about to be presented with Prisoners, a high-intensity drama starring Hugh Jackman, Terrence Howard and Jake Gyllenhaal. The film essentially forces viewers to put themselves in the shoes of the main characters and answer one seemingly simple question: What would you do if you were in the same situation?

    That situation is one no parent ever wants to contemplate: the kidnapping of a child. The daughters of both Keller Dover (Jackman) and Franklin Birch (Howard) disappear while playing together on Thanksgiving. Ultra-dedicated detective Loki (Gyllehaal) gets assigned the case.

    With this wrenching, heart-breaking performance, Hugh Jackman will no longer just be the guy who plays Wolverine, no matter how many times he returns to that character.

    Attention quickly turns to Alex Jones (Paul Dano), who was driving an RV the girls were seen playing on soon before their disappearance. But with little to hold him on other than his proximity to the crime, officials are forced to let him go. Dover, having already convicted Jones in his mind, decides to take matters into his own hands to find out what happened to the girls.

    What happens next and throughout the rest of the film is brutal and unsettling, but it could also be completely justifiable. Director Denis Villenueve and writer Aaron Guzikowski do a great job of balancing the tone of the film, pulling back before things get too rough, but also never letting the characters — or the audience — off the hook for their actions.

    They also space out the various revelations in such a way that it propels the two-and-a-half-hour hour movie forward at a seemingly breakneck pace. Suffice it to say that you’ll probably change your mind about certain characters' motives and how you feel about them two or three times before things are all said and done.

    Until his performance in last year’s Les Miserables, Jackman had never really gotten his due for his skills. With this wrenching, heart-breaking performance, he will no longer just be the guy who plays Wolverine, no matter how many times he returns to that character.

    Gyllenhaal is fantastic as well, although Loki’s numerous quirks prove to be distracting at times. First of all, he embodies the cliché of a detective who gives his all to the job at the expense of all else. Those people surely exist, but it’s a vastly overplayed movie device. Gyllenhaal also chooses to have this workaholic blink constantly, an oddity that becomes more annoying every time we see him.

    The rest of the cast — which includes Howard, Dano, Viola Davis, Maria Bello and Melissa Leo — is tremendous. Dano is especially compelling as Alex, as he makes the character both supremely creepy and sympathetic at the same time.

    Prisoners is an ultra-tense, can’t look/can’t look away kind of film that may have you questioning your own beliefs. And anytime a film can do that, you know you’ve just been in the presence of excellence.

    Hugh Jackman and Terrence Howard in Prisoners.

    Hugh Jackman and Terrence Howard in Prisoners
    Photo courtesy of Alcon Entertainment
    Hugh Jackman and Terrence Howard in Prisoners.
    unspecified
    news/entertainment

    Movie Review

    Rose Byrne fights for her life and car in new movie 'Tow'

    Alex Bentley
    Mar 20, 2026 | 10:45 am
    Rose Byrne in Tow
    Photo courtesy of Roadside Attractions
    Rose Byrne in Tow.

    Actor Rose Byrne had a banner year in 2025, getting her first Oscar nomination for her starring role in If I Had Legs, I’d Kick You. Although she came up short in that race, she’s getting another chance to prove her acting bona fides in the new film, Tow.

    In the “inspired by a true story” movie, Byrne plays Amanda, a down-on-her-luck woman who lives in her car and can’t find a job. Living in Seattle, she tries to stay in touch with her daughter, Avery (Elsie Fisher), who lives with her dad in another city, but circumstances sometimes limit their communications, especially when her car is stolen.

    The good news is that her car is found relatively quickly. The bad news is that the tow company is charging her to get her car back, money she can’t afford. Now truly homeless, she does everything in her power to right the wrong, even taking the company to court. Without much luck, she has to start staying in a women’s shelter run by Barbara (Octavia Spencer), where she makes friends with Nova (Demi Lovato) and Denise (Ariana DeBose), among others.

    Directed by Stephanie Laing and written by Jonathan Keasey and Brent Boivin, the film has relatively low stakes going for it and never really tries to make the story feel deeper than it is. The situation Amanda finds herself in is clearly a tough one, and any empathetic person would feel for her and want her to overcome her plight. But the filmmakers keep things light and never try to up the drama in any significant way.

    The issue Amanda is dealing with, being price gouged by a predatory towing company, is one with which many people can relate. But aside from helpfully underscoring Amanda’s frustration by showing the increasing number of days she is without a car, they never establish why they felt this particular story was one worth telling. Her personal issues, including a growing estrangement with her daughter, fail to conjure any big emotions.

    The filmmakers are very loose with their storytelling, especially when it comes to side characters. The presence of the women she meets at the shelter, and Kevin (Dominic Sessa), the young lawyer who offers to help her, never makes full sense other than a need for her to have other people with whom to interact. A tighter focus on what Amanda was going through would’ve helped both her and people around her feel more important.

    Byrne is a dynamic performer who’s shown great skill at both drama and comedy, but there’s nothing special about her performance here. Hampered a bit by a blonde wig and false teeth, she feels out of sorts for much of the film. The unusually high-powered supporting cast - both Spencer and DeBose are Oscar winners - makes things interesting on first blush, but none of them outside of Sessa is given much to do, so they’re mostly wasted.

    Tow will be a disappointment for anyone hoping to see more great stuff from Byrne. While she remains a fine actor, her performance and the story as a whole are nowhere near the level shown in her previous film. The real life predicament shown in the film also never rises to the level of being of something worth showing to the masses.

    ---

    Tow is now showing in theaters.

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    news/entertainment

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