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    Movie Review

    Zombieland: Double Tap keeps dead aim on fun a decade after original

    Alex Bentley
    Oct 17, 2019 | 2:45 pm
    Zombieland: Double Tap keeps dead aim on fun a decade after original
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    In the 21st century, sequels for successful genre movies are almost a given. So it’s somewhat of a surprise that it’s taken 10 years for Zombieland, which made over $100 million in 2009, to receive a follow-up film. Featuring all of the original cast, writers, and director, Zombieland: Double Tap looks to re-create the inventiveness of the original.

    After being at odds with each other for much of the first film, Columbus (Jesse Eisenberg), Tallahassee (Woody Harrelson), Wichita (Emma Stone), and Little Rock (Abigail Breslin) are now a relatively happy group. They travel around the post-apocalyptic United States, searching for a safe spot while relishing every opportunity they get to kill zombies.

    But the intervening 10 years has changed their relationships, and each is looking for some kind of change. Columbus thinks he and Wichita should get married, Little Rock chafes at being thought of as “a kid” since she’s now an adult, and Tallahassee … well, Tallahassee is still an ornery good ol’ boy, but he’s evolved into a father figure for the group.

    Director Ruben Fleischer and the writing team of Dave Callaham, Rhett Reese, and Paul Wernick maintain the riotous nature of the first film for much of the sequel’s running time. Columbus’ rules for living in Zombieland are still a big focus, and even though they’re not as hilariously clever this time around, the accompanying visuals are still good for a laugh.

    The stops at a couple of notable U.S. landmarks — the White House and Graceland — yield enough fun that it might have been interesting for the film to feature more of them. And a quartet of new characters played by Zoey Deutch, Rosario Dawson, Luke Wilson, and Thomas Middleditch all bring new twists to the group dynamic without overshadowing the main foursome.

    So it’s somewhat disappointing that after solid-to-great storytelling for three-quarters of the film, the filmmakers rush through the finale sequence. It’s the rare case where a film would have benefited from more footage, as 5 to 10 minutes added on to the 99-minute running time would have made the ending more satisfying and comprehensible.

    Eisenberg, Harrelson, Stone, and Breslin still work well as a group, although Breslin seems to be running uphill against the other three, each of whom has one or more Oscar nominations (including a win for Stone) since the first film came out. They wear their respective roles like a glove, so the chemistry between them rarely falters.

    Zombieland: Double Tap doesn’t live up to the original, but the fun it has racking up zombie kills, introducing new characters, and finding different things for the original cast to do make it a mostly worthwhile endeavor.

    Woody Harrelson and Rosario Dawson in Zombieland: Double Tap.

    Woody Harrelson and Rosario Dawson in Zombieland: Double Tap
    Photo by Jessica Miglio
    Woody Harrelson and Rosario Dawson in Zombieland: Double Tap.
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    Critics' choice

    DFW film critics name One Battle After Another best movie of 2025

    Alex Bentley
    Dec 17, 2025 | 9:32 am
    Leonardo DiCaprio in One Battle After Another
    Photo courtesy of Warner Bros. Pictures
    Leonardo DiCaprio in One Battle After Another.

    The Dallas-Fort Worth Film Critics Association has voted Paul Thomas Anderson's action thriller One Battle After Another the best film of 2025, according to the results of its 32nd annual critics’ poll released on Wednesday, December 17.

    The top award was one of five wins for the film in the poll, including Leonardo DiCaprio as Best Actor, Teyana Taylor as Best Supporting Actress, and Anderson for both Best Director and Best Screenplay.

    After One Battle After Another, the rest of the top 10 films in the poll were, in order, Sinners, Marty Supreme, Hamnet, Sentimental Value, Train Dreams, Frankenstein, Jay Kelly, Bugonia, and It Was Just an Accident.

    In addition to DiCaprio and Taylor, other acting awards included Rose Byrne as Best Actress for If I Had Legs, I'd Kick You and Stellan Skarsgård as Best Supporting Actor for Sentimental Value.

    The two other behind-the-scenes awards both went to Sinners, including Best Cinematography for Autumn Durald Arkapaw and Best Score for Ludwig Göransson.

    Sentimental Value also took home the award for Best Foreign Language Film, while Netflix got double wins with The Perfect Neighbor for Best Documentary and KPop Demon Hunters for Best Animated Film.

    The Russell Smith Award, given annually by the DFWFCA to the best low-budget or cutting-edge independent film, went to It Was Just an Accident.

    The Dallas-Fort Worth Film Critics Association consists of 26 broadcast, print, and online journalists from throughout North Texas. For more information, visit dfwcritics.com.
    ---

    Author Alex Bentley is a member of the Dallas-Fort Worth Film Critics Association.

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