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    Movie Review

    Beautiful Boy haunts with impact of drug use on one family

    Alex Bentley
    Oct 26, 2018 | 3:00 pm
    Beautiful Boy haunts with impact of drug use on one family
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    The horrors of drug addiction have long been chronicled in movies, ranging from the now-campy Reefer Madness to the brutality of Requiem for a Dream. It’s not often, though that much attention is paid to how a person’s addiction can affect their loved ones, as is the case in Beautiful Boy.

    Based on the memoirs of both David Sheff and his son, Nic, the film mostly chronicles a period in the late teenage years of Nic (Timothee Chalamet) when he goes down a rabbit hole of drugs from which he can’t escape. David (Steve Carell), a freelance writer for publications like The New York Times and Rolling Stone, tries everything he can to stop Nic from using, mostly to no avail.

    David and his ex-wife, Vicki (Amy Ryan), have been divorced since Nic was young, with David retaining custody. David has gone on to marry Karen (Maura Tierney), with whom he has two young kids. Despite this wealth of support, Nic gets deeper and deeper into drug use, culminating with what’s considered one of the most addictive drugs, crystal meth.

    Directed by Felix Van Groeningen and written by Van Groeningen and Luke Davies, the film takes a meandering journey through those years, with a number of flashbacks to earlier, happier times when Nic was young and innocent. While highly effective in tugging at the heartstrings, the flashbacks also serve to muddle the overall timeline. Most of the film is a flashback from an opening scene, so the bouncing back and forth does no favors in keeping the chronology of events straight.

    The story is unrelenting and unflinching right from the start. When we meet Nic, he’s already started his descent, so we’re not privy to knowing exactly what he was like when not on drugs, despite a few expository lines. Consequently, there’s something just a bit off when the film tries to go all-in on its emotions. It’s almost as if Van Groeningen is keeping us at arm’s length so we don’t receive the full brunt of feelings.

    Any parent will likely struggle watching the film, whether you’ve had the same experiences or not. The helplessness that David feels as Nic gets farther and farther away from the boy he knew is gut-wrenching.

    Left mostly unsaid in the film are any factors that might have led to Nic’s drug use. Might it have been the impact of the divorce, something that affected Nic years later despite a multitude of love? A scene of David and Nic sharing a joint is included, but it’s unclear if the filmmakers are trying to point to that as a causation, or merely one step in Nic’s drug usage.

    Through it all, the acting is impeccable. Chalamet was already hailed as the next big thing following his roles in Call Me By Your Name and Lady Bird in 2017, and this role only cements that status. Carell proves once again what a versatile actor he his, easily moving back and forth between drama and comedy. Tierney and Ryan are also great in their supporting roles.

    Like most films about drug addiction, Beautiful Boy is not a film you’ll likely want to watch more than once. Despite some faults, it’s a nicely layered film that should make anyone want to stay as far away from drugs as possible.

    Maura Tierney, Timothee Chalamet, and Steve Carell in Beautiful Boy.

    Maura Tierney, Timothee Chalamet, and Steve Carell in Beautiful Boy
    Photo by Francois Duhamel
    Maura Tierney, Timothee Chalamet, and Steve Carell in Beautiful Boy.
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    Movie Review

    Alexander Skarsgård commands the bold, offbeat drama Pillion

    Alex Bentley
    Feb 20, 2026 | 11:45 am
    Alexander Skarsgård and Harry Melling in Pillion
    Photo courtesy of A24
    Alexander Skarsgård and Harry Melling in Pillion.

    Describing the new movie Pillion is almost an act of futility. It contains a variety of seemingly disparate parts that coalesce into a whole to make it utterly fascinating. Few other recent films have been able to walk the line between filthy and wholesome in quite the way this one does, and that’s only because few other filmmakers would actually dare to try.

    It centers on Colin (Harry Melling), a meek man in his mid-thirties who still lives at home with his parents, Pete (Douglas Hodge) and Peggy (Lesley Sharp), while working a dead-end job giving out parking tickets. While performing in a barbershop quartet at his local pub, Colin catches the eye of biker Ray (Alexander Skarsgård), who summons him for a clandestine hook-up the following day (which just so happens to be Christmas Day).

    With barely a word exchanged between them, Ray establishes a dominance over Colin that quickly leads to them starting a relationship in which Colin does anything Ray asks. And that means more than just sex: Colin, whether desperate for any kind of affection or unlocking a side of himself he hadn’t known, readily agrees to cook, clean, shop, and basically do whatever else Ray wants him to do.

    Written and directed by first-time feature filmmaker Harry Lighton, the film is astonishing in the way it’s able to mine humor from Colin and Ray’s atypical bond. To call Ray “unfeeling” might not be totally accurate, but the way he treats Colin borders on cruel. However, the way Lighton structures the film, it’s easy to understand why someone like Colin would be willing to go along with the situation. It’s both hilarious and heartbreaking to see Colin debase himself in a variety of ways.

    On the flip side is Colin’s heartfelt arc with his parents. It’s established right away that Peggy, who is sick with cancer, is a bit too involved with Colin’s love life, with the opening scene featuring her setting him up on a blind date. But their easy acceptance of his queerness and desire to see him find love is as heartwarming as it gets. The juxtaposition between the wholesomeness of their family and Colin’s new life is also the source of a good amount of comedy.

    Lighton does not shy away from the sexual side of Colin and Ray’s relationship, and the scenes he depicts are as graphic as you are likely to see in an R-rated film. Some go up to and a little past what might be expected in a mainstream movie (including the use of a certain fake appendage). Other times they play out in a comical way to illustrate just how far Colin has progressed from the person he was when the film started.

    Skarsgård, who stole the show in the Charli XCX movie The Moment, is the attraction in more ways than one in this film. The part calls for someone who’s not only impossibly handsome, but also a person who can stop dissent with just a glance, and he lives up to both qualities equally well. Melling, best known for playing Neville Longbottom in the Harry Potter movies, also embodies his role perfectly. He plays Colin as weak enough to be run roughshod over by Ray, but not so hopeless as to not be worth rooting for.

    Pillion (which is the name of the secondary seat on a motorcycle on which Colin rides multiple times in the film) operates at a storytelling level that is difficult to achieve. Many people will not fully understand the film’s central relationship, but the way it is showcased by Lighton makes it compelling, gut-wrenching, and sexy.

    ---

    Pillion is now playing in theaters.

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