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    Your Show of Shows

    These are the 4 most interesting art gallery exhibits for October

    Kendall Morgan
    kendall Morgan
    Oct 12, 2016 | 3:33 pm

    October brings illustrations both satiric and sublime, an out-of-body experience, and a film installation that is perfectly timed for this uneasy season. For more artistic chills and thrills, here are the month’s unmissable art happenings:

    “Out of Body,” various artists at Level Gallery
    Opening reception:
    October 13, 7-10 pm
    Meet the artists reception: October 15, noon-5 pm
    Exhibition dates: October 13-December 21

    Fashion and art get a bit of a mash-up this month in Level Gallery’s “living project,” curated by owner Brandy Michele Adams. A mix of up-and-coming fashion illustrator Ruben Burgess Jr.’s couture-influenced sketches; the wearable rope art of Seth Damm, aka Neon Zinn; and stylist’s K.J. Moody’s conceptual eye, the exhibit includes sculpture, installation, and photographs — even a performance from The Voice finalist Dana Harper — that aim to take viewers out of their own heads and beyond their inhibitions.

    “We thought, ‘Why aren’t we bringing fashion, art, and form together?’ ” says Adams of her concept for the show. “They resonate and blend on many different levels, but they speak in a different way. We wanted to show how these elements are tied not just in their singular form, but also in this dynamic collaboration. We’re asking people to come into the body of the gallery, then allowing them to have a transcendence that lets them go out of their body.”

    For Burgess, who has only shown his true flowing forms under his nom de plume Instagram handle Satorialnolift, this debut gallery show is an opportunity to examine his combination of style and sketch outside of the virtual world.

    “Abundant Plains,” Casey Gray and Clark Goolsby at Circuit 12
    Opening reception:
    October 15, 6-9 pm
    ​Exhibition dates: October 15-November 15

    San Francisco-based Casey Gray upends the concept of a still life by crafting his vivid paintings of flowers and fruit with aerosol spray paint and adhesive tracing paper. Think of his canvases as a street-art influenced, millennial version of “pronkstilleven,” the particularly baroque take on the genre beloved by the 17th-century Dutch.

    Seemingly touchable and super-flat at the same time, the relative realism of these pieces makes them just right for a short-attention-span generation. But Gray’s technique is more intensive than it may first appear.

    “Since my last show at Circuit 12 in 2014, my work has evolved to a point of even greater realism, not only in style but in subject matter,” says the artist. “I’ve begun to expand my visual vocabulary by introducing multiple specialty products into the paintings such as aerosol molding paste, crackle, marble, and glitter spray paints. The addition of new textures, extreme attention to detail, and overall conceptual foundation of this new show puts these works on a whole other level than before.”

    Also featured in “Abundant Plains” are the geometric shapes and splashes that adorn Carl Goolsby’s collaged canvases, which are complementary (and just a little contradictory) when viewed next to Gray’s energetic paintings.

    “Kult Klassic,” Heyd Fontenot at Conduit Gallery
    Opening reception:
    October 21, 5:30-8 pm
    ​Exhibition dates: October 21-November 26

    Best known for his slightly surreal nudes of friends and acquaintances, Heyd Fontenot is taking his practice into the third dimension for his third solo show at Conduit Gallery. Folding in a film project he’s been working on for the last four years, he’s built an interior for the gallery that serves as a kind of fraternal clubhouse for the fictitious motorcycle gang that stars in his twist on Jack Smith’s experimental film Flaming Creatures.

    “He did Flaming Creatures, so I did Flaming Critters,” says Fontenot with a laugh. “I have to put a hillbilly spin on anything I do. It’s an inhabited installation — I’ve got these painted panels, and furniture I’ve redone, and wallpaper that’s like a string of Rorschach ink-blot tests. It’s like being part of the Oddfellows or the Masons, but it’s this motorcycle gang where they only have two motorcycles.”

    Delving further into his themes of America’s complicated relationship with its sexuality, Fontenot’s exploitation cinema “subverts the maschismo routine” in a way that may be liberating for some, frightening for others.

    “We always need a Communist or a Muslim or a homosexual to scare us, and that’s what I’m doing with this film,” Fontenot explains “I’m trying to scare you, but also showing how absurd it is to be afraid. I take on my work as a fictional author, because I’ve got a lot to say and a lot of big fantasy here.”

    Blake Wright at V.O.D. Boutique
    Opening reception:
    October 27, 6-9 pm
    Exhibition dates: Ongoing

    There are no sacred cows in the work of Blake Wright, and that’s a good thing. The web designer-turned-artist takes on Looney Tunes, high fashion, and corporate iconography with equal verve, and his ability to infuse classic symbols and design with quirky humor has garnered attention from the likes of now-friend and collaborator Jeremy Scott.

    Launching his blog eight years ago allowed Wright to turn his hobby into a full-time gig, with the added help of an influential Instagram profile. His drawings have since appeared in the pages of Ginza magazine, in prints for Moschino, and online at Opening Ceremony and Refinery29.com.

    “For me, social media has been the greatest tool because it has provided me direct access to other creative people. While Scott may be the most prominent, he’s by no means the first — I’ve met so many photographers and illustrators. It gives you instant access to them.”

    For his October pop-up exhibit, Wright is diving into “a giant stack of everything I’ve ever drawn that hasn’t sold,” plus some oversized pieces he’s particularly excited about, all of which should look perfectly at home hanging among the racks of designer clothes.

    Showing his pieces in a fashion environment makes sense for Wright, who says, “the V.O.D. woman gets my work, these are the brands they love. I’m a funny person, so I find the humor in a lot of industries — this just happens to be my favorite one.”

    A new work by San Francisco artist Casey Gray illustrates his evolved technique.

    Casey Gray
      
    Photo courtesy of Circuit 12
    A new work by San Francisco artist Casey Gray illustrates his evolved technique.
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    Theater news

    Dallas' Theatre Three asks public for urgent help to keep lights on

    Stephanie Allmon Merry
    May 13, 2025 | 5:13 pm
    Natasha, Pierre, and the Great Comet of 1812 Off Broadway.
    Photo by Chad Batka
    "Natasha, Pierre, and the Great Comet of 1812" ran Off Broadway.

    A longtime Dallas theater company is asking for urgent help. Theatre Three (T3) has made a plea to the community for $200,000 in donations to stay in business.

    In a Facebook post on May 13, they say, "Without immediate and substantial help from our community, we will be forced to close our doors."

    They say they've suffered several years' worth of financial hardships, including effects of the COVID-19 pandemic, and more recently, cuts in arts funding.

    The post says, in part:

    "For 64 years, Theatre Three has been a cornerstone of Dallas’ creative spirit — bringing bold, innovative productions to life and showcasing the extraordinary talent of our local artists, designers, and creatives. We have been an intimate stage for everyone. But now, we face the greatest challenge in our history.

    "After mourning the loss of our beloved Jac Alder, and then, under the leadership of the incredible Jeffrey Schmidt, surviving the immense toll of the COVID-19 pandemic, we find ourselves once again at a significant crossroads. The ongoing erosion of support for the arts has dealt a devastating blow to our funding ...

    Our goal is $200,000. This is not the news we want to share, but it is news that we believe you all would want to know."

    The post is signed by board members Jessica Turner Waugh, Suzanne Burkhead, Rosa Medina-Cristobal, Scott T. Williams, Robert McCollum, Harrison Herndon, David G. Luther, Mia Glogau, and Jon Collins.

    Donations, they say, will help support local artists, staff and creatives to produce their next show, Xanadu; counter the rising costs of rent, insurance, and production; and allow them to retain staff.

    "We know times are tough. But we also know what this theater and its people mean to our city and to the generations who have found meaning, joy, and belonging within its walls," they say. "And that is why we are making this urgent plea. Help us preserve this Dallas institution."

    They end the post with a link to their donation page: https://www.theatre3dallas.com/support/.

    T3's black-box theater Theatre Too's final show of the season is The Mystery of Irma Vep, a fast-paced and campy parody that is on stage now through May 18.

    Theatre Three will close out its current season with Xanadu, a high-energy, roller-skating extravaganza that brings the 1980 cult film to life. Douglas Carter Beane is behind the hilarious book, and music and lyrics are by John Farrar and Electric Light Orchestra (ELO) founding member Jeff Lynne. It is set to run June 5-July 6, 2025.

    In addition to a full season of mainstage productions, Theatre Three offers additional programs for the community throughout the year.

    Monday Night Playwright features unique and affordable opportunities for local writers to showcase their works. Fight Night provides the community and artists alike with movement and other physical skills through monthly stage combat classes.

    The Norma Young Advanced Acting Lab, a collaboration with Booker T. Washington High School for the Performing and Visual Arts, is in its fifth year. Students have access to masterclasses hosted by industry professionals and exclusive insight on the professional production process at Theatre Three, then the course concludes with a professionally produced showcase.

    Theatre Three is located at 2688 Laclede St. in the Quadrangle in Uptown Dallas. For more information in productions and programs, visit their website.

    ---

    Lindsey Wilson contributed to this story.

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