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    Actor Spotlight

    Secret opera singer Lulu Ward talks Tennessee Williams and Dallas' best Chinese food

    Lindsey Wilson
    Oct 6, 2014 | 10:20 am

    When we asked Lulu Ward for a list of her previous Dallas-Fort Worth theater credits, what we received easily tops 30 productions. From Echo Theatre to Contemporary Theatre of Dallas, WaterTower Theatre to Theatre Three, Ward has been a significant presence on the local theater scene for years.

    Now she’s returning to the boards with WingSpan Theatre Company’s production of Tennessee Williams’ The Two Character Play, running October 10-25 at the Bath House Cultural Center. Ward plays Clare, who along with her brother Felice (Kevin Scott Keating) “arrive on a deserted theater stage where their company is scheduled to perform. They have been abandoned by their troupe and thus begin to enact The Two Character Play.

    “The play-within-a-play proves to be so compelling and deeply affecting for Felice and Clare, that soon both the actors and audience are treading the fine line between what is real and what is illusion.”

    Ward recently took the time to fill out our survey of serious, fun and sometimes ridiculous questions.

    Name: Lulu Ward

    Role in The Two Character Play: Clare

    Hometown: I grew up an Air Force brat and count two places as home: Ocean Springs, Mississippi, where I spent most of my school years (second grade through grad school at Southern Miss), and Oglesby, Texas, where my grandparents lived. I spent every summer and Christmas in Texas when I was growing up.

    Where you currently reside: Garland

    First theater role: Rosamund in The Robber Bridegroom. It was my junior year of undergrad at Mississippi University for Women.

    First stage show you ever saw:Little Mary Sunshine (a tour that came to my high school).

    Moment you decided to pursue a career in theater: 1986 was a year of huge change in my life. My father died in the spring and four months later my first husband left me. The summer of ’86, while working on a community theater production, I met some students who were in the undergrad theater program at USM. That fall I began the MFA program in acting at USM. It was there that I fell in love with theater.

    Most challenging role you’ve played: Each role has its own unique challenges. My character in The Two Character Play is pretty challenging!

    Special skills: Making “crack” balls for fellow actors. They are actually called date balls, but the theater community refers to them as “crack” balls.

    Something you’re REALLY bad at: I have an adversarial relationship with technology.

    Current pop culture obsession: Imgur!

    Last book you read: Tennessee Williams: Mad Pilgrimage of the Flesh by John Lahr

    Favorite movie(s):To Kill a Mockingbird, Cinema Paradiso, Dazed and Confused, Imitation of Life

    Favorite musician(s): Ella Fitzgerald, Peggy Lee, Django Reinhardt, Stéphan Grappelli, Willie Nelson, Johnny Gimble, John Prine, Linda Ronstadt

    Favorite song: There is no way for me to name only one song! I love music. So many songs speak to me or hold special meaning for me. Here are just a few: “What a Wonderful World” as recorded by Louis Armstrong; “The Whole of the Moon” by The Waterboys; “Steel Guitar Rag” by Leon McAuliffe as recorded by Bob Wills and his Texas Playboys; “La Mer” by Django Reinhardt; “Lover Man” by Billy Holiday; “How High the Moon” as recorded by Emmylou Harris with Ricky Skaggs; “Last in Love” by Glenn Fry and J.D. Souther as recorded by Nicolette Larson; “Fever” as recorded by Peggy Lee; “Hello Walls” by Willie Nelson; “Will You Still Love Me Tomorrow” as recorded by Roberta Flack; “In Spite of Ourselves” by John Prine with Iris Dement; “Magnolia” by JJ Cale; “Lazy River” by the Mills Brothers; “Inchworm” by Frank Loesser as sung by Danny Kaye in the film Hans Christian Andersen.

    Dream role: This is always changing, but right now I’d say Amanda Wingfield in The Glass Menagerie.

    Favorite play(s): It is almost impossible to narrow this down. I will say that my favorite playwrights are Tennessee Williams, Edward Albee, Sam Shepard and David Mamet. So just about any play from any of those playwrights will be my favorite.

    Favorite musical(s):Spring Awakening, Cabaret, Chicago, Grease, Miss Saigon, Little Shop of Horrors, A Chorus Line

    Favorite actors/actresses: Glenn Close, Emma Thompson, Lily Tomlin, Allison Tolman, Sally Vahl, J.K. Simmons, John Malkovich, Bryan Cranston, John Lithgow, Adam Driver, Blake Hackler, Chamblee Ferguson

    Favorite food: Onion pancakes from Jeng Chi. It is the best authentic Chinese food in Dallas.

    Must-see TV show(s):Fargo, Breaking Bad, Archer, Parks & Recreation, Sherlock, Girls, Rick and Morty

    Something most people don’t know about you: My undergrad degree is in vocal performance from Mississippi University for Women, where I studied opera.

    Place in the world you’d most like to visit: Fukuoka, Japan. That is where my mother was born, and I’ve missed every trip she has ever taken there because I was in a show.

    Pre-show warm-up: I do a 30 minute actor stretch/yoga physical warm-up as well as a vocal warm-up. All of my exercises (physical and vocal) are things I’ve learned over the years in one class or another or from another actor.

    Favorite part about your current role: The gorgeous poetry of Tennessee Williams.

    Most challenging part about your current role: At the moment? Memorization!

    Most embarrassing onstage mishap: Once in a production of Uncle Vanya my wig flew off my head! Luckily it was seconds before the end of the act, and the lights came down almost immediately after it happened.

    Career you’d have if you weren’t a performer: Animal rescue

    Favorite post-show spot: Home with my husband and dogs.

    Favorite thing about Dallas-Forth Worth: The abundance of really good theater here.

    Most memorable theater moment: There have been many! The one that comes to mind right now is a production of Edward Albee’s Counting the Ways for the Festival of Independent Theatres (for Wingspan Theatre Company) in the summer of 2012.

    During a matinee performance at the Bath House Cultural Center, the power went out. It was storming heavily that day. At the suggestion of castmate Adrian Churchill, we moved the show into the lobby and completed the play for the audience who wanted to wait out the bad weather and see the full production. It was a splendid “the show must go on” moment.

    A Permanent Signal by Sherry Kramer, produced at the Festival of Independent Theatres in 2008, featuring, from left, Beverly Jacob Daniel, Jennifer Youle Webb and Lulu Ward.

    "A Permanent Signal" at WingSpan Theatre
      
    Photo by Lowell Sargeant
    A Permanent Signal by Sherry Kramer, produced at the Festival of Independent Theatres in 2008, featuring, from left, Beverly Jacob Daniel, Jennifer Youle Webb and Lulu Ward.
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    Dallas bookstore and publisher gets federal arts funding axed

    Luciana Gomez
    May 7, 2025 | 12:17 pm
    Deep Vellum stack of books
    Deep Vellum
    Stack of books at Deep Vellum

    A Dallas arts organization got its budget chopped by the federal government: Deep Vellum, the bookstore and publisher at 3000 Commerce St., lost a National Endowment for the Arts (NEA) grant due to federal government budget cuts.

    According to owner Will Evans, the award, which is granted annually, has been terminated as of May 31. The bookstore had received $20,000 for the past six years.

    Deep Ellum started as a publisher in 2013 and opened their bookstore in Deep Ellum in 2015. Since then, they have become a center for literature lovers. Evans is a translator whose mission has been to translate the world’s best novels into English for American audiences.

    Evans was notified on May 2 via an email that was reportedly sent to grant recipients nationwide. The note read:

    "The NEA is updating its grantmaking policy priorities to focus funding on projects that reflect the nation's rich artistic heritage and creativity as prioritized by the President. Consequently, we are terminating awards that fall outside these new priorities."

    The new priorities included projects that elevate the Nation's HBCUs and Hispanic Serving Institutions, celebrate the 250th anniversary of American independence, foster AI competency, empower houses of worship to serve communities, assist with disaster recovery, foster skilled trade jobs, make America healthy again, support military and veterans, support Tribal communities, make the District of Columbia safe and beautiful, and support the economic development of Asian American communities.

    The Grants and Public Affairs departments at NEA did not respond to a request for comment. On Monday May 5, the Literary Staff was laid off, and the agency is facing possible elimination entirely, as part of the 2026 Discretionary Budget Request presented to Congress on May 2.

    This year's grant to Deep Vellum was earmarked to fund the translation, publishing, and marketing costs of four books:

    • Carapace Dancer by Natalia Toledo, translated from Zapotec, published trilingually with Spanish and English translations alongside the original, translated by Clare Sullivan
    • Juvenilia by Hera Lindsay Bird of New Zealand, making her US debut, illustrated by Dallas artist Gino Dal Cin
    • Schattenfroh by Michael Lentz, translated from the German by Max Lawton, a 1001-page masterpiece and English-language debut
    • The Ruins by Ye Hui, translated from Chinese by Dong Li, the English-language debut from one of China's most distinguished and independent poets

    The National Endowment for the Arts is an independent federal agency established by Congress in 1965 as a funder of the arts and arts education in communities nationwide anxd a catalyst of public and private support for the arts with the goal of advancing opportunities for arts participation and practice, according to their website.

    In their last stats document updated in November 2024, their FY’24 budget was outlined as $207M (representing 0.03 percent of the total federal budget), with 80 percent of their budget supporting grants and awards to organizations and individuals across the country. They typically offer over 2,000 grants each year.

    "It’s been a strange few days for us, and for countless other nonprofit publishers, magazines, and arts organizations," Evans said.

    Despite the cut, Deep Vellum plans to continue to promote literacy through unique books translated to the English language.

    “This is not going to imperil our future but it’s something we need to consider as we move forward. These books are extraordinary, and they add so much for readers and culture. We just need to find additional revenue to fund them," Evans said.

    Evans was first to reveal the funding cut but a number of organizations across Dallas and Texas have seen similar cuts including Ballet North Texas, Flamenco Fever, Dallas Theater Center, and Bishop Arts Theatre Center, as well as a number of groups in Austin.

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