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    Season Announcement

    Kitchen Dog Theater will pop up all over Dallas in nomadic 2023-24 season

    Lindsey Wilson
    Oct 25, 2023 | 10:22 am
    Kara-Lynn Vaeni

    SMU assistant professor Kara-Lynn Vaeni writes and directs Shape in 2024.

    Courtesy photo

    While it waits for its new Design District home to be completed, Kitchen Dog Theater is presenting its 2023-24 season all across town.

    Three mainstage plays will have site-specific productions, punctuated by the annual PUP Fest nurturing high school talent from all over DFW.

    Safe at Home by Gabriel Greene and Alex Levy is first, staged at Riders Field — home of the Frisco RoughRiders — and directed by Jack Reuler, founder and artistic director emeritus of Mixed Blood Theatre in Minneapolis.

    In less than two hours, star pitcher Victor Castillo is set to take the mound for game 7 of the World Series. But when a rumor begins to circulate that Castillo may use the sport’s biggest stage as a political protest, the shock waves hit all corners of the stadium, from the owner’s box to the locker room.

    Instead of creating nine interiors in a traditional theater with a stationary audience, the existent spaces at Riders Field will become stages for a cast of actors who repeat their scenes over and over as the patrons, not the cast, move from scene to scene.

    This regional premiere will be the second-ever professional production of Safe at Home. It runs December 7-10, 2023, for five performances only.

    Next up is Shape, written and directed by Southern Methodist University assistant professor Kara-Lynn Vaeni.

    The action-packed, feminist comedy offers a forthright look into fitness, body image, and how we define strength. For this production, the audience will be "getting back in the gym," both literally and figuratively, at D-Town CrossFit in the Design District.

    Shape was first produced at Kitchen Theatre Company in Ithaca, New York, in 2021 and appeared on the prestigious Kilroy’s List. This regional premiere, also enjoying its second professional production, runs February 8-25, 2024.

    Another immersive experience is promised for the third production, which is currently TBA.

    For its 22nd annual event, PUP Fest will feature six staged readings of jury-selected plays written by DFW high school students, featuring student actors directed by area professional directors.

    PUP Fest is the culminating event of Dallas Playwriting Arts Collective (D-PAC), a partnership with Dallas ISD and Junior Players.

    Location is still TBA, but the date is set for June 8, 2024.

    For more information, visit kitchendogtheater.org or call 214-953-1055.

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    Lawsuit news

    Artist sues FIFA for $25 million over painted-over Dallas whale mural

    Associated Press
    Jun 3, 2026 | 11:54 am
    Wyland Whaling Wall
    Facebook/Wyland
    Artist Wyland's Whaling Wall mural being painted over for a FIFA World Cup-related mural in Dallas.

    The artist who painted a giant mural on a building in downtown Dallas of life-sized swimming whales has filed a $25 million lawsuit against soccer's international governing body and others, saying they illegally painted over his work to promote the city's upcoming World Cup matches.

    The artist Wyland says he hand-painted the sprawling mural that covered roughly 17,000 square feet (1,580 square meters) across two of the building's walls.

    The mural stood for nearly three decades before workers began painting over it last month, causing an uproar among residents who admired the mural's grand scale and message of ocean conservation.

    The area’s World Cup organizing committee said in a statement that, in place of Wyland's mural, new artwork is planned "that captures this current historical moment and reflects the energy, unity, and global spirit surrounding the World Cup 2026.” It said a portion of Wyland's mural would be preserved.

    Wyland filed suit Monday, June 1 in U.S District Court in Dallas saying that World Cup organizers, along with the building's owner and management company, painted over his mural without his consent or even notifying him. He says their actions violated a 1990 federal law passed to protect visual artists from destruction of publicly displayed works.

    Wyland is seeking at least $25 million in damages. His lawsuit says world soccer's governing body, FIFA, and other defendants “hastily and irrevocably destroyed a civic landmark” to promote the World Cup.

    “Though FIFA claims they were working to develop art for the host city, in truth, they defaced an historic fixture of the host city,” the artist's lawsuit says.

    A FIFA spokesperson said Tuesday the federation “has no involvement in this whatsoever” and referred a reporter to the tournament's local organizing committee.

    A spokesperson for the North Texas FWC Organizing Committee declined to comment. The committee isn't named as a defendant in the lawsuit.

    A spokesperson for Slate Asset Management, which manages the building where the mural was painted over, said in a statement that local World Cup organizers asked Slate in March to donate the mural space for “a new public art installation.”

    “Slate is not being compensated in any way for the use of the wall space and was told by the local groups that Mr. Wyland had been notified,” the management company's spokesperson said in an email.

    Dallas is hosting more World Cup matches than any of the other sites in the event co-hosted by the U.S., Canada and Mexico, with nine matches set to be played at AT&T Stadium in suburban Arlington, home of the Dallas Cowboys.

    Wyland's Dallas mural, titled “Whaling Wall 82,” was finished in 1999 and is among more than 100 similar murals known as Whaling Walls the artist painted around the world to promote the conservation of ocean life.

    An online petition protesting the mural's destruction and calling for protecting of public artwork in Dallas has received more than 2,600 signatures.

    Wyland's lawsuit alleges violations of the Visual Artists Rights Act, a 1990 federal law that protects artwork of “recognized stature” even if someone else owns the physical artwork.

    A judge cited that law in 2018 when he ordered a property owner to pay a group of New York graffiti artists $6.7 million for whitewashing dozens of their spray-painted murals on buildings that once housed a factory in Queens. The ruling was upheld on appeal.

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