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    Theater Review

    Shakespeare Dallas' 1980s-set Romeo & Juliet is totally tubular

    Lindsey Wilson
    Sep 28, 2021 | 3:45 pm
    Shakespeare Dallas presents Romeo and Juliet
    Go back in time with Shakespeare Dallas' Romeo & Juliet.
    Photo by Linda Blase

    Shakespeare's classic romantic tragedy Romeo & Juliet is, like, totally rad when set in the 1980s, as Shakespeare Dallas has chosen to do right now.

    The tale of teen angst and first love feels that much more epic when big emotions are matched by even bigger hair, plus a hard-rocking selection of tunes spanning Bonnie Tyler to Metallica to Michael Jackson.

    Director Jenni Stewart entertainingly uses the era to magnify aspects of character and story that usually blend into one big Renaissance blur.

    In this Verona, shoulder-padded maternal figures hold glasses of wine while doing step aerobics. Mulleted hooligans in tight-rolled jeans breakdance in the streets before biting their thumbs at long-sworn enemies. And a preppy suitor looks almost certain to become a stockbroker, touting "greed is good" while building up his yuppie status and showing off his trophy wife.

    Korey Kent's delightful costumes encapsulate all that was wild and weird about the decade, from parachute pants to a spot-on recreation of Madonna's "Like A Virgin" outfit from the MTV VMAs in 1984.

    The heroine wearing that is, of course, the 13-year-old Juliet, coquettishly played by Kristen Lazarchick. She's typically joined at the hip with her Nurse (Constance Gold Parry, glorious in a scarlet wig and even brighter personality), while her long-locked Romeo (Nick Marchetti) pals around with his cousin Mercutio and friend Benvolio.

    This is the first time I have seen these secondary characters — Benvolio, Mercutio, and the Nurse — steal the show. While Parry flits around the stage like the cool aunt on her third wine cooler, Marcus Stimac and Marti Etheridge channel Bill and Ted in their speeches and shenanigans.

    Stimac, especially, holds the Samuell-Grand Amphitheatre audience in his hand during the famous Queen Mab speech, adding a Van Halen vibe to the poetic description of fairies and dreams.

    When his untimely end comes right before intermission (it's not a spoiler when the show is more than 400 years old, okay?), those of us watching are just as heartbroken as Romeo, who immediately takes his revenge by stabbing the culprit, Tybalt (Nicole Berastequi in Pat Benatar leather and bangs).

    Adding a bit of yoga guru to the mix is Adrian Godinez as Friar Lawrence, playing up the natural healer persona and adding a bit of earthiness to all the rhinestone-studded chaos swirling around him.

    A graffiti'd, multi-layered set from Jeffrey Schmidt gives the actors a neon-hued playground to run, climb, and jump around on, complete with a clever twist on the famous balcony. Aaron Johansen's vibrant lights can turn somber in an instant, projecting a great metaphor for the colorful '80s and its less-glamorous underbelly.

    Ultimately, this tale of woe feels more approachable with leg warmers than it does with ruffs — just don't think about how the '80s was 40 years ago.

    ---

    Shakespeare Dallas' production of Romeo & Juliet plays at the Samuell-Grand Amphitheatre through October 16.

    theaterreviews
    news/arts

    Lawsuit news

    Artist sues FIFA for $25 million over painted-over Dallas whale mural

    Associated Press
    Jun 3, 2026 | 11:54 am
    Wyland Whaling Wall
    Facebook/Wyland
    Artist Wyland's Whaling Wall mural being painted over for a FIFA World Cup-related mural in Dallas.

    The artist who painted a giant mural on a building in downtown Dallas of life-sized swimming whales has filed a $25 million lawsuit against soccer's international governing body and others, saying they illegally painted over his work to promote the city's upcoming World Cup matches.

    The artist Wyland says he hand-painted the sprawling mural that covered roughly 17,000 square feet (1,580 square meters) across two of the building's walls.

    The mural stood for nearly three decades before workers began painting over it last month, causing an uproar among residents who admired the mural's grand scale and message of ocean conservation.

    The area’s World Cup organizing committee said in a statement that, in place of Wyland's mural, new artwork is planned "that captures this current historical moment and reflects the energy, unity, and global spirit surrounding the World Cup 2026.” It said a portion of Wyland's mural would be preserved.

    Wyland filed suit Monday, June 1 in U.S District Court in Dallas saying that World Cup organizers, along with the building's owner and management company, painted over his mural without his consent or even notifying him. He says their actions violated a 1990 federal law passed to protect visual artists from destruction of publicly displayed works.

    Wyland is seeking at least $25 million in damages. His lawsuit says world soccer's governing body, FIFA, and other defendants “hastily and irrevocably destroyed a civic landmark” to promote the World Cup.

    “Though FIFA claims they were working to develop art for the host city, in truth, they defaced an historic fixture of the host city,” the artist's lawsuit says.

    A FIFA spokesperson said Tuesday the federation “has no involvement in this whatsoever” and referred a reporter to the tournament's local organizing committee.

    A spokesperson for the North Texas FWC Organizing Committee declined to comment. The committee isn't named as a defendant in the lawsuit.

    A spokesperson for Slate Asset Management, which manages the building where the mural was painted over, said in a statement that local World Cup organizers asked Slate in March to donate the mural space for “a new public art installation.”

    “Slate is not being compensated in any way for the use of the wall space and was told by the local groups that Mr. Wyland had been notified,” the management company's spokesperson said in an email.

    Dallas is hosting more World Cup matches than any of the other sites in the event co-hosted by the U.S., Canada and Mexico, with nine matches set to be played at AT&T Stadium in suburban Arlington, home of the Dallas Cowboys.

    Wyland's Dallas mural, titled “Whaling Wall 82,” was finished in 1999 and is among more than 100 similar murals known as Whaling Walls the artist painted around the world to promote the conservation of ocean life.

    An online petition protesting the mural's destruction and calling for protecting of public artwork in Dallas has received more than 2,600 signatures.

    Wyland's lawsuit alleges violations of the Visual Artists Rights Act, a 1990 federal law that protects artwork of “recognized stature” even if someone else owns the physical artwork.

    A judge cited that law in 2018 when he ordered a property owner to pay a group of New York graffiti artists $6.7 million for whitewashing dozens of their spray-painted murals on buildings that once housed a factory in Queens. The ruling was upheld on appeal.

    fifa world cupfifa world cup 2026lawsuitwylandwhaling muralmuralsdowntown dallas
    news/arts

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