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    Actor Spotlight

    Secret opera singer Lulu Ward talks Tennessee Williams and Dallas' best Chinese food

    Lindsey Wilson
    Oct 6, 2014 | 10:20 am

    When we asked Lulu Ward for a list of her previous Dallas-Fort Worth theater credits, what we received easily tops 30 productions. From Echo Theatre to Contemporary Theatre of Dallas, WaterTower Theatre to Theatre Three, Ward has been a significant presence on the local theater scene for years.

    Now she’s returning to the boards with WingSpan Theatre Company’s production of Tennessee Williams’ The Two Character Play, running October 10-25 at the Bath House Cultural Center. Ward plays Clare, who along with her brother Felice (Kevin Scott Keating) “arrive on a deserted theater stage where their company is scheduled to perform. They have been abandoned by their troupe and thus begin to enact The Two Character Play.

    “The play-within-a-play proves to be so compelling and deeply affecting for Felice and Clare, that soon both the actors and audience are treading the fine line between what is real and what is illusion.”

    Ward recently took the time to fill out our survey of serious, fun and sometimes ridiculous questions.

    Name: Lulu Ward

    Role in The Two Character Play: Clare

    Hometown: I grew up an Air Force brat and count two places as home: Ocean Springs, Mississippi, where I spent most of my school years (second grade through grad school at Southern Miss), and Oglesby, Texas, where my grandparents lived. I spent every summer and Christmas in Texas when I was growing up.

    Where you currently reside: Garland

    First theater role: Rosamund in The Robber Bridegroom. It was my junior year of undergrad at Mississippi University for Women.

    First stage show you ever saw:Little Mary Sunshine (a tour that came to my high school).

    Moment you decided to pursue a career in theater: 1986 was a year of huge change in my life. My father died in the spring and four months later my first husband left me. The summer of ’86, while working on a community theater production, I met some students who were in the undergrad theater program at USM. That fall I began the MFA program in acting at USM. It was there that I fell in love with theater.

    Most challenging role you’ve played: Each role has its own unique challenges. My character in The Two Character Play is pretty challenging!

    Special skills: Making “crack” balls for fellow actors. They are actually called date balls, but the theater community refers to them as “crack” balls.

    Something you’re REALLY bad at: I have an adversarial relationship with technology.

    Current pop culture obsession: Imgur!

    Last book you read: Tennessee Williams: Mad Pilgrimage of the Flesh by John Lahr

    Favorite movie(s):To Kill a Mockingbird, Cinema Paradiso, Dazed and Confused, Imitation of Life

    Favorite musician(s): Ella Fitzgerald, Peggy Lee, Django Reinhardt, Stéphan Grappelli, Willie Nelson, Johnny Gimble, John Prine, Linda Ronstadt

    Favorite song: There is no way for me to name only one song! I love music. So many songs speak to me or hold special meaning for me. Here are just a few: “What a Wonderful World” as recorded by Louis Armstrong; “The Whole of the Moon” by The Waterboys; “Steel Guitar Rag” by Leon McAuliffe as recorded by Bob Wills and his Texas Playboys; “La Mer” by Django Reinhardt; “Lover Man” by Billy Holiday; “How High the Moon” as recorded by Emmylou Harris with Ricky Skaggs; “Last in Love” by Glenn Fry and J.D. Souther as recorded by Nicolette Larson; “Fever” as recorded by Peggy Lee; “Hello Walls” by Willie Nelson; “Will You Still Love Me Tomorrow” as recorded by Roberta Flack; “In Spite of Ourselves” by John Prine with Iris Dement; “Magnolia” by JJ Cale; “Lazy River” by the Mills Brothers; “Inchworm” by Frank Loesser as sung by Danny Kaye in the film Hans Christian Andersen.

    Dream role: This is always changing, but right now I’d say Amanda Wingfield in The Glass Menagerie.

    Favorite play(s): It is almost impossible to narrow this down. I will say that my favorite playwrights are Tennessee Williams, Edward Albee, Sam Shepard and David Mamet. So just about any play from any of those playwrights will be my favorite.

    Favorite musical(s):Spring Awakening, Cabaret, Chicago, Grease, Miss Saigon, Little Shop of Horrors, A Chorus Line

    Favorite actors/actresses: Glenn Close, Emma Thompson, Lily Tomlin, Allison Tolman, Sally Vahl, J.K. Simmons, John Malkovich, Bryan Cranston, John Lithgow, Adam Driver, Blake Hackler, Chamblee Ferguson

    Favorite food: Onion pancakes from Jeng Chi. It is the best authentic Chinese food in Dallas.

    Must-see TV show(s):Fargo, Breaking Bad, Archer, Parks & Recreation, Sherlock, Girls, Rick and Morty

    Something most people don’t know about you: My undergrad degree is in vocal performance from Mississippi University for Women, where I studied opera.

    Place in the world you’d most like to visit: Fukuoka, Japan. That is where my mother was born, and I’ve missed every trip she has ever taken there because I was in a show.

    Pre-show warm-up: I do a 30 minute actor stretch/yoga physical warm-up as well as a vocal warm-up. All of my exercises (physical and vocal) are things I’ve learned over the years in one class or another or from another actor.

    Favorite part about your current role: The gorgeous poetry of Tennessee Williams.

    Most challenging part about your current role: At the moment? Memorization!

    Most embarrassing onstage mishap: Once in a production of Uncle Vanya my wig flew off my head! Luckily it was seconds before the end of the act, and the lights came down almost immediately after it happened.

    Career you’d have if you weren’t a performer: Animal rescue

    Favorite post-show spot: Home with my husband and dogs.

    Favorite thing about Dallas-Forth Worth: The abundance of really good theater here.

    Most memorable theater moment: There have been many! The one that comes to mind right now is a production of Edward Albee’s Counting the Ways for the Festival of Independent Theatres (for Wingspan Theatre Company) in the summer of 2012.

    During a matinee performance at the Bath House Cultural Center, the power went out. It was storming heavily that day. At the suggestion of castmate Adrian Churchill, we moved the show into the lobby and completed the play for the audience who wanted to wait out the bad weather and see the full production. It was a splendid “the show must go on” moment.

    Edward Albee's The American Dream, produced at WingSpan in 2010, with Lulu Ward as Mommy and Barry Nash as Daddy.

    "The American Dream" at WingSpan Theatre
      
    Photo by Lowell Sargeant
    Edward Albee's The American Dream, produced at WingSpan in 2010, with Lulu Ward as Mommy and Barry Nash as Daddy.
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    Season Announcement

    Dallas Theater Center finds rhythm and rhyme in 2025-26 season

    Lindsey Wilson
    Apr 2, 2025 | 5:31 pm
    Ragtime at City Center Encores
    Photo by Joan Marcus
    "Ragtime" was recently staged in New York by City Center Encores.

    The 2025-26 season for Dallas Theater Center is a mix of classic and new, large and small, and it even raises the curtain on more collaborations with the Tony Award-winning regional theater.

    This season includes the launch of a three-year partnership between Dallas Theater Center and Stage West Theatre in Fort Worth, as well as a multi-year partnership with SMU’s Meadows School of the Arts and the Sexton Institute for Musical Theatre. An ongoing collaboration continues with TheatreSquared in Fayetteville, Arkansas, and DTC will newly partner with Fort Worth Symphony Orchestra on a concert to be performed at Bass Performance Hall featuring FWSO, conducted by Robert Spano, and actors from DTC’s Brierley Resident Acting Company, directed by DTC's executive director Kevin Moriarty.

    “Collaboration is at the heart of DTC’s mission,” Moriarty says. “It’s wonderful to join with TheaterSquared to support Jonathan Norton’s brilliant playwriting and introduce his work to a national audience. Further, by partnering with Stage West Theatre, SMU’s Meadows School of the Arts and the Sexton Institute for Musical Theatre, and the Fort Worth Symphony Orchestra, we are able to expand opportunities for artists, introduce new audience members to the arts, and enrich our artistry. I’m grateful to be surrounded by so many talented, visionary artists and arts leaders here in North Texas and honored to be partnering with them this season.”

    “In curating Dallas Theater Center’s 2025-26 season, I chose to follow my mission as a playwright, which is to break down barriers through the shared joy of great storytelling,” says interim artistic director Jonathan Norton. “And the five shows in our upcoming season will do just that."

    First up is the classic slapstick farce Noises Off by Michael Frayn, directed by Ashley H. White.

    This play-within-a-play plunges you into the chaotic world of Nothing’s On, a fictional touring production tormented by backstage romances and onstage blunders. From flubbed lines to slamming doors, witness the hilarious unraveling of a troupe of eccentric actors. It runs October 3-26, 2025, at the Kalita Humphreys Theater.

    Next is the Pulitzer Prize-winning Fat Ham by James Ijames, a co-production with Stage West that's directed by vickie washington.

    In this Dallas premiere of the hit Broadway comedy, Juicy’s got a lot on his plate — his mom just married his uncle. All he wants is to make his own way as a queer Black man in a Southern family. But here’s the rub: his father’s ghost just turned up at a backyard barbecue demanding vengeance. In this delicious and sizzling reinvention of Shakespeare’s masterpiece, a young man vows to break the cycles of violence in service of his own liberation and joy. It runs January 30-February 8, 2026, at the Kalita Humphreys Theater

    The regional premiere of Donnetta Lavinia Grays' Where We Stand, another co-pro with Stage West, follows.

    Directed by Akin Babatunde, Broadway actor and Dallas legend Liz Mikel plays a lone storyteller who weaves a world through music and magic — part fable, part call-and-response. Your town stands at a crossroads. A neighbor — desperate and out of options — has struck a dangerous bargain. Now, their fate lies in your hands. In this interactive play presented as a town hall gathering, the audience must choose: mercy or justice? The future of the town — and the fate of a soul — hang in the balance. This isn’t a game. It’s your choice. It runs February 27-March 22, 2026, at Bryant Hall on the Kalita Humphreys Theater campus.

    The grand, sweeping musical Ragtime will be produced in partnership with SMU and AT&T Performing Arts Center, with direction and choreography by Sexton Institute for Musical Theatre director Joel Ferrell.

    Based on the novel by E.L. Doctorow, with music by Stephen Flaherty, lyrics by Lynn Ahrens, and book by Terrence McNally, the musical tells the intertwined stories of three families from different walks of life, all chasing the American Dream in 1902 New York. It runs March 27-April 19, 2026, at the Wyly Theatre.

    The world premiere of Jonathan Norton's Malcolm X and Redd Foxx Washing Dishes at Jimmy’s Chicken Shack in Harlem closes out the regular season.

    A commission by and co-production with TheatreSquared, which previously supported the development of Norton’s I AM DELIVERED’T, the play will be directed by Dexter J. Singleton. In the sweltering summer of 1943, two young men — Little & Foxy — forge an unlikely bond over leftover fried chicken and dirty dishwasher. But as the world outside erupts in chaos, their friendship is tested by betrayal, ambition, and the call of history. Inspired by a true story. It runs May 8-June 7, 2026, at the Wyly's Studio Theater.

    "There is nothing like the rejuvenating sensation of rollicking laughter spreading through packed houses at Noises Off and Fat Ham," says Norton. "Where We Stand will inspire rich conversations about forgiveness and redemption. Ragtime will send audiences home lifted by the stirring music and feeling ever more hopeful in these changing times. And Malcolm X and Redd Foxx Washing Dishes At Jimmy’s Chicken Shack in Harlem will leave you empowered with the knowledge that true friendship can change the world. I can’t wait for October, when I get to welcome audiences at the start of our new season. We will throw open our doors and become Dallas’ town hall — a place for the community to gather for conversation, celebration, and ultimately, connection.”

    There are also two add-on productions, beginning with the company's annual presentation of A Christmas Carol.

    Based on the novel by Charles Dickens, adapted by Kevin Moriarty, and directed by Alex Organ, with musical direction by Cody Dry, and choreography by Joel Ferrell, DTC's production takes audiences on a magical Christmas Eve adventure with Ebenezer Scrooge, as three otherworldly spirits whisk him away on a breathtaking journey of hope and redemption. From the nostalgic warmth of Christmases past to the stark truths of the present and the ominous shadows of the future, Scrooge's journey is a spectacle of wonder. It runs November 28-December 28, 2025, at the Wyly Theatre.

    Under the direction of Robert Spano and Kevin Moriarty, the Fort Worth Symphony Orchestra and Dallas Theater Center collaborate to bring musical drama and theatrical intrigue center stage in the FWSO's newest "Theater of a Concert" concept: Shakespeare at the Symphony.

    Featuring Mendelssohn's Selections from A Midsummer Night's Dream and Prokofiev's Selections from Romeo and Juliet, interspersed with scenes from Shakespeare, the multi-discipline production brings The Bard to life. It runs February 27-March 1, 2026, at Bass Performance Hall in Fort Worth.

    DTC’s Diane and Hal Brierley Resident Acting Company members will be featured throughout the 2025-26 season. Company members include Christina Austin Lopez, Tiana Kaye Blair, Blake Hackler, Bob Hess, Liz Mikel, Alex Organ, Molly Searcy, Tiffany Solano, Sally Nysteun Vahle, Esteban Vilchez, and Zachary J. Willis.

    “The talent and collaborative spirit of my colleagues in the Brierley Resident Acting Company constantly inspires me,” Norton says. “And later this spring I look forward to announcing a new company member who will further enrich our artistry.”

    Subscriptions are available now and can be purchased at DallasTheaterCenter.org and by phone at 214-522-8499. Single tickets are not yet available.

    dallas theater centernoises offfat hamragtimesmusexton institute for musical theatrea christmas carolfort worth symphonytheater
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