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    Theater Review

    Shakespeare Dallas' 1980s-set Romeo & Juliet is totally tubular

    Lindsey Wilson
    Sep 28, 2021 | 3:45 pm
    Shakespeare Dallas presents Romeo and Juliet
    Go back in time with Shakespeare Dallas' Romeo & Juliet.
    Photo by Linda Blase

    Shakespeare's classic romantic tragedy Romeo & Juliet is, like, totally rad when set in the 1980s, as Shakespeare Dallas has chosen to do right now.

    The tale of teen angst and first love feels that much more epic when big emotions are matched by even bigger hair, plus a hard-rocking selection of tunes spanning Bonnie Tyler to Metallica to Michael Jackson.

    Director Jenni Stewart entertainingly uses the era to magnify aspects of character and story that usually blend into one big Renaissance blur.

    In this Verona, shoulder-padded maternal figures hold glasses of wine while doing step aerobics. Mulleted hooligans in tight-rolled jeans breakdance in the streets before biting their thumbs at long-sworn enemies. And a preppy suitor looks almost certain to become a stockbroker, touting "greed is good" while building up his yuppie status and showing off his trophy wife.

    Korey Kent's delightful costumes encapsulate all that was wild and weird about the decade, from parachute pants to a spot-on recreation of Madonna's "Like A Virgin" outfit from the MTV VMAs in 1984.

    The heroine wearing that is, of course, the 13-year-old Juliet, coquettishly played by Kristen Lazarchick. She's typically joined at the hip with her Nurse (Constance Gold Parry, glorious in a scarlet wig and even brighter personality), while her long-locked Romeo (Nick Marchetti) pals around with his cousin Mercutio and friend Benvolio.

    This is the first time I have seen these secondary characters — Benvolio, Mercutio, and the Nurse — steal the show. While Parry flits around the stage like the cool aunt on her third wine cooler, Marcus Stimac and Marti Etheridge channel Bill and Ted in their speeches and shenanigans.

    Stimac, especially, holds the Samuell-Grand Amphitheatre audience in his hand during the famous Queen Mab speech, adding a Van Halen vibe to the poetic description of fairies and dreams.

    When his untimely end comes right before intermission (it's not a spoiler when the show is more than 400 years old, okay?), those of us watching are just as heartbroken as Romeo, who immediately takes his revenge by stabbing the culprit, Tybalt (Nicole Berastequi in Pat Benatar leather and bangs).

    Adding a bit of yoga guru to the mix is Adrian Godinez as Friar Lawrence, playing up the natural healer persona and adding a bit of earthiness to all the rhinestone-studded chaos swirling around him.

    A graffiti'd, multi-layered set from Jeffrey Schmidt gives the actors a neon-hued playground to run, climb, and jump around on, complete with a clever twist on the famous balcony. Aaron Johansen's vibrant lights can turn somber in an instant, projecting a great metaphor for the colorful '80s and its less-glamorous underbelly.

    Ultimately, this tale of woe feels more approachable with leg warmers than it does with ruffs — just don't think about how the '80s was 40 years ago.

    ---

    Shakespeare Dallas' production of Romeo & Julietplays at the Samuell-Grand Amphitheatre through October 16.

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    Season Announcement

    Big spenders + bigger voices fill Lyric Stage's 2025-26 Dallas season

    Lindsey Wilson
    Jun 18, 2025 | 12:29 pm
    Rocky Horror Picture Show with Tim Curry
    The Rocky Horror Picture Show.
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    For its 2025-26 season, Lyric Stage is pairing a sweet transvestite with Civil War-era sisters, a dance hall hostess with harmonizing ghosts, and a whole bunch of divas with their much-deserved spotlight.

    Now in its 32nd season, the nonprofit Lyric Stage is dedicated to the development and preservation of musicals, having produced more than 125 productions, which include 21 world-premiere musicals and two Off-Broadway shows.

    Under the helm of newish artistic directors Tricia Guenther and Scott Guenther, four of its current shows will take place in its Lyric Studio Space near the Trinity River, with one at Moody Performance Hall in the Dallas Arts District.

    First up (and just in time for Halloween) is The Rocky Horror Show — note the missing "Picture." This is the stage version on which the cult classic movie was later based, but don't worry, audiences are still encouraged to shout at the performers and throw toilet paper and other props.

    Sweethearts Brad and Janet, stuck with a flat tire during a storm, discover the eerie mansion of Dr. Frank-N-Furter. As their innocence is lost, Brad and Janet meet a houseful of wild characters, including a rocking biker and a creepy butler. Through elaborate dances and rock songs, Frank-N-Furter unveils his latest creation: a muscular man named “Rocky.” It runs October 10-26, 2025 at Lyric Stage Studio and is not family-friendly.

    For the holiday season, Forever Plaid - Plaid Tidings brings Francis, Jinx, Smudge, and Sparky back to Earth on the orders of Rosemary Clooney to put a little harmony into a discordant world.

    Stewart Ross' musical is sprinkled with Christmas offerings and audience favorites, like the riotous three-minute-and-eleven-second version of The Ed Sullivan Show, this time, featuring the Rockettes, the Chipmunks, and The Vienna Boys Choir. It runs December 5-21, 2025, at Lyric Stage Studio.

    For one night only, the Dallas Divas return just in time for Valentine’s Day.

    Showcasing some of the most talented voices in Dallas, singing songs ranging from Broadway to pop, the performance is a Lyric Stage tradition. It is February 11, 2026, at Moody Performance Hall.

    Inspired by Federico Fellini’s Night of Cabiria, Sweet Charity explores the turbulent love life of Charity Hope Valentine, a hopelessly romantic but comically unfortunate dance hall hostess in New York City.

    With a tuneful, groovy, mid-1960s score by Cy Coleman, sparkling lyrics by Dorothy Fields, and a hilarious book by Neil Simon, Sweet Charity captures all the energy, humor, and heartbreak of Life in the Big City for an unfortunate but irrepressible optimist. The production is the original 1966 Broadway (not the movie version) with such hit songs as “Big Spender,” “If My Friends Could See Me Now,” “I’m a Brass Band,” and “Baby, Dream Your Dream.” It runs April 17-May 3, 2026, at Lyric Stage Studio.

    Closing out the season is Louisa May Alcott's timeless Little Women, with a book by Allan Knee, lyrics by Mindi Dickstein, and music by Jason Howland.

    The musical follows the adventures of sisters Jo, Meg, Beth, and Amy March. Jo is trying to sell her stories for publication, but the publishers are not interested in a woman's creativity. Her friend, Professor Bhaer, tells her that she has to do better and write more from herself. Begrudgingly taking this advice, Jo weaves the story of herself and her sisters and their experience growing up in Civil War America. It runs July 17-August 2, 2026, at Lyric Stage Studio.

    Season tickets, which range from $40-$60, are available beginning July 1. Lyric Stage is located at 1170 Quaker St. in Dallas.

    dallas divasfederico felliniforever plaidlittle womenlyric stagemoody performance hallnight of cabiriarockettesrocky horror showsweet charitysweet transvestitetheatertime warpvienna boys choirmusical theatremusicals
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