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    Theater Review

    Theatre Three's Little Shop of Horrors blooms with sci-fi camp

    Lindsey Wilson
    Oct 13, 2021 | 4:45 pm

    If you got really into plants during the pandemic, now's the time to go make sure that none of them are actually bloodthirsty aliens in disguise.

    Consider this an urgent reminder from Theatre Three, which is currently staging Howard Ashman and Alan Menkin's campy horror musical Little Shop of Horrors au natural at Samuell-Grand Amphitheater.

    Perhaps you grew up watching the 1986 Rick Moranis/Ellen Greene film on VHS, or maybe this is your first run-in with Audrey II — no matter. Director Joel Ferrell and his wonderfully diverse cast ensure that all audience members have so much fun visiting Skid Row that they feel comfortable enough to shout, "Don't do it, girl!" at pivotal moments.

    This sense of polished relaxation infuses the entire production, which is staged on Shakespeare Dallas' Romeo & Juliet set with modifications designed by Jeffrey Schmidt. The production also makes excellent use of Aaron Johansen's creepy lighting design and Natalie Rose Mabry's tattered and tacky (that's a compliment) costumes.

    The cast is having fun, and it shows. Lee Walter is an inspired choice as Audrey, the shop girl with terrible taste in men. They ground the show with Alajeandro Saucedo as the sweet and meek Seymour, a "lucky" schmuck who happens on a strange and interesting new plant species during a random total eclipse, whom he names for his crush.

    The flytrap-looking plant begins to bring Seymour good fortune, propping up the grimy flower shop he toils away at and prompting admiring glances from Audrey, his dream girl.

    But of course there is a price, and that price is blood. Human blood, specifically, and when Seymour becomes too anemic to feed the plant himself he gets tangled up in murder as a means to keep his lucky streak alive.

    At first, opportunities present themselves almost too easily. First down the hatch is Audrey's odious boyfriend, a maniacal dentist played with slick sadism by Parker Gray. The always-impressive Gray makes several cameos throughout the show, each more hilarious and unique than the last.

    But when the evil plant chows down on Seymour's boss and adoptive father, Mr. Mushnik (Bob Reed), the morals start a-rumblin'.

    All of this is commented upon in harmony by a street-wise Greek chorus of Nikka Morton, Cherish Robinson, and Audra Scott, who wow with vocals as strong as their improv choices.

    Also to be vocally commended is Rodney M. Morris, the velvet tongue behind Audrey II, who is controlled at ever-growing sizes by puppeteer Ben Stegmair.

    Music director Cody Dry, who wowed with his talent and versatility in Theatre Three's The Music Man, here leads an onstage band that's equal parts punk, rock, and game-for-anything inclusion in the action.

    At a swift two hours (including intermission), the production delivers all the vicious vibes an audience could want around Halloween. Just remember: don't feed the plants.

    ---

    Theatre Three's production of Little Shop of Horrors runs at Samuell-Grand Amphitheater through October 31.

    Parker Gray brings the house down as a demonic dentist.

    Parker Gray in Little Shop of Horrors at Theatre Three
    Photo by Jeffrey Schmidt
    Parker Gray brings the house down as a demonic dentist.
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    news/arts

    All Eyes on Them

    Dallas alt hip-hop group wins prestigious Tiny Desk Contest by NPR

    Brianna Caleri
    May 13, 2026 | 3:00 pm
    Cure for Paranoia
    Cure for Paranoia/Facebook
    As winners of the Tiny Desk Contest, Cure for Paranoia will record their own Tiny Desk concert and go on tour.

    Few live recording studios or musical web series have the cultural sway of NPR's Tiny Desk, and a Dallas band is poised to make an impactful debut: Cure For Paranoia, an alternative hip-hop project by rapper Cameron McCloud and producers Tomahawk Jonez and Jay Analo, has won the high-stakes annual Tiny Desk Contest for 2026.

    They'll record their official Tiny Desk show "soon," the announcement by NPR says.

    Winning the concert also means Cure for Paranoia is going on tour. The only Texas stop will be at Emo's Austin on June 24.

    Tiny Desk is known for platforming both niche and majorly successful artists — NPR posted a new Foo Fighters set on YouTube on May 13 — for stripped-down sets that are literally played behind former All Things Considered director Bob Boilen's old desk. (Fun fact for Texans: Tiny Desk was created because folk artist Laura Gibson was disappointed with the sound at her South by Southwest show in Austin in 2008, and she wanted a redo.)

    Most artists who appear on Tiny Desk more than 15 years later are already well-known, at least in their specific circles. But the Tiny Desk Contest, which launched in 2015, helps a growing group of newer, unsigned artists get their foot in the door. Contestants record one video of them performing a single song behind a desk, and a jury of radio staff and musicians chooses their favorite.

    In their audition video, Cure for Paranoia gathered 11 musicians around a truly tiny desk and in front of downtown Dallas' iconic gigantic eyeball sculpture. They played the song "No Brainer," a frenetic track that starts with clever boasts and becomes a criticism of racism in the United States.

    McCloud, a pre-school teacher, is known independently of Cure for Paranoia for rapping to his social media following about politics and current events. Some of those lyrics made it into "No Brainer." He says he started the group because he found that music was more helpful than medication for coping with bipolar depression and paranoid schizophrenia.

    Alex Marrero, host of the Austin-based KUTX show Horizontes, was one of the judges this year. He was impressed with the visuals in Cure for Paranoia's audition.

    “When this popped up, I immediately felt something different," he wrote in a blurb for the announcement. "It just jumped out. The visuals were super cool and creative, BUT I could still totally envision them bringing the heat behind the Desk.”

    Madison McFerrin, jazz vocalist and daughter of the famous singer Bobby McFerrin, was one of the musical judges.

    "Cure For Paranoia’s energy is infectious, fresh and distinctly theirs — exactly what you want in a Contest winner!" she wrote.

    McCloud's post on Instagram announcing the group's win has only been up for three hours at the time of this article's publication, and it already has more than 8,000 likes. The YouTube audition has garnered 74,000 views.

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