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    Weekend Event Planner

    These are the 11 best things to do in Dallas this weekend

    Alex Bentley
    Sep 30, 2021 | 6:00 am

    It's a festival kind of weekend in and around Dallas, with one film festival, two music festivals, and a dance festival offering up great entertainment. You can also see new Halloween events, two legendary music acts, a fantastic comedian, a homegrown singer made big, and more.

    Below are the best ways to spend your precious free time this weekend.

    Thursday, September 30

    Dallas VideoFest presents Docufest+
    Docufest+ will serve as the final event ever for Dallas VideoFest, the longest running independent film festival in Dallas. The festival, running through Sunday at Angelika Film Center in Dallas, will feature a lineup of independent documentaries from Texas filmmakers and beyond, including On the Divide, a portrait of three key players in the abortion battle in McAllen, Texas, and Socks on Fire, poet Bo McGuire’s cinematic love letter to his grandmother.

    More Halloween events
    Last weekend was the start of most Halloween events in the Dallas area, but two more will join in on the fun this weekend. Starting Thursday is Frights 'n Lights at Riders Field in Frisco, an adventure trail lined with thousands of shining jack-o-lanterns, intricately carved in the shape of different fictional and real-life people. It will be open on weekends through November 6. The Parker House in Denton is another haunted attraction, featuring two different houses to scare the wits out of visitors. It will be open through October 31.

    Crystal Gayle in concert
    Country singer Crystal Gayle has been a big name in the country genre for over 40 years, scoring 16 No. 1 hits over the years, most notably 1977's iconic "Don't It Make My Brown Eyes Blue." Even though her heyday ended in the late 1980s, she's maintained a presence thanks to those great songs and the occasional new release, including 2019's You Don't Know Me: Classic Country. She'll perform at Arlington Music Hall.

    America in concert
    The year 2020 marked the 50th anniversary of perennial classic rock band, America. Founding members Gerry Beckley and Dewey Bunnell (along with former bandmate Dan Peek) met in high school in London in the late 1960s and quickly harmonized their way to the top of the charts on the strength of their signature song, "A Horse With No Name." They'll play this special concert at Annette Strauss Square.

    Friday, October 1

    Denton Arts & Jazz Festival
    The annual Denton Arts & Jazz Festival will return after a one-year break, featuring performers on six outdoor stages and one indoor stage, as well as roving musicians. The festival, taking place through Sunday at Quakertown Park in Denton, will also include arts, a children’s art area, various activities, and food.

    Ramblin' Roads Music Festival
    The Ramblin' Roads Music Festival will take over the city of Arlington, taking place just about everywhere there's a stage in the city, including Levitt Pavilion, Arlington Music Hall, Texas Live, and more than 15 other venues. Performers will include Chromeo, William Clark Green, Mike Ryan, Bobby Pulido, Jamestown Revival, Monica Saldivar, Gene Watson, Tatiana Mayfield, and more. The festival takes place through Sunday.

    Brian Regan in concert
    Setting a comedic standard of excellence that others continually try to follow, Brian Regan is a unique comedian who is relatable to generations of fans and revered by comedians as the best in the business. Known as a "clean" yet hilarious comedian, his comedy can be enjoyed by audiences of all ages. He'll perform at The Pavilion at Toyota Music Factory.

    Dallas Black Dance Theatre presents 16th Annual DanceAfrica
    Dallas Black Dance Theatre celebrates the rich heritage and ancestry of Africa with the 16th Annual DanceAfrica performances at Moody Performance Hall on Friday and Saturday, featuring guest artists Bandan Koro African Drum and Dance Ensemble and the DeSoto High School A Cappella Choir. The event also includes the free Saturday daytime DanceAfrica Festival & Marketplace, which fills Klyde Warren Park with performances, food, fun, and vendors.

    Saturday, October 2

    Dallas Symphony Orchestra presents Philharmonia Fantastique
    The Dallas Symphony Orchestra will present Philharmonia Fantastique: The Making of the Orchestra, an animated film that flies through the instruments of the orchestra to explore the age-old connection of creativity and technology. Guided by a magical sprite, the audience will see violin strings vibrate, brass valves slice air, and drum heads resonate. The kid-friendly event will take place at Meyerson Symphony Center.

    St. Vincent in concert
    Dallas can claim musician and songwriter Annie Clark — aka St. Vincent — as its own, as she spent her formative years here and was once a member of The Polyphonic Spree. One of the most distinctive artistic voices and original guitarists of her generation, she's collaborated with such big names as David Byrne, Taylor Swift, and The Chicks. She'll play at The Pavilion at Toyota Music Factory in Irving in support of her latest album, Daddy's Home.

    Sunday, October 3

    TLC in concert with Bone Thugs-N-Harmony
    It's been almost 20 years since Lisa "Left Eye" Lopes died in a car crash, and surviving bandmates Tionne "T-Boz" Watkins and Rozonda "Chilli" Thomas have kept the TLC name going in a variety of ways, including the 2017 release of their self-titled album. At this concert, they'll celebrate their 1994 breakout album, CrazySexyCool, performing selections from that album and additional hits. They'll be joined by Bone Thugs-N-Harmony.

    Chromeo will be among the performers at the Ramblin' Roads Music Festival, taking place throughout Arlington, October 1-3.

    Chromeo
    Photo by Tim Saccenti
    Chromeo will be among the performers at the Ramblin' Roads Music Festival, taking place throughout Arlington, October 1-3.
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    Movie Review

    Film sequel Avatar: Fire and Ash is a technical and visual feast

    Alex Bentley
    Dec 18, 2025 | 3:15 pm
    Oona Chaplin in Avatar: Fire and Ash
    Photo courtesy of 20th Century Studios
    Oona Chaplin in Avatar: Fire and Ash.

    For a series whose first two films made over $5 billion combined worldwide, Avatar has a curious lack of widespread cultural impact. The films seem to exist in a sort of vacuum, popping up for their run in theaters and then almost as quickly disappearing from the larger movie landscape. The third of five planned movies, Avatar: Fire and Ash, is finally being released three years after its predecessor, Avatar: The Way of Water.

    The new film finds the main duo, human-turned-Na’vi Jake Sully (Sam Worthington) and his native Na’vi wife, Neytiri (Zoë Saldaña), still living with the water-loving Metkayina clan led by Ronal (Kate Winslet) and Tonowari (Cliff Curtis). While Jake and Neytiri still play a big part, the focus shifts significantly to their two surviving children, Lo’ak (Britain Dalton) and Tuk (Trinity Jo-Li Bliss), as well as two they’ve essentially adopted, Kiri (Sigourney Weaver) and Spider (Jack Champion).

    Miles Quaritch (Stephen Lang), who lives on in a fabricated Na’vi body, is still looking for revenge on Jake, and he finds help in the form of the Mangkwan Clan (aka the Ash People), led by Varang (Oona Chaplin). Quaritch’s access to human weapons and the Mangkwan’s desire for more power on the moon known as Pandora make them a nice match, and they team up to try to dominate the other tribes.

    Aside from the story, the main point of making the films for writer/director James Cameron is showing off his considerable technical filmmaking prowess, and that is on full display right from the start. The characters zoom around both the air and sea on various creatures with which they’ve bonded, providing Cameron and his team with plenty of opportunities to put the audience right there with them. Cameron’s preferred viewing method of 3D makes the experience even more immersive, even if the high frame rate he uses makes some scenes look too realistic for their own good.

    The story, as it has been in the first two films, is a mixed bag. Cameron and co-writers Rick Jaffa and Amanda Silver start off well, having Jake, Neytiri, and their kids continue mourning the death of Neteyam (Jamie Flatters) in the previous film. The struggle for power provides an interesting setup, but Cameron and his team seem to drag out the conflict for much too long. This is the longest Avatar film yet, and you really start to feel it in the back half as the filmmakers add on a bunch of unnecessary elements.

    Worse than the elongated story, though, is the hackneyed dialogue that Cameron, Jaffa, and Silver have come up with. Almost every main character is forced to spout lines that diminish the importance of the events around them. The writers seemingly couldn’t resist trying to throw in jokes despite them clashing with the tone of the scenes in which they’re said. Combined with the somewhat goofy nature of the Na’vi themselves (not to mention talking whales), the eye-rolling words detract from any excitement or emotion the story builds up.

    A pre-movie behind-the-scenes short film shows how the actors act out every scene in performance capture suits, lending an authenticity to their performances. Still, some performers are better than others, with Saldaña, Worthington, and Lang standing out. It’s more than a little weird having Weaver play a 14-year-old girl, but it works relatively well. Those who actually get to show their real faces are collectively fine, but none of them elevate the film overall.

    There are undoubtedly some Avatar superfans for which Fire and Ash will move the larger story forward in significant ways. For anyone else, though, the film is a demonstration of both the good and bad sides of Cameron. As he’s proven for 40 years, his visuals are (almost) beyond reproach, but the lack of a story that sticks with you long after you’ve left the theater keeps the film from being truly memorable.

    ---

    Avatar: Fire and Ash opens in theaters on December 19.

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