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    Theater Review

    Theatre Three's Little Shop of Horrors blooms with sci-fi camp

    Lindsey Wilson
    Oct 13, 2021 | 4:45 pm

    If you got really into plants during the pandemic, now's the time to go make sure that none of them are actually bloodthirsty aliens in disguise.

    Consider this an urgent reminder from Theatre Three, which is currently staging Howard Ashman and Alan Menkin's campy horror musical Little Shop of Horrors au natural at Samuell-Grand Amphitheater.

    Perhaps you grew up watching the 1986 Rick Moranis/Ellen Greene film on VHS, or maybe this is your first run-in with Audrey II — no matter. Director Joel Ferrell and his wonderfully diverse cast ensure that all audience members have so much fun visiting Skid Row that they feel comfortable enough to shout, "Don't do it, girl!" at pivotal moments.

    This sense of polished relaxation infuses the entire production, which is staged on Shakespeare Dallas' Romeo & Juliet set with modifications designed by Jeffrey Schmidt. The production also makes excellent use of Aaron Johansen's creepy lighting design and Natalie Rose Mabry's tattered and tacky (that's a compliment) costumes.

    The cast is having fun, and it shows. Lee Walter is an inspired choice as Audrey, the shop girl with terrible taste in men. They ground the show with Alajeandro Saucedo as the sweet and meek Seymour, a "lucky" schmuck who happens on a strange and interesting new plant species during a random total eclipse, whom he names for his crush.

    The flytrap-looking plant begins to bring Seymour good fortune, propping up the grimy flower shop he toils away at and prompting admiring glances from Audrey, his dream girl.

    But of course there is a price, and that price is blood. Human blood, specifically, and when Seymour becomes too anemic to feed the plant himself he gets tangled up in murder as a means to keep his lucky streak alive.

    At first, opportunities present themselves almost too easily. First down the hatch is Audrey's odious boyfriend, a maniacal dentist played with slick sadism by Parker Gray. The always-impressive Gray makes several cameos throughout the show, each more hilarious and unique than the last.

    But when the evil plant chows down on Seymour's boss and adoptive father, Mr. Mushnik (Bob Reed), the morals start a-rumblin'.

    All of this is commented upon in harmony by a street-wise Greek chorus of Nikka Morton, Cherish Robinson, and Audra Scott, who wow with vocals as strong as their improv choices.

    Also to be vocally commended is Rodney M. Morris, the velvet tongue behind Audrey II, who is controlled at ever-growing sizes by puppeteer Ben Stegmair.

    Music director Cody Dry, who wowed with his talent and versatility in Theatre Three's The Music Man, here leads an onstage band that's equal parts punk, rock, and game-for-anything inclusion in the action.

    At a swift two hours (including intermission), the production delivers all the vicious vibes an audience could want around Halloween. Just remember: don't feed the plants.

    ---

    Theatre Three's production of Little Shop of Horrors runs at Samuell-Grand Amphitheater through October 31.

    Bob Reed and Alejandro Saucedo run a flower shop together.

    Bob Reed and Alejandro Saucedo in Little Shop of Horrors at Theatre Three
    Photo by Jeffrey Schmidt
    Bob Reed and Alejandro Saucedo run a flower shop together.
    reviewstheater
    news/arts

    Museum News

    2 Dallas museums partner on landmark Roy Lichtenstein acquisition

    Teresa Gubbins
    Nov 12, 2025 | 12:51 pm
    Roy Lichtenstein
    Courtesy
    Roy Lichtenstein

    The Dallas Museum of Art (DMA) and the Nasher Sculpture Center will present works from the joint acquisition of more than 50 artworks generously gifted by the Roy Lichtenstein Foundation in 2024, showing prints, drawings, and sculptures by the groundbreaking American artist at the two neighboring institutions in the Dallas Arts District.

    According to a release, the installations will be on view from January 31 to August 16, 2026 at the Nasher and from January 1 to July 5, 2026 at the DMA.

    The joint gift made by the Roy Lichtenstein Foundation to the DMA and the Nasher in Celebration of the Centennial of Roy Lichtenstein is comprised of a selection of prints, drawings, maquettes, and sculptures by Roy Lichtenstein (1923–1997), a leading figure in twentieth-century American art and a pioneer of the Pop Art movement.

    The works were specifically selected by the curatorial staff of both institutions and relate to objects already in their respective collections including sculptures, works on paper, and maquettes, along with tools and study objects.

    Organized by the Nasher Sculpture Center’s Senior Curator Dr. Catherine Craft, The Nancy and Tim Hanley Assistant Curator of Contemporary Art at the DMA Ade Omotosho, and The Allen and Kelli Questrom Assistant Curator of Prints and Drawings at the DMA Dr. Emily Friedman, the presentation is divided according to each institution’s strengths and will be shown in combination with objects by Lichtenstein already in their respective permanent collections.

    At the Nasher, works relating to three sculptures from the Raymond and Patsy Nasher Collection—Head with Blue Shadow, Peace through Chemistry, and Double Glass—will be accompanied by a selection from the Foundation's gift of more than two dozen drawings and maquettes associated with Lichtenstein’s Brushstroke sculptures.

    At the Dallas Museum of Art, the presentation features a set of Brushstroke sculptures carved from wood alongside various prints and studies that reveal the artist’s eclectic imagery.

    Events
    In addition to the exhibition, the DMA and the Nasher will co-host a Study Day focused on the artist on March 28, 2026, sponsored by the Roy Lichtenstein Foundation. This scholarly event will bring together a variety of curators, academics, and conservators to discuss Lichtenstein’s studio practice and the fabrication and conservation of his sculptures.

    Concluding the Study Day will be a public conversation held at the DMA between Nasher Director Carlos Basualdo and artist Alex Da Corte, regarding Da Corte’s work on the forthcoming Lichtenstein retrospective at the Whitney Museum of American Art.

    “In bestowing this generous gift, the Roy Lichtenstein Foundation established Dallas as a center for the study and display of Lichtenstein’s work,” Basualdo says in a statement. “This collaborative presentation of the gift and the corresponding programming is an important step in the direction of pursuing that goal, deepening the understanding of an artist who remains immensely influential to contemporary art and its relationship with mass media and today’s culture.”

    Roy Lichtenstein is made possible by support from the Roy Lichtenstein Foundation and the Dallas Tourism Public Improvement District (DTPID).

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